01. Hechicera 02. Un lobo por tu amor 03. Como dueles en los labios 04. Chaman 05. Tu tienes lo que quiero 06. Clavado en un bar 07. RÃ³bame el alma 08. En el muelle de San Blas 09. La sirena 10. Me voy a convertir en un ave 11. Como te extraÃ±o corazon 12. Amame hasta que me muera
'In Germany, for example, Deutsche Post has started building its own electric vans and will soon start selling them to other companies..'
'The clock may be ticking for petrol and diesel-powered cars, but it's vans, trucks and buses that are driving the electric vehicle revolution on the world's roads.
This week the UK government followed France in announcing it would ban the sale of such vehicles by 2040, while the mayors of Paris, Madrid, Mexico City and Athens plan to banish diesels from their city centres by 2025.
In Germany, for example, Deutsche Post has started building its own electric vans and will soon start selling them to other companies. Meanwhile, in the US, the city of Los Angeles plans to make its entire bus fleet emissions-free by 2030.
The International Energy Agency (IEA) believes that keeping global temperature rises below 2C by the end of the century will in part depend on the electrification of some 600 million vehicles worldwide.
Frost & Sullivan's Ananth Srinivasan says it it easier for freight fleet owners to justify investment in electric vehicles because "when they look at the cost for miles travelled over, say, two years with an electric van versus one powered by petrol or diesel", the financial benefits are obvious.'
Happy Mondayâ¦hope you had an awesome weekend. First up, weâre sending all good wishes to rockstar (and reality star) Bret Michaels, who remains hospitalized in Los Angeles following a brain hemorrhage; his reps say he’s a fighter and we hope heâll be back on his feet soon.Â Happy birthday Carol Burnett, Tom Welling & Channing … Continue reading →
Jaia Thomas is a Los Angeles, CA based sports and entertainment attorney. Ms. Thomas is a graduate of Colgate UniversityÂ and The George Washington University Law School. She also holds a Certificate in Television, Film and New Media Production from University of California, Los Angeles (UCLA). A native of Cincinnati, Ohio, Ms. Thomas is an instructor...
En 2004 tomÃ³ talleres de pintura y expresiÃ³n plÃ¡stica, con el pintor Eduardo Robles (Profesor de dibujo en âLa Esmeraldaâ).
Sus raÃces Jalicienses, la cercanÃa con el Distrito Federal y el marcado ambiente cosmopolita de TepoztlÃ¡n, Morelos, (donde viviÃ³ la mayor parte del tiempo) le proporcionaron destreza inventiva y una tendencia rebelde y original, tanto para el dibujo como para el diseÃ±o.
Del 2001 al 2003 participa en el grupo de poesÃa âLa oveja negraâ donde se ejercÃan tertulias literarias y lecturas de grandes escritores como Augusto Monterroso (de donde el grupo obtiene el nombre), y redacciones y poemas escritos por los integrantes, bajo la tutela de Malena.
A mediados del 2007 inicia la colaboraciÃ³n creativa en el diseÃ±o de producciÃ³n para Facto Teatro en el proyecto "PanteÃ³n de Fiesta" de donde surgen distintas propuestas para la marca MexiqueÃ±o, culminando en la lÃnea de productos âMictlancitoâ.
En 2008 , gracias al diseÃ±o del marco principal se otorga al proyecto una beca por parte de Jim Henson Foundation de N.Y. EUA, como apoyo para la producciÃ³n. La obra se estrena en âThe Music Center of Los Angeles Countryâ.
En Septiembre del 2008 culmina la carrera de DiseÃ±o Industrial.
En Febrero del 2009 comienza a participar con la fabricaciÃ³n de tÃteres para TV Educativa de la Universidad AutÃ³noma Metropolitana, diseÃ±ando y fabricando la mascota oficial de rectorÃa general y a Chiko, personajes creados para la âCoordinaciÃ³n de VinculaciÃ³nâ de la InstituciÃ³n.
Blake Griffin scored 39 points and went 11 for 12 from the free throw line, powering the Los Angeles Clippers to a gritty 118-111 victory over the winless Lakers in the first meeting of the season between the Staples Center co-tenants.
Chris Paul had 38 points and 12 assists, and the Los Angeles Clippers shared the ball impeccably Saturday night as they wrapped up a tougher-than-it-should've-been East Coast road trip with a 113-97 win over the Washington Wizards.
Blake Griffin had 15 points and 13 rebounds, and Chris Paul had 15 points and seven assists before leaving with a strained right hamstring in the Los Angeles Clippers' 93-80 victory over the plummeting New York Knicks on Wednesday night.
The stubborn Memphis Grizzlies aren't the only obstacles in the Los Angeles Clippers' path to closing out a rare playoff series victory. Blake Griffin and Chris Paul are banged-up heading into Game 6, and Caron Butler continues to play with a broken left hand.
Robert F. Kennedy flanked by union organizers Dolores Huerta (left) and Paul Schrade (right). Huerta co-founded what would become the United Farm Workers. Schrade, also a union organizer, was one of five others wounded when RFK was assassinated in 1968. - Photo courtesy of Mexican American Legal Defense and Educational Fund
Cool Justice: RFK Jr. points to forensic evidence of second gunman in his fatherâs assassination By Andy Thibault
Buried on page 271 of Robert F. Kennedy Jr.âs new book on the Skakel murder case in Greenwich is a quick, but telling reference to his fatherâs assassination.
As part of my summer reading I highlighted the passage. I had a visceral sense it was important.
Kennedy family members rarely have spoken publicly about the assassinations of either President John Kennedy or U.S. Sen. Robert Kennedy, much less criticized the official findings. The passage is noteworthy for the simple fact it is memorialized in a book. It is not just a comment in an interview.
This angle deserves serious attention, and so it wasnât shoehorned into the column published Aug. 5 on the Greenwich murder case, âCOOL JUSTICE: RFK Jr. attacks prosecutors, cops, courts for willful misconduct as he asserts cousin Skakelâs innocence.â
Some of Kennedyâs claims and his book investigating the murder of 15-year-old Martha Moxley in Greenwich in 1975 have been panned by the state Judicial Department and other authors who chronicled the case. A state Supreme Court ruling on whether Skakel will face a retrial or be sent back to prison is expected this fall. A senior judge ruled in 2013 that Skakel did not receive a fair trial when he was convicted of the Moxley murder in 2002. Skakel was freed on bond after serving 11 years of a sentence of 20 years to life in jail.
That covers a lot of ground, and the next court decision will be big news. It seems to me the âfootnoteâ on page 271 also is big news.
Following are two paragraphs from Kennedyâs book, âFramed, Why Michael Skakel Spent Over A Decade In Prison For A Murder He Didnât Commit,â leading up to the clincher paragraph on the RFK assassination:
âI sympathize deeply with Dorthy Moxley [Marthaâs mother]. I have seen up-close the agony of a motherâs grief over the loss of her child. my mother lost her husband to murder and two of her sons to violent, untimely deaths in the bosom of their youth. I was with her when my father died. I stood beside her 29 years later as my little brother Michael died in her arms.
âMy mother told us that we needed to let go of our impulse for revenge and allow the cycle of violence to end with our family. This, she said, was the lesson of the New Testament, which swapped the savage eye-for-an-eye tribalism of the Old Testament for the ethical mandate that we turn the other cheek. But forgiveness wasnât just ethics. It was salutary. Revenge and resentments, my mother said, are corrosive. Indulging them is like swallowing poison and hoping someone else will die. By opposing the death penalty for Sirhan, we diluted these poisonous passions.
âAnd what if, God forbid, the object of our revenge turns out to be innocent? For several decades, my fatherâs close friend Paul Schrade [in recent photo, right], who took one of Sirhanâs bullets, has argued that Sirhan Sirhan did not fire the shot that killed my father. Recent forensic evidence supports him. How would we have felt now, if our family had demanded his execution?â
Like most Americans, I had not paid much attention to the forensic details regarding the RFK murder. What kind of evidence was RFK Jr. referring to? What is the significance of his dropping this tidbit toward the end of a book on another subject?
Robert F. Kennedy was shot just after midnight on June 5, 1968 in the back and in the back of the head at the Ambassador Hotel in Los Angeles. He had been celebrating his California primary win in his campaign for the Democratic nomination for president. Kennedy had become a vigorous opponent of the Vietnam War and an advocate for civil rights, unions and racial justice. His death came just two months after the murder of Rev. Martin Luther King Jr.
The renowned forensic pathologist and medical school professor, Dr. Cyril Wecht, assisted Los Angeles Chief Medical Examiner Dr. Thomas Noguchi in efforts to secure the Kennedy body and perform the autopsy. I reached out to Wecht this week to talk about the new Kennedy statement and the evidence cited by Paul Schrade and others.
Regarding Robert Kennedy Jr.âs statement in the new book, Wecht commented: âI think itâs commendable. I wish he had done it sooner.â
Letter presented this year to California parole officials by Paul Schrade
Chris Paul scored a season-high 36 points, Blake Griffin added 27 and the Los Angeles Clippers beat the Denver Nuggets 103-95 Wednesday night to snap a two-game skid in their last game before the All-Star break.
Instead of talking about his first practice under new head coach Mike Brown, Kobe Bryant was hit with plenty of questions about the NBA's decision to nix a trade that would have sent Chris Paul to the Los Angeles Lakers.
Call of Duty! This project has been my primary creative focus for the last couple of years, and it's been a great honour and a pleasure to have been involved with such a potent franchise. There's not much bigger than COD! The development studio for Infinite Warfare, Infinity Ward, has been my home since January and part of last year, and it's been a dream come true to live and work in Los Angeles. Ever since I was a kid, looking through art-of books of my favourite movies, LA has been the place I always wanted to be.
I had been working remotely, as a freelancer, on the IW project for a while, creating concepts like the C12 here, so it was a natural next step to join the team in house in sunny California. The project needed a dose of solid, believable, and badass science fiction flavour, and that's exactly what I love to do! The C12 was the first thing I designed for the project, and it turned out great. The brief was for a walking tank, an enemy robot with a threatening presence, bristling with armaments. I love the right hand appendage, a combination door breaching hammer and articulated claw. The arms are mounted on curved shoulder rails, so they can rotate around and track various targets. There is so much articulation in this guy, it really taxed the rigging department! Bone count be dammed! ha ha
This is the accompanying human sized enemy robot, the C6. A menacing eyeless axe shaped sensor head is mounted on a 360Â° degree swiveling pintle frame, so the head can target you from any angle. I imagined the player shoot one in the back, only to have the head spin 180Â° round and target you, the weapon following a split second behind, helped by the highly mobile shoulder and upper arm sections, allowing the robot to move in ways a human can't, and creating a unique adversary. The work done by the character department to model and texture these robots was insane. It was a true honour to have my concepts brought to life by such a talented team!
A couple of variations on the standard SDF enemy soldiers. The idea was to create an iconic look, something clearly a guy in a suit, but still dehumanised and threatening enough to make them clearly the badguys, and worthy of killing by the hundreds. I added some frames to the 'muzzle', similar to the mounts on a modern day soldiers helmet, that can have additional optics or emergency breathing apparatus attached, to create an aggressive look. The reinforced polymer face pieces have a variable opacity laminate, I imagined a scene where you see a soldier seal up his transparent mask, then the mask turns cloudy white from the bottom up, obscuring the face and turning the visage into an eyeless skull. These SDF soldiers live in their suits, and have multiple redundancy life support systems, with visible added connective cable and hoses, to create a unique inside-out look to contrast against the clean and slick suits of the Earth forces.
Ethan, or E3N, the buddy brobot you as the player have alongside for the game. This guy was fun to design, and I love how the head and upper arms worked out. My brother was the inspiration for this character, he's a big badass dude with the right friendly demeanor that I thought was perfect for this robot. I wanted Ethan to look and feel like someone who would have your back in battle, and be down for some extreme sports in down time. My bro is into motocross, so for the articulated pistons on Ethan's neck, I gave him gold cylinders to reflect the awesome looking forks you find on race bikes. Ethan's head is also a combination of elements from a motocross helmet, with articulated lens hood pieces from a camera lens, and the top hood piece forming a cap and visor peak shape.
Really happy with how his head was resolved. It's tough to come up with a unique and iconic robot head with the right character and ability to emote.
The final design for the UNSA SATO Marine helmets. With the hero Marines, I wanted to create a rugged and tough suit that paid homage to some classic Marine ideas. Mainly the thick armoured neck and arms. The thick neck was an attempt to create a different silhouette than the usual space suit form of thin neck/big helmet. I kept the helmet as slim and 'operator' as possible, while pumping up the neck, to create a unique look that feels badass, and harks to the leatherneck moniker of the Marines.
With the arms I wanted the suit to feel like the rolled-up-sleeves look that's popular with Marines, and seen in some classic movies like Aliens. The lower arm sections and neck utilise mechanical pressure to protect from the vacuum of space, while the rest of the outfit is a traditional gas pressure space suit. Taking inspiration from the latest concepts of future space suits from places like NASA, with their elasticated tight fitting sleeves and lines of non-extension, I created a rugged military look with a thick armoured feel and beefy grid like pattern.
I've loads more concepts to share in the future, so excited to show some of the other cool characters and weapons I was lucky enough to create for the project. Be sure to check out the game too, I'm playing through the final product now and it's rad, so cool to see my work realised to such a high level by a huge and talented team. Cheers!
I've been following Easy Rawlins since reading Devil in a Blue Dress in the '90s. That's a lot of time to give to a character. And as I read Little Green, I realized that I hadn't been following Easy, the character, all these years. In the past I was more invested in other parts of the stories.
I had enjoyed the cases Easy solved, and the way his creator Walter Mosley laid out Los Angeles and the complicated relationship between whites, blacks and Latinos in post-World War II California.
In order to improve the availability of ECE services in Los Angeles county, there must be a substantial pool of qualified and trained staff who work in these settings, and who are qualified to provide high-quality early childhood education to children in the county. As stated by the National Academy of Sciences (2012) and reinforced…
A key component of the Los Angeles County ECE landscape, in addition to access and workforce, is the quality of the ECE services available. While access deals with the available supply of ECE services to meet the needs of the population, and workforce focuses on who is providing care to young children, quality is considered…
Boomerang Boomerang grup rock asal Surabaya yang sebelumnya bernama Los Angeles ini merupakan grup rock ternama Indonesia di era musik 90an. John Paul Ivan (Gitaris), Roy Jeconiah Isoka Wurangian (Vocalis), Hubert Henry Limahelu (Bassis) merupakan pendiri awal Los Angeles, kekosongan personil pada drum kemudian di isi oleh Farid Martin setelah Los Angeles berganti nama menjadi […]
On the Opening Night of the LA Art Show 2017, the first artist to capture my eye with his painting was Si Bowen. This was not easy to do as I was carried away by the crowd at the entrance and was led through a throng of art lovers all but covering the paintings and artworks with their own presence of appreciation. The fact that we are about a week from the inauguration of a new President, it seemed fit to come across a painter with an outside perspective of our election process. Si Bowen, an artist born in Beijing, China who studied art not only in Beijing, but in France and New York, described to me that his rendering of the television debate versions of Donald Trump and Hilary Clinton were painted to describe the passage of time. Viewed as duplicate and triplicate images of Mr. Trump and Mrs. Clinton side by side on their podiums with hand gestures superimposed one over the other, yielded an out of focus picture of the debate postures from last year. That the image captured my eye because it looked politically vaguely amusing or satirical yet timely or that it expressed a unique and clever perspective was something that made me stop and want to meet the artist. The American People might agree that our process is somewhat murky when we transition from one administration to another, so the artist Si Bowen, might have captured in his painting, the unclarity of our union in mid-gesture. Nonetheless, his portfolio of non-political images was of even further interest as one of his favorites was the wonderful painterly expression and focus on his grandmother's hand. Si Bowen stated that he had studied in France as well as spent time in the arts in New York and that he started drawing at the age of three. When his father observed his talents, he enrolled him in the art schools at an early age. Some of the works that Si Bowen showed me in his catalogue were even more spiritually related than just his exploration of time and space and matters of death and spirituality.
Si Bowen is a multi-diciplinary artist creating works in sculpture, oil paint, and installation works. Si Bowen is represented by the LIAHONA ART SPACE representing the strong forces of young Chinese artists.
Ginger Van Hook, Photographer, Writer, Curator, Artist
Van Hook Fine Arts, Beacon Arts Building Studio 1D
Inglewood Open Studiosâ¨Tour Celebrates Its Tenth Year!
Saturday, November 12 & Sunday, November 13, 2016. 12pm-5pm
â¨LOS ANGELES, CA â Inglewood has become the fastest growing artist community in Los Angeles. It is also the fastest growing city, undergoing daily changes for and around the NFL stadium, Hollywood Park Casino, along new Metro lines and downtown Inglewood. The tenth annual Inglewood Open Studios tour will showcase the impressive depth and talent of this community on the weekend of November 12-13, from 12:00 to 5:00pm both days. As always, Inglewood Open Studios remains an artist run event, co-organized by local non profit Inglewood Cultural Arts (ICA).
On both Saturday November 12 and Sunday, November 13, Inglewood artists will open their studios to the public, inviting visitors to personally tour their private working spaces and enjoy art created in all media--drawing, painting, sculpture, mixed-media, photography, print making, installation, video and performance.
An official map with Inglewood Open Studios location details will be available online, at Residency gallery and at all artist studio locations on the tour. For additional information on Inglewood Open Studios, including the printable tour map, please visit www.inglewoodopenstudios.comFree shuttle transportation will also be provided by the City of Inglewood.
Participating Artists -
Inglewood Open Studios participants include both established and emerging artists. The 2016 Inglewood Open Studiosartists are listed in alphabetical order: Adrienne Adar
Martin Bruinsma Kelly Brumfield-Woods
Darel Carey Matthew Carey
Anne Cheek La Rose
Joyce Dallal Bibi Davidson Beth Dubber Martin Durazo
Renee Fox Sue Francis Calida Garcia Rawles
Michael Giancristiano Nancy Jo Haselbacher
Shelly Heffler Astrelle Johnquest
Christopher L. Mercier David Newcombe Lindsey Nobel Kenneth Ober Toni Reinis Joan Robey Alexandra Rose Dawn Rosenquist Karen Sikie Stan Smith
Inglewood is nestled in the center of Los Angeles County. Bordered by the LAX International Airport, it is in close proximity to Otis College of Art and Design and is surrounded by the cities of Culver City, El Segundo, Marina Del Rey, Westchester, and Torrance.
Inglewood Cultural Arts -
Inglewood Cultural Arts, Inc. (ICA), functions as fiscal receiver and co-organizer for the Inglewood Open Studios. ICA is an independent, multidisciplinary nonprofit arts organization serving residents of Inglewood and surrounding communities. ICA's mission is to enhance the quality of life in the community by providing diverse cultural arts programs. www.inglewoodculturalarts.org
Van Hook Foundation-
Van Hook Foundation (VHF) is the media sponsor for the Inglewood Open Studios and may be contacted for additional information.
VHF is a 501(c)(3) non-profit organization founded in Inglewood and located at the Beacon Arts Building Gallery 1D.
The FINE ART TREKKIN series of blogs represents specific communities in the Los Angeles, California Area, as well as the United States.
We are here to represent the FACTS about the Fine Art Community as documentary records. (F.A.C.T.S) PLEASE NOTE THAT WE ARE NOT A POLITICAL ORGANIZATION, nor do we cover politics, news, religion or crime beats.
FINE ART COMMUNITY TREKKIN SERIES of blogs seeks to provide a documentary slice of our culture as it exists in the new millennium, after the year 2000.
WE ONLY REPRESENT THE INTERESTS OF ARTISTS IN THE FINE ARTS FOR SPECIFIC ART EVENTS with the permissions from the artists to promote their work.
a world-renowned researcher and expert in field of vision,
perception and cognitive neuroscience inspired artists from LAAA/Gallery 825
to create new work reflecting scientific principals
exploring the intersection between photography, neuroscience and the arts.
Ann Marie Rousseau photographs Romann Weber for "Science and Surveillance"
Photo by Ginger Van Hook
SMALL GALLERY and MAIN GALLERY
Science and Surveillance
The work in this project plays off Shinsuke Shimojoâs studies on perception and the interplay of emotion, decision-making and consciousness.* Our eyes are constantly scanning our surroundings in rapid leaps, instantaneously accumulating information as they move several times per second, all without conscious effort or knowledge. Shimojo describes the âgaze cascade effect,â in which a subject's gaze between two objects under consideration gradually shifts to favor the object ultimately chosen. Research has indicated that these gaze cascades, also called orienting, are deeply involved in higher-level brain functions such as decision making.
In experiments asking subjects to compare two faces and label one as either attractive or unattractive, Shimojo discovered that the more that someone looks at a particular face, the more he or she wants to look at it, and consequently the more likely it becomes that the face will be labeled as âattractive.â This happens even before the viewer makes a conscious decision. His research also found that the participants' judgments of attractiveness versus unattractiveness could be manipulated by limiting the length of time they were allowed to look at a particular face. According to Shimojo, the unconscious, spontaneous movements of the eyes work in concert and affect what are presumed to be more deliberate cognitive tasks when making choices.
Various studies in cognitive and neuro sciences have demonstrated that imagesâof a face, for instanceâand semantic contents such as verbal labels interact through various mechanisms in order to produce a stable and consistent interpretation of the image. In todayâs modern surveillance society, labeling occurs in myriad ways, both benign and nefarious. This continual labeling has far broader scope and more serious consequences than ordinary judgments of "attractive" and "unattractive," but it is perhaps influenced by some of the same subliminal forces shown in Shimojoâs work.
The lineup of "perpetrators" in this installation shows faces with labels quite contrary to the presumed task of security surveillance, which aims to identify malefactors, terrorists, criminals, dangerous subjects and other potential wrongdoers. Instead these labels, which have been loosely extrapolated from the Buddhist tenets of the ten perfections, seek to discern those with traits most useful, beneficial, lasting and constructive for society. Although these labels are essentially positive, the viewer cannot help but approach them with a consciousness of what it is to be watched and labeled specifically, and an appreciation of the complex tensions inherent in labeling in general.
â¢âGaze bias both reflects and influences preference,â Shinsuke Shimojo, Claudiu Simion, Eiko Shimojo, & Christian Scheier, Nature Neuroscience, Advance online publication, 9 November 2003; doi:10.1038/nn1150
Ginger Van Hook
Mei Xian Qiu
Ching Ching Cheng
Krista Kahl and Ann Marie Rousseau
Krista Kahl, Mei Xian Qiu and Ann Marie Rousseau
Krista Kahl and Ginger Van Hook during the installation
of Connection 1 and Connection 2. Photo by Ann Marie Rousseau
Dori Atlantis, Ching-Ching Cheng, Meg Madison and Mei Xian Qiu
6' x 17' x 13' Digital Photographs, Plexiglass, Monofilament
Photo by Ann Marie Rousseau
9"x9"x9" Urethane, PigmentPhoto by Ann Marie Rousseau
Yoichi Kawamura, Shana Mabari and Shinsuke Shimojo
42â x 42â x 42â Plexiglass Cube + Mixed Materials
Photo by Ann Marie Rousseau
9"x9"x9" Urethane, Pigment
Photo by Ginger Van Hook
Yoichi Kawamura, Shana Mabari and Shinsuke Shimojo
42â x 42â x 42â Plexiglass Cube + Mixed Materials (Photo by Ginger Van Hook)
Inglewood Community Garden is a dream students at Morningside High School have realized today with the help of Inglewood City Council member, Ralph L. Franklin of District 4, Teachers and Mentors, Miss Roshondra Woods, World History Teacher, Mr. Shawn Stanton at Morningside High School with Mr. D'Artagnan Scorza, Director at The Social Justice Learning Institute, and Mr. Sirls, the Principal of Morningside High School. Photography Ginger Van Hook, 2010
For some of the students, it was hard to believe that these beautiful green corn leaves had come from all this dirt and gravel, but the miracle on Yukon and 107th Street in Inglewood was in full bloom. A student by the name of Jazz told the audience that she has been disheartened at first to see that this was a big empty lot with what seemed endless rocks. Then the students started clearing the land and putting their hearts and souls into the earth and the soil responded to their efforts to grow everything from tomatoes to chilies, jalapenos, lettuce, squash as well as herbs like parsley and oregano too.
'Jazz' told us about the transformation of the garden and the friendships that she had made. She explained how there was a new community where before there had been an empty space. The audience cheered for the success of the students and there was a heightened sense of community achievement in the air. There was a slight breeze coming from the ocean that brushed the leaves of the tomatoes and the peppers ever so slightly. The sun beat down upon the earth and music filled the air. Musicians played the guitar and percussion rhythms with their hands and their bodies moved to the beat. Guests were invited to take a water bottle from the center of the garden and in ceremonious ritual to bless the land with the names of their ancestors. I watered a patch of tomatoes and recalled my grandparents in the past. It was hard to remain objective. I was involved. I was now a part of this new blessing upon the community. I was no longer a reporter, witnessing for the writing of a story, I was pulled into the land, the dirt, the rocky earth and right into the story, taken in by the aroma of fresh tomato leaves and the scent of strawberry flowers and consequently, the encouragement of artistic, poetic, talented new friends.
D'Artagnan ScorzaDirector for The Social Justice Learning Institute
said his students are working on a Food Initiative
Mr. Sirls, the Principal of Morningside High School, gave the students and supporters encouragement then went over to the wall and autographed his hand print in green. Mr. Sirl leaves his mark on the community garden wall.
Janet Simmons read her poem that she wrote for the Inglewood Community Garden:
and my choice...
I speak of here.
what I have seeked here
throughout, without and within this garden
my rough hands
rock indented knees
my wind tormented hair
the dirt infected breeze
that flows through this garden
like a stream of music through my ears
When it comes down to it
this would not mean as much
without you, me, us
I dedicate myself to you.
There were cooking demonstrations and watermelon slices.
The Los Angeles Times came to cover the event and I captured Glenn Koenig working in earnest covering the tree planting ceremony. This Photo is by Ginger Van Hook, but at least four or five reporters were on scene to witness this miracle transforming strangers into friends, and smiles turning lives into a tight knit community bonding over vegetables and issues of social justice, friendship and healthy meals...All good things going on in the City of Inglewood!
Julie Prejean a Forestry Senior Manager for TREE PEOPLE
came to support the garden opening and to donate and help plant a special tree.
She told her eager audience of new gardeners that they could choose its name.
City Council Member Ralph L. Franklin praised the students,
teachers and supporters for taking the initiative and making it all happen,
and 'what a beautiful day it is for a planting ceremony!'
USC reporter Christine Trang from the USC Annenberg School for Communications and Journalism interviewed various participants and was preparing her report for southlareport.com
Inglewood Artists and supporters, Ken Ober, Renee Fox and Ceres Madoo, Alumni Relations at Otis College of Art and Design came to support the Morningside High School Community Garden Opening Ceremonies.
Photo by Ginger Van Hook 2010.
As an Inglewood Artist I was invited to attend this event, thanks to Ceres Madoo and when I arrived, I did not know what to expect; but whatever it was to be, I knew this was a GREAT IDEA! As I milled about I got the opportunity to meet Mr. D'Artagnan Scorza who told me how the students from Morningside High School had gotten together to discuss civic engagement, how to show school spirit, how to improve the community and how to better serve the needs of the school district. The students themselves came up with the concept of a community garden, but at first, did not have the means to make it happen. The original students were from Miss Roshondra's class and Mr. Shawn Stanton's class. A good idea took root then and there. One thing led to another and with the help of Inglewood City Council Member Ralph Franklin, their project got the encouragement and the support they needed right there from the school district's land.
This property belongs to the school so now the students are able to
develop a way to empower themselves to be a self sustaining community
with healthy nourishing meals for its students.
No better way to grow fine artists, fine students and fine citizens
than to take the seeds and cultivate,
water frequently, daily, encourage with wisdom and respect for the land.
The students have a great number of plans which includes a farmer's market, music, art and culinary culture events.
A local artist and resident of Beverly Hills turned her garden into an art form by creating a project called âPlant It Forwardâ. Linda Kunik, an artist and alumna from Otis College of Art and Design has initiated a project to enhance her artistic community as well as inspire local artists to do the same. âPlant It Forwardâ is about establishing community while reconnecting with the earth, a vision which includes artists bartering for vegetables either by working in the garden or helping in the documentation of the gardenâs delights by photographing, videotaping and or journaling about the experience. Ms. Kunik believes trading services for food in these tough economic times makes sense because while cultivating the soil, a group of artists will also cultivate friendships and nourish the community. The foundation of Linda Kunikâs work is to get back to the roots of sustainable agriculture. âPlant It Forwardâ does exactly what it says. The seeds are planted now and the fruits of this labor go forward to feed people who take from the harvest the inspiration to plant their own gardens.
ââ¦My vision is for everyone to have their own garden, large or small and if that is not possible, to raise enough awareness for the people to shop locally and support their local Farmerâs Marketsâ¦â Ms. Kunik states as she points to the five large gardens she created in the back yard of her home, replacing flowerbeds and lawns in order to plant vegetables, herbs and fruit trees. Kunik wanted to give back to her community, raise awareness of the need for personal gardens and utilize the artistic medium to make her statement. âMy work has always referenced the land. From my early days as a watercolorist painting landscapes to later works making paintings of deforestation or global warming; the beauty and fragility of the earth has been a recurring theme. Combining my agricultural practice with my art-making seems to be an natural evolution.â
The prospect of jumping into an artistic adventure to produce homegrown fruits and vegetables with a group of fellow artists was contagious. Thus the enthusiasm carried this labor of love into the summer as Ms. Kunik worked with a group of artists to bring in soil, create raised beds and began to fill them with the seeds of tomatoes, carrots, spinach, lettuce, corn, and a variety of herbs, citrus fruits and assorted vegetables. Some of the artists participating in Plant It Forward include Juna Amano (Painting & Sculpture), Marissa Magdalena (Installation, Performance and Drawing), Ofunne Obiamawe (Photographer), Suzanne Oshinsky (Videographer), Michiko Smith (Painting), Whitney Stolich (Photographer) and Ginger Van Hook (Photographer) as well as the new artists joining every week.
It is the zenith of summer now and already some of the tomatoes have ripened looking fat, juicy and red. In recent weeks, there have already been harvests of endive lettuce, carrots and radishes. The important element in the formation of this garden is the artistic component of Ms. Kunikâs vision. The raised beds and gardens are shaped into asymmetrical forms with a walking path between them. Large Sunflowers adorn the corners of each of the vegetable beds and the aromas of fresh tomatoes and rosemary mixes with the fragrances of roses and lavender permeating the air in her back yard.
Linda Kunik has written a blog about her work and continues to support the arts by highlighting the artistry of organic gardening in photography and painting. She also founded a community artist forum called the O Salon. The O Salon is where artists network and take part in conceptual critique as well as share information about each otherâs works. Ms. Kunik is involved in a number of professional organizations including the Los Angeles Art Association, the Los Angeles County Museum of Art Docent Council and the National Museum of Women in the Arts.
Linda Kunik photographed beside her painting
Exhibition at Gallery 825 in Los Angeles, California, 2008
(Photo by Ginger Van Hook)
Plant It Forward-the starving artist project
Additional artists websites and blogs:
Juna Amano (Painting & Sculpture) http://junaamano.blogspot.com
Marissa Magdalena (Installation, Performance and Drawing) www.marissamagdalena.com
Painting and Photograph copyright by Luke and Ginger E. Van Hook, 2004
Courtesy of the Van Hook Collection
The Art of Lovin' Animals
Features a group of artists inspired,
motivated or influenced by their beloved pets
and appear in this blog in the following order:
Joshua Elias, Simone Gad, Betty Glass, David Newsom,
Monrovia Association of Fine Arts supporters
(KidsArt Studio, PaintNPlay Art Studios, Tyson & Tillman Skate Dogs)
Family Dog and Cat Hospital in Monrovia, California (displays animal artwork).
Ginger Van Hook, Luke Van Hook,
Alex in Welderland, Elena Wolek, and Zareh.
Additionally as part of the "Art of Lovin' Animals"
there is a special book and movie review of
John Grogan's book "Marley and Me", and the recent hit movie
starring Jennifer Aniston and Owen Wilson
Written by Enilde G. Van Hook with special thanks to all participating artists!
Do you remember your first pet? I do. I even have a picture of how much bigger my catsâ paws were than my two feet put together at the age of three. My mother, tells me I had a yellow duck, a small dog and a large yellow tabby cat that owned me as a child.
These three pets were protective, possessive and they were my first companions as I ventured out, for the first time, into my wild back yard of dirt and weeds. I was born in Rosario Argentina and to me now as an adult, my backyard is still my world. I live in Los Angeles, California but the romance of the Argentinean Pampas is not lost on me. From the pictures of my past, I gathered that my Belgian Grandfather, Francisco, ran a plant nursery in Buenos Aires and that my father, Luis, grew up to be an inventor in America. But the most unique connection I have to my past is my relationship with animals. Iâve had a pet at almost every age as I grew up. The importance of this type of companionship has not been explored enough in the art world, at least, this is my opinion. This is the reason I am blogging about the subject of the art and inspiration of lovinâ pets. I hope to instigate discussion, if not compassion. I hope to motivate an artistic response to my thoughts as well. You may have a completely different experience, so I personally encourage you to post your comments after you read this entry.
This is what I asked myself for the subject of the essay for Ginger's Art Journal. What is the relationship of animals and pets to the art world? How involved are animals throughout the art strata? How much inspiration is gathered from the love of a pet? Can that even be measured? Does the love of a pet inspire political causes? Activism? How does one explain the pangs of loneliness from the loss of a pet? Does the death of a pet make an artist create more art? Does the gift of a new life of a pet inspire hope and renewal in artists? How do artists express their love and affection for the four-legged critters of our earth? How do animals, pets, pet trees, pet rocks or pets of any kind affect the process of making art?
There are a number of artists that I have followed for a period of time to investigate the questions that will make up this entry. Studying the work of a number of local artists from the Los Angeles and surrounding areas that work with pets in their art practice, I will present some of their unique stories with photos. The artists, in alphabetical order, include Joshua Elias, Simone Gad, Betty Glass, David Newsom, Ginger Van Hook and Luke Van Hook, Alexandra from Alex in Welderland, Lena Wolek and Zareh. Additionally, the art of lovinâ animals has made a seamless transition from the literary art into the film arts so I will discuss one of my favorite books by John Grogan named âMarley and Meâ as it compares to its latest movie version of âMarley and Meâ starring Jennifer Aniston and Owen Wilson which opened in December for Christmas Day.
The method selected to choose these artists was random. I began my animal photographic study in 2006. Through my daily practice of studying the arts, I have come across people who were âin my back yardâ and came to connect with me in a special way. I didnât set out to write a story about animals. I merely went about my daily routine of photographing people and artwork that caught my âeyeâ because I was at the right place at the right time. Believing that the universe has a special plan for me, I allowed this story to evolve of its own volition. What I discovered both surprised me and opened me up. What I mean by this is that I was surprised to discover that artists who had pets had a great deal in common with other artists who had pets. Most people know and understand the history that reveals how the Egyptians revered cats and how the dog is considered âmanâs best friendâ. While it was common to have general conversations about how great it was to have pets and create pet portraits, I rarely came across artists that spoke to the deeper underlying significance in the arts about this specifically. While doing this research, I came across the most extreme case of worshiping our pets. The act of cloning has been in the news ever since the cloning of âDollyâ the sheep, but did you know that now there is a company that has launched itself into a commercial venture to clone manâs best friend? I discovered this and lots more so enjoy the new year in 2009 with a renewed commitment to your beloved pet. This is an ongoing story so donât feel left out if your best friend isnât included in this entry. Iâm still reviewing artwork and pet portraits,
feel free to send me an email about your animal story and Iâll include it in the followup stories!
Photo copyright Ginger Van Hook, 2007 Winston and Lucille read art literature on the couch and
wait for Joshua Elias to become inspired to feed them.
Photo copyright Ginger Van Hook, 2008 Paintings by Joshua Elias
Art in the making at the Brewery Artist Colony
Los Angeles, California, 2008
Studio visit by Ginger Van Hook
Photo copyright Ginger Van Hook Artist brushes belonging to Joshua Elias
The instruments by which Joshua Elias creates the canvas of weather and inspiration.
Photo copyright Ginger Van Hook, 2008 DCA Fine Arts Gallery, Joshua Elias with Mathew Heller and his girlfriend
Photo copyright Ginger Van Hook 2007 Joshua Elias, Exhibition at DCA Fine Arts Gallery
Santa Monica, California
Photo copyright Ginger Van Hook, 2007 Joshua Elias with his cats Winston and Lucille
in his studio at the Brewery Arts Complex in Los Angeles, California
Photo copyright Ginger Van Hook, 2008
Art has become about large quantities of Resin, masquerading as Content. The focus has been on Process, confusing it with Content. Enough. I wish to focus on Content. Story and Vibration lead the way for me to paint.
I work in oil because of the depth and movement that it allows for me, as a medium. I focus on Landscapes that are rearranged. Traveling spirits act as guides, to the movement of a particular painting. The influence of Moorish architecture and its many doorways offers and allows entryways into paintings.
At present we are in a period of Time where there seems to be long standing fights over Space, Time Religion, Money, Ideology, and Relationships. Enough. The one thing we do all share is Weather. Through the action of Creating our own environment, our own personal Weather, the Repositioning of Weather can illuminate and allow for more Creation to happen, more of a Life Force to shine and to take shape.
Ã¯Â¿_ Joshua Elias
Courtesy of the DCA website *************************************************************************************************************************
Fine Arts Painter, Collage Artist, Actor and Performer
Simone Gad, Artist, Solo Show, L2Kontemporary Gallery
February 2008 Chinatown, Los Angeles, California,
Photograph by Ginger Van Hook, copyright 2008
Selfportrait with Max and Bella/Autoportrait avec Max et Bella
Private collection, photo courtesy of Simone Gad, Artist, copyright 2005
Gad/Rin-Tin-Tin Collection Long Beach Museum of Art
Courtesy Simone Gad, Artist, copyright 2005
Picture Holocaust Clowns - Pinups 127, Gad and Poodle
Courtesy Simone Gad, Artist, copyright 2005
Selfportrait with Cat and Jesus
Private collection, Courtesy of Simone Gad, Artist, copyright 2005
Hommage a Ma Mere 2005 Painting Collage
Copyright and Collection- Simone Gad
Courtesy Simone Gad-Artist
Photograph by Antonio Garcia
Autoportrait avec Kashmir, painting collage 2005/06
Courtesy Simone Gad- Artist and L2Kontemporary Gallery
Chinatown, Los Angeles, California. Copyright Simone Gad
Portrait of Bella, the Brindle cat, acting secretary for Artist, Simone Gad
Los Angeles, California, Artist studio visit
Photograph by Ginger Van Hook, copyright 2008
Bella the Brindle Cat, (on the Marilyn and JFK Installation)
Photo copyright and courtesy of
Jesse Bonderman and Simone Gad,
Bella, the Brindle Cat #2 (Marilyn Installation)
Photo courtesy of Jessie Bonderman and Simone Gad
Portrait of Simone Gad, Artist with companion, Bella.
Los Angeles, California, Artist studio visit
Photograph by Ginger Van Hook, copyright 2008
Portrait of Bella
The Brindle cat, Artist assistant, model
and loyal companion to Simone Gad.
Los Angeles, California, Artist studio visit
Photograph by Ginger Van Hook, copyright 2008
Max and Bella pose for pictures in the window of Simone Gad's artist studio
Los Angeles, California
Photograph by Ginger Van Hook, copyright 2008
Simone Gad poses with one of her paintings of Chinatown
during her solo show at L2Kontemporary Gallery
Chinatown, Los Angeles, California
Photograph by Ginger Van Hook, copyright 2008
Enilde Van Hook writer's notes: I met Simone Gad at an exhibition of her work in Chinatown in the spring of 2008. The L2Kontemporary Gallery is a unique gallery located at 990 N. Hill Street #205 in Downtown Los Angeles (90012), California. I received an email from ArtScene, a wonderful source of local Art Events that is produced by the staff of Coagula Art Journal. Special thanks to Michael Salerno and Mat Gleason, because somewhere in the announcement, I read that Simone Gad was a Belgium-born artist and this led me to want to meet her to talk about the art in Belgium, where my grandfather had been born. Once I attended her exhibit and got a chance to meet Simone, I realized there was a distinct cultural connection we had through our reverence to the animals. She used images of her cats to make intriguing and poignant self-portraits and insightful photographic collages.
I have followed Simone Gadâs work into 2009 and you will enjoy visiting her site through the L2Kontemporary Gallery located in Chinatown in Los Angeles: Follow these links to get to know a renaissance artist, a versatile film and TV actress, a woman of many talents and an artist who has a great deal of compassion to show for her animal friends: visit the online gallery site at http://www.l2kontemporary.com to view her solo show at L2k for Feb 08 plus her updated resume which may be viewed at saatchigallery.org by writing in her name or wooloo.org by writing in Simone Gadâs name.
Special thanks to the L2Kontemporary Gallery for cooperating with my interview! (www.L2Kontemporary.com and L2Kontemporary@sbcglobal.net and phone: 323-225-1288)
Artist Statement and Biography: 2009
I've been showing in museums and galleries for 40 years-am a 6 times grants recipient, including a CRA Grant 1986, the Woman's Building 1985/6, New Orleans Contemporary Museum of Art 1984, the Gottlieb Foundation-NYC/Painting Medical Emergency Grant, Change Inc-Robert Rauschenberg Foundation Grant-both in 2002 for painting and medical emergency, and Artist Fellowship Foundation Grant in 2007-NYC. I am included in the Archives of the National Portrait Gallery/Smithsonian-Washington, DC, and will also be included in the Lyn Kienholz Encyclopedia of Los Angeles Artists who have shown between 1944 and 1979. In Los Angeles, I am represented by L2kontemporary Gallery-Chinatown, Jack Fischer Gallery in San Francisco, and am showing in Spain. I am also in the traveling museum exhibition-Your Documents Please thru 2010 in Japan/Europe/Mexico curated by Daniel Georges of Brooklyn, NY. I was born in Brussels, Belgium to holocaust survivor parents, from Poland. We came to the US in the early 1950's and settled in Boyle Heights/E.L.A, after arriving at Ellis Island. My mother got me into show-biz at the age of 4 upon our immigration. I grew up in the entertainment field as a young actress-have been working professionally in film, tv, commercials and theatre ever since. Have always had a dual career-.visual/performance artist and actor. George Herms and Wallace Berman were my first mentors. Al Hansen was my mentor from 1972 to 1995 when he passed away in Koln, Germany.
My cats Max and Bella Bettina Kashmir are my inspiration for many of my painting collages-have been so for many years. I've always been inspired by my cats and dogs that I've had since I arrived to this country from War torn Europe. My father got me my first dog-Teddy Queeny when I was a child living on Folsom Street-We had just returned from a movie on Brooklyn Avenue when we saw the puppies on our way home. I was allowed to have one-and I was so happy. But my mother hated animals and wouldn't let me keep my pet with me in my bedroom and it cried all night. I was heartbroken when I got home from Nursery School the following day and found that my dog was gone. My mom told me she had sent it to New Jersey to live with my Tante Sally. I wasn't allowed to have any animals after that. Years later I visited my aunt and asked her if she had taken care of my Teddy Queeny and she told me she never did-she never got the dog-didn't know what I was talking about. I realized that my mother had lied to me and had possibly killed my beloved doggie. I had moved to Topanga Canyon for a while in the late 1960's-that's where I got to know Wallace Berman and George Herms. I was given a miniature sheppard-who I named Lady. She was my constant companion and I adored her. She was run over by a couple of friends who were staying with me one night. I found her bleeding from her mouth by the driveway. She died in my arms and I could feel her spirit leave her body. We buried her the next morning. I was devastated for years. A friend of mine gave me a dash-hound and I took it home to be with me when I left Topanga and stayed with my parents for a while. I named her Wiggle Butts because she had this habit of wiggling her behind when she walked. I was not allowed to keep her-once again-so I called a friend and had her drive from The Canyon to pick Wiggles up and take care of her for me. When I left my parents and got an apartment, I got a cat-Nathaniel-my very first cat-who was with me for 15 years until he passed away. It was then that I started to incorporate animal objects into my collages-in the mid 1970's.
copyright Simone Gad 2009
http://www.l2kontemporary.com to view Simone Gadâs solo show at L2k for Feb 08 plus her updated resume-you may also get it on saatchigallery.org by writing in her name or wooloo.org by writing in Simone Gadâs name-
Betty Glass celebrates Christmas with Lulu at home in 2008.
Lulu, wearing her new holiday sweater,
pokes her nose into the gift bag
to see if she likes what Santa has brought her.
Photo copyright and courtesy of Betty Glass and James Glass.
Turtle Painting, Watercolor Artwork by Betty Glass reminiscent of her pet turtles.
Photo copyright and courtesy of Betty and James Glass.
Trojan Horses, Watercolor painting by Artist, Betty Glass
Photo copyright and courtesy of Betty and James Glass.
Hummy, Watercolor Painting by Artist, Betty Glass.
Photo copyright and courtesy of Betty and James Glass.
Yankee and Sugar, Watercolor Painting by Artist, Betty Glass
memorializing the life of her beloved friends.
Photo copyright and courtesy of Betty and James Glass.
Yankee (5-17-80 --- 4-20-94)
the larger white and orange Brittany on the right,
and Sugar (7-20-90 --- 12-24-04)
the smaller Brittany on the left.
"Beloved Friends and Forever in our hearts!"
Loyal Friends, Inspiration and Companions
to Artist, Betty Glass and her family.
(Special thanks to husband, James Glass
for his technical computer assistance
with digital photography formating of Betty Glass Artwork.)
Photo copyright and courtesy of Betty and James Glass
Enilde Van Hook, Writer's Notes: I met Betty Glass through the Monrovia Association of Fine arts in 2006. We were showing together at the Focus One Gallery on Huntington Drive in Monrovia, California. When Betty came into the gallery, she was toting her adorable poodle named Lulu. I was charmed immediately and I just had to have a photo of this beautiful female pooch with a twinkle in her eye and the gumption to come into an art gallery where only humans gathered. This little poodle had no clue there was any difference between her and her owner, and she acted like she was looking at the art just like everyone else. At the time, I considered this a very cultured poodle and I told Betty so. Betty giggled and let me take her snapshot with Lulu and then we did not see each other again until we had another show together, also at Focus One Gallery two years later in December of 2008. When I saw Betty this time, I saw the connection of her artwork and the love of her animals come through her work and later, she agreed to participate in the interview for my blog. You may enjoy Betty Glass's artwork by visiting her website at www.bhglassart.com
Betty H. Glass
Artist Statement about Animal Art
Through art we communicate our feelings and thoughts.
Our art reflects what experiences in life have influenced us.
I have had a lifetime of pets
ranging from goldfish, parakeets, and turtles and, of course,
the loyal dogâalways your friend even when the sky seems to be falling.
I am still sketching and painting animals, birds, and fish.
The softness of their fur, the texture of their feathers and fins,
the variations of color are very appealing to me,
because color is part of my artistic signature.
Sometimes they are presented in a realistic fashion.
Other times I use animals in a more stylized wayâ
using their shapes as patterns, semi-abstracting them and their background.
For example, my painting Trojan Horses shows flattened stylized figures of horses.
Hopefully artistically pleasing and calling to mind ancient Greece.
The Art of Lovinâ Trees--
Featuring Artist Joel Tauber
Story dedicated to Joel and Alison
in celebration of their joyous engagement on November 9th,
Written and Researched by Enilde Van Hook Story Consult and Editing by Luke Van Hook
America is having a love affair with trees and California is second to none in leading its appreciation of trees. Digging deep into the roots of this story, I have followed and researched the tree culture specifically in Los Angeles where our love of trees has spawned a unique pop tree culture relating to art. Our popular tree culture today includes but is not limited to tree sculptures, tree paintings, tree photographs, tree videos, tree poetry, tree songs, tree jewelry, tree movies and even tree love affairs.
Tree Earing created by Joel Tauber for his Sick-Amour Tree in Pasadena, California.
Additional Tree Jewelry created by Joel Tauber to adorn the Sick-Amour Tree includes leaf jewelry, as well as the male earing and the female earing that hang from the tree below.
Photos of tree jewelry courtesy of Susanne Vielmetter Gallery 5795 West Washington Blvd., Culver City, California 90232 www.vielmetter.com email@example.com (323-933-2117)
Sick-Amour Tree in the parkinglot of the Pasadena Rose Bowl, protected by barriers installed by Joel Tauber in his quest to save his beloved tree. Tree wearing the earings looks hot! Photo courtesy of Susanne Vielmetter Gallery.
Leaf sculpture by Joel Tauber Female tree earing by Joel Tauber. Male tree earing created by Joel Tauber, photo courtesy of Susanne Vielmetter Gallery, 2008
For the record, our love of trees goes way back to the dawn of time when we were swinging in the trees, however, our love has grown and matured since then. The Greek and Roman heritage of literature and art bestows us with intoxicating stories of their Gods having entanglements with humans. Some of their deities were known as protectors of trees and nature such as Dionysus the Greek god of agriculture, fertility, wine and merriment. He was later renamed Bacchus by the Romans and reported to be the Tree God. Back in the day when artists carved trees into stone and marble relief sculptures to worship in the temples of their mythological gods, people celebrated the sacredness of trees, grapevines and sometimes the unions of gods and mortals. There was Pomona, the goddess of fruit trees who married Vertumnus, the god of fruits and gardens. Digging deep enough, one is sure to find stories of deities mating with trees and spawning children of the harvest for instance.
In modern literary circles there are a number of great imaginative family favorites written about trees, like âThe Giving Treeâ by Shel Silverstein. Then thereâs the infamous story of how Robinson Crusoe lived in a tree-house, and of utmost importance to our American history of trees, we propagate the very memorable legend of âJohnny Appleseedâ.
In our contemporary times we have a legend in the making too. I have been fortunate to witness the emergence of a new âJohnny Appleseedâ and interestingly enough, the story involves a recent romantic love affair between one special tree and a mortal that is well worth pursuing the story. Sometime in the fall of in 2007, I met Joel Tauber. This is the artist who I believe was struck by a mythological bolt of lighting, so to speak, pertaining to one of the Greek or Roman deitiesâ. Joel Tauber is said to have fallen head over heels in love with one particular Sycamore Tree in the parking lot of the Rose Bowl in Pasadena. My chance meeting with this now famous mortal under the influence of an enchanted mystical spell, has led me to research the mysteries intrinsic in the charms of trees. I too have been struck with the frailty of trees, their vulnerabilities, and their enormous strengths and inspiration. This together with my own personal experiences with trees has prompted me to come out of my shell and discuss the subject in all seriousness.
My own personal background is not in trees. I am simply a tree-lover from childhood. For a little over ten years, my professional background was in radio as a disc jockey and on-air personality. I listened to music, reviewed songs and kept tabs on the pop music culture. I worked in the Los Angeles market as well as Santa Barbara, California; Eventually I moved to expand my work experience in neighboring radio markets like Reno, Carson City, Lake Tahoe and Gardnerville/Minden, Nevada. It was through traveling that I saw some of the most beautiful trees along the routes through Northern California and Northern Nevada! While I drove from one radio market to another over the years, I watched the trees go by at the various speed limits along the highways of my lifeâs journeys. Thus you will understand when I tell you that often I see art and life, for that matter, through a series of moving images in my head which include a music bed.
I was eleven years old when in 1970, Joni Mitchell wrote and released a song called âBig Yellow Taxiâ whose lyrics surpassed the test of time and is currently in airplay by a glut of new groups. The lyrics began with ââ¦They paved paradise and put up a parking lot. They took all the trees and put them in a tree museum and they charged all the people a dollar and a half just to see âem.â One of the barometers I use to gage the influence of any particular song, music or artwork that I come into contact with is if it will surpass the test of time, among other important criteria. This song became one of my favorite songs of all time. The lyrics made so much sense to me. When I met Joel Tauber, I was introduced to the enormous scope of his Sick-Amour Tree-Baby Project. It was then that I suddenly started hearing Joni Mitchellâs song in my mind again, only this time, as I got in my car, Counting Crows was performing the song. When I started doing more research on the song that I could not get out of my head, I was struck by how many artists had re-recorded the song and barely changed anything about the words. There is Amy Grant, who upgraded the dollar amount from $1.50 to $25 when singing about how much the museums charged people to enter. Additionally there is Green Day, Sarah McLachlan, Charlie Barker, Bob Dylan, Moya Brennan, Ireen Sheer, Donnie Eidt and a host of so many others that have recorded âBig Yellow Taxiâ it was simply overwhelming! I think the importance of the lyrics to this one particular song is that it reveals the fact that people love trees and hate parking lots. The message is that if it werenât for our trees, we could be living in a frying pan! The impact of this single song is that it reveals what is really going on in peopleâs minds. There is a reason why so many artists are flocking to re-record the lyrics in their own way.
Not only are trees involved in the music arena, trees as subjects, are very involved in politics as well. Gaylord Nelson, a senator from Wisconsin at the time, took a leading role in developing the celebration of Earth Day on April 22nd 1970 as a way to commemorate our environmental concerns. Arbor Day is presently celebrated as well with the first ceremonial tree planting in Washington D.C. on April 27th in 2001, all evidence that goes to prove the people of our planet do care about what happens to our trees.
Trees stand as a testiment and memorial for Dr. Martin Luther King
Dr. Martin Luther King is memorialized with trees along Expositon Blvd. across from the Los Angeles Coliseum and down the street from the University of Southern California.
Photo by Ginger Van Hook
Online sources on the subject of trees are rich in number. For instance, eighteen years ago, here in Los Angeles, a multi racial group of volunteers planted 400 Canary Island Pine trees along seven miles of road on Martin Luther King Junior Boulevard to commemorate Dr. Martin Luther Kingâs life. Today, this living homage to Dr. Martin Luther King Jr. continues to thrive and keep the dream alive for his followers. The founder and President of www.treepeople.org is Mr. Andy Lipkis and he keeps tabs on the trees to make sure all 400 trees stay healthy.
Mayor Antonio Villarigosa is the person to thank for the âMillion Trees Initiativeâ he signed into effect in May of 2006 and Los Angeles residents can learn how they too can receive up to 7 free trees to plant on their property. Visit the website at www.milliontreesla.org to learn the details. Also in Portland, Oregon there is www.friendsoftrees.org and in Bellingham Washington you will find www.geocities.com. There is also the International Society of Arboriculture called ISA and can be accessed by visiting www.isa-arbor.com. You will also find a great deal of valuable advise on the growth and care of trees at www.treesaregood.com and check out Tree Care Industry Association TCIA as well.
In the art world, an artist named Mark Dion was featured in a documentary film report that aired in 2007. To view the video one may visit on the Internet by going to www.pbs.org and find Mark Dion as he took the subject of trees and made an art piece that explored what would happen if one were to take a tree after its death, take it out of its familial context of natural forest, and re-create the ecosystem in an environment that would otherwise be a hostile urban setting, needless to say, a cityscape. Just outside of Seattle Washington, he states, a Hemlock fell on February 8th, 1996â¦and so begins an elaborate experiment that pits optimism against reality." The PBS special is very detailed and you will enjoy the depth of research and work that Mark Dion went to to take a tree out of the forest and recreate the setting in the city. The difference between the artwork presented by Mark Dion and the artwork presented by Joel Tauber is in the nature of the life of the tree. Mark Dion works with a dead tree and its living components, and Joel Tauber creates life out of a tree seed and duplicates it all over his community.
Thus Iâve discovered for myself that when I researched the subject of trees, I discovered Joel Tauber wasnât alone! However, instead of creating an experiment in ecology, Joel Tauber goes further than Mark Dion does with this concept of eco-systems and their frailties. Joel Tauber begins a journey that could eventually repair the eco-systems that man has destroyed. This is where Joel Tauber takes the lead in the art world and becomes not only the realist but the optimistic hope for trees in desecrated forests all over the country. Joel Tauberâs work as a living project of art in 2008 has resonance and his story is well worth telling again and again. He is certainly not the first, nor the last to get involved in the love of trees, but he is the first in contemporary times to have been associated with a mythological and mystical occurrence of reproducing tree babies out of just hugging one lonely tree.
The last time I saw a man hugging a tree, he was hugging the tree for all the wrong reasons. At the MOCA, Los Angelesâs Museum of Contemporary Art, some years back I was viewing an exhibition that was in town by the Utah born artist now working in Los Angeles, Paul McCarthy. While this work of art depicted a very raw and unsettling sculpture of âtree-lovinâ it had nothing whatsoever to do with the love of any tree. The work displayed a timely political statement about our government rather than the love for trees, but bear in mind that the thought involved images from manâs intimate involvement with trees both in the biblical sense and in the sense of manâs raping of the planet. Joel Tauberâs work counteracts the devastation of many years of neglect for our trees with a very basic recipe for the renewal of our commitment to our green-leafed friends. Now, when I see the image of Joel Tauber hugging his Sycamore Tree in Pasadena, I get a whole new perspective for the love for our planet, our trees and our environment as a whole.
"The Garden" by Paul McCarthy from The 20th Century Art Book,
Phaidon Press Limited, page 280. Photo is used for purposes of artistic review.
The caption in the book reads as follows: " 'The Garden' is a full-scale tableau of an outdoor, woodland scene, complete with leafy trees, shrubs and rocks. This tranquil picture of nature is rudely interrupted by the presence of a middle-aged, balding man with his trousers round his ankles, engaged in a wholly unnatural act. From one side of the installation, his actions are not immediately apparent, being partially hidden by the tree trunks and foliage, but the sound of mechanical activity draws the viewer in to discover the shocking sight of a man copulating with a tree. This robotic figure, with its endlessly repetitive movements, is both comical and crude, and is intended by McCarthy to question notions of acceptable public behavior and sexual morality. McCarthy is a lecturer at UCLA as well as an artist. His sculptural installations evolved out of his earlier performance work which focused on his own body engaged in extreme and disturbing acts."
To further explain this romantic entanglement between a tree and a mortal, I cite some important historical facts. Back in 2005, Joel Tauber was in the parking lot of the Pasadena Rose Bowl, when he spotted a particularly lonely and neglected Sycamore Tree. There are hundreds of thousands of trees in Pasadena, and a great number of them thrive very well on the grounds of the Rose Bowl, should you ever drive through this luscious community of tree and rose-lovers, you will see. But Joel Tauber focused his attention on one specific lonely tree. He started to note more and more how cars would hit the bark of the tree and scrape it, injuring the tree repeatedly. Joel Tauber became a witness to this treeâs life. Taking compassion and friendship upon this particular tree, Tauber began to film the area of the parking lot where the tree was growing. He got the idea to put up solid barriers to protect it from cars and also carried water in large plastic bags to irrigate the tree. Soon, Tauber found himself as a one-man band, orchestrating a symphony of activities leading to editing mass quantities of tree footage, fighting City Hall, and embarking on a quest to save this tree from infertility using tried and true guerilla tactics that would make tree-huggers stand and salute. To personally view the Sick-Amour project, along with the giant scale tree sculpture installation exhibited at Susanne Vielmetter Gallery in 2007, you may visit www.vielmetter.com.
Recently, I had the privilege and opportunity to discuss Joel Tauberâs work with Susanne Vielmetter and she was delighted to tell me what a wonderful sense of humor that Tauber exhibits in all of his works of art. Susanne Vielmetter reviewed the Underwater project with me as well as the Flying Project which Tauber presented. She explained how deep down, she feels Tauber is on a quest for meaning in his work and that he has a keen sense of humor that unifies and makes his ideas successful. She states that he uses the comical and the tragic in the Tree-Baby project to address the issues of urban living in our time and very subtly pokes fun at the problems innate in urban planning. The real irony of a small Sycamore tree dying of thirst in a parking lot of a beautiful park in a paradise-like valley, alongside the 110 Pasadena Freeway where 80% of the territory is plastered with concrete and the water below runs along asphalt channels of the Los Angeles River is not lost on Tauber, she explained. To contrast, Susanne Vielmetter cited that parks in Europe allow for weeds to grow naturally on landscapes that are not covered with concrete. Joel Tauberâs projects were initially presented at the Susanne Vielmetter Gallery located at 5795 Washington Blvd., in Culver City, California. The response Susanne Vielmetterâs Gallery received was incredibly exciting, even though at first, some folks thought Joel Tauber was a nut; he went on to prove just how serious he really is about changing the landscape of our environment, one tree at a time.
Joel Tauber has a large body of video artwork, photographs and developing tree babies, (the children of a mortal and a Charmed Sycamore Tree) and one may also visit www.joeltauber.com.
As I learned more and more about Joel Tauberâs project, I realized how blessed we all are that tree-lovinâ is not a singular act of love or even a fleeting love of art. I realized how connected we all are to our environment and how the idea of having a special friend âthe treeâ, any tree in any state, in any country for that matter is a beautiful connection to have. The connection that Joel Tauber has to his Sycamore Tree is in synch with the love that the country is experiencing during our new millennium. We have all become acutely aware of the fragility of life; we realize now more than ever that we must respect our dependence on our environment and value our trees.
The first thing that struck me about Joel Tauber was that we had the love of trees in common. He seemed a bit shy, unassuming and humble yet I was later to learn the enormous power he wielded for this one frail and neglected tree in the parking lot of the Pasadena Rose Bowl in California. I was truly inspired by the level of involvement and commitment he had demonstrated for his own beloved Sycamore Tree which he had turned into a full-blown art-project including video, photography and sculptured jewelry. (He did it all!) He named this work the Sick-Amour Project mainly because he said he felt this tree was ill from the lack of love and the inability to have tree babies to fulfill its legacy. I had never personally met someone with such an extreme love and dedication to one particular tree. In our local newscasts, I had heard stories of people who became very emotional when a land developer was about to cut down a tree they considered a relic of their community; in which case people got very nasty about the issue and would chain themselves to the trees or surround the location with demonstrators that would shut down the jobsite. Thatâs when the news crews would come in with their cameras and boom mikes and the news helicopters would hover in circles above the trees trying to capture the âeventâ that was creating all the uproar. A very recent example of this type of community behavior is written about on the front pages of the Los Angeles Times where Eric Bailey, a Times Staff Writer, wrote an extensive story about the tree-issues pertaining to Scotia, California where activists are protesting the logging of the Great California REDWOODS! Read the Sunday edition of the Los Angeles Times, August 24th, 2008 or visit www.latimes.com online to learn how the tree-sitters are doing today.
But Joel Tauber is a different type of activist. He doesnât consider himself an activist at all. He merely states, humbly, just for the record, that he loves this one particular Sycamore Tree and it is an outrage to him to see how his new best friend is being suffocated under a six-inch blanket of black tar and asphalt. Better yet, Joel Tauber does something about it. Not with a crew of forty thousand demonstrators, not even with a crew of forty residents. He does this on his own, quietly challenging the laws of the city of Pasadena and humbly takes responsibility for the care and nurturing of his new best friend. I was touched. At once I began to marvel at his potent idea.
The art of loving our trees has grown roots in the higher levels of the art world as well. For instance, if one were to visit the J. Paul Getty Museum both at the Getty Villa which recently re-opened in Malibu and at the Getty Center in Los Angeles, you will find the love of trees has grown branches on all the hillsides surrounding both properties. There are lucky Sycamores and fortunate Pines; there are Pomegranate trees, Apple trees, Pear trees, Jacaranda trees and trees that just look good in a vista overlooking the ocean. Millions of dollars went into the development of artistic gardens which envelope the California landscape against a backdrop of the Pacific Ocean on one edge and the rolling hills of Malibu on the other.
Over in the area of the Miracle Mile, the Los Angeles County Museum of Art is celebrating an enormous renovation of its facilities and you guessed it, there are aisles and isles of gigantic palm trees lining the walkways to the entrance of the museum in concert with a unique and flamboyant architecture that has drawn the attention of the art-world with the generosity of Eli and Edythe Broad of the Broad Foundation. The Broad Contemporary Art Museum is the new wing at the LACMA and is considered the largest space in the country devoted exclusively to contemporary art. With a âliving art displayâ dedicated to the iconic palm trees, not native to California, Robert Irwin has developed a plein-air walkway through âPalm Gardensâ as one makes their way to the entrances of the museum.
In Pasadena, where lovers of trees line every street of the city as the landscapes are lush with all types of trees and where these wonderful healthy trees keep cool the throngs of tourists who visit the Rose Bowl every year, is also home to the Norton Simon Museum and the Pasadena Museum of California Art. Both locations are areas where tree-lovinâ may be experienced alongside some of Californiaâs best-known artworks. Visit the NORTON SIMON MUSEUM at www.nortonsimon.org located at 411 West Colorado, Pasadena, California 91105 or visit the PASADENA MUSEUM OF CALIFORNIA ART at www.pmcaonline.com at 490 East Union Street, Pasadena, California.
In San Marino, California, the art of trees, gardens and succulents has found a worthy haven at the Huntington Library and Botanical Gardens spanning an area of 120 acres dedicated to the fine arts founded by Henry E. Huntington in 1928 as the very first public art gallery in Southern California. Along with English portraits and French eighteenth-century furniture, one will delight in tours of the unique garden paradise established for the pure love of the botanical arts.
On the hillside along the 405 Freeway in Los Angeles, one may also enjoy walking along the elegant landscapes of the Skirball Cultural Center and Museum grounds and witness the serenity of the trees as Weeping Willows slope their leaves to the ground, and gentle breezes sway the branches of Sycamores, Oaks and Birch trees. Visit the Skirball Museum online at www.skirball.org, or enjoy a personal walk along the grounds and explore the tributes to culture at 2701 North Sepulveda, Los Angeles 90049.
In San Diego, one enjoys walking through a vast museum complex housing 15 unique museums in Balboa Park, not to mention to the collection of rare cactus and enormous Eucalyptus trees (just to name one tree type out of numerous ones) which shade the paths leading from one museum to another.
Each of the locations I have mentioned or described here is where I personally walked through, witnessed, and or photographed sophisticated artistic tree landscapes of the California terrain.
The Roots of my personal anxieties: Why I care.
The impact of my meeting Joel Tauber coincided with an important event that took place for me way before I knew about his Sick-Amour Tree project and was what eventually led me to throw myself into this frenzied study of trees over this summer. Thus I do not necessarily consider myself struck by any of the Greek or Roman gods. I believe my influence came with a special awareness of the frailty of trees with this personal story:
A little over one year ago, on June 30th, 2007 I was walking our dog Sasha, around the block for one of our frequent walks. I rounded the corner to the next block when I was taken aback as I witnessed a set of âcityâ crewmembers slaughtering what appeared to be a California Oak tree. I had grown quite fond of that particular Oak on my many walks while I was writing my first novel. As a matter of fact, I had used that model of tree to describe a forest of these trees in a chapter in my first fiction novel. I especially love the sculptured texture of the Mighty gnarly Oaks. This tree had been the one to rekindle my relationship with the trees of my imagination. My stomach got queasy when I saw how it was being destroyed. I would have thrown-up, but I got a hold of my emotions and took Sasha home. Not only did I return to the scene of the slaughter, but I brought my camera to document the death and dismemberment of this great oak; I was so distraught that I returned again to the site, without my camera this time, and begged the men to stop for a moment while I sought out the seeds for this tree. To my surprise, the men stopped and helped me search for the seeds.
When I got home, I had no idea what to do with the seeds. I called a couple of nurseries until a gentleman at a nursery in Marina del Rey explained to me that I had to wait until the pods dried up and slit to get at the seeds and plant them. So, I waited until the pods were black and wrinkled. I split them according to the directions I had gotten from this kind anonymous arborist. (He suggested a process much like that which squirrels have for cracking the pods.) I photographed the seeds and compared them with the larger seed of an apricot fruit tree and the seed of a maple tree.
Once properly documented, I planted them in a small brown pot. Two weeks later, the first seed came up. A few days later another seed appeared to take root. On the one-year anniversary of the re-birth day of this Great Knurly Oak tree, July 20th, 2008, I documented how large the great twin oaks had become. The highest little bitty branch was about fourteen inches tall. I estimated this tree had grown a little over an inch every month. A compassionate act of kindness yielded a new life on the impulse of grief. The impulse of grief affected not only me; there is an entire world of tree-lovers mourning the losses of their favorite tree friends in surrounding communities.
Artists Kenneth H. Ober and Renee A. Fox both graduates of Otis College of Art and Design in Los Angeles participated in and were instrumental in organizing the very first Inglewood Artist Artwalk and Open Studios in October of 2007. Â One may visit their website by clicking www.rafkhostudios.com Â Â Â Â Â Â Â Â
Photo by Ginger Van Hook, 2007
Renee Fox poses in front of one of her paintings exhibited in the Gallery 825 in Los Angeles, located at 825 La Cienega, hosted by the Los Angeles Art Association (LAAA) in conjunction with the 90th Anniversary Celebration for Otis College of Art and Design.Â
Photo by Ginger Van Hook, 2008
Kenneth H. Ober, graduate of Otis College of Art and Design, Artist and Painter participating in the Inglewood Artwalk Open Studios Tour November 8th, 2008.
Kate Harding participated in the very first Inglewood Artwalk Open Studios Tour on October 13th, 2007. Kate Harding was born in Martinsville, Indiana. Before she was old enough to start school, she would draw while her mother painted realistic wildlife and landscape paintings. While in kindergarten, in 1986, Harding became the youngest person to ever hold a U.S. Patent, when she won The Weekly Reader National Invention Contest. Her invention, the "Mud-Puddle Spotter", took her to New York City for the first time, where she was on Late Nights with David Letterman. Â After High School, Â Harding moved to New York City to study fashion design at the Fashion Institute of Technology, but after a year and a half of fashion classes, found herself painting in her dorm room into the early hours of the morning. Taking the hint, she changed her major to fine art and received her Associate degree from FIT in 2001, then moved to Los Angeles to attend Otis College of Art and Design, receiving her bachelor of Fine Art Degree in Fine Arts in 2003. Â Currently she is an artist practicing in Inglewood.Â
The First Annual Inglewood Artist Artwalk and Open Studios Tour October 13, 2007 Â drew a number of participating artists and residents to view the studios and the artists studio spaces. Pictured from left to right are visiting artist Luke Van Hook, Mrs. Anderson, Sean Anderson and Isis and Sebastian, friends of Sean's. In the Anderson studios the artwork reflected paintings by both of the Anderson brothers, Benjamin and Sean. Â Work from these two artists may be viewed by visiting www.benjaminanderson.com and www.seananderson.com. Â Art by Luke Van Hook may be visited by clicking on www.lukevanhook.com.
Artist Benjamin Anderson is pictured with his wife and child to be (October 2007). Benjamin stated that the latest addition of art they were blessed with was a baby boy they named Luke Anderson. Benjamin Anderson is currently participating in the Inglewood Artist Open Studios Tour on November 8th, 2008. Â Photo by Ginger Van Hook, 2007
Sean Anderson, posing by his artwork, Inglewood Artist Artwalk Open Studios, 2007.Â
Photo by Ginger Van Hook
Benjamin and Sean Anderson, Inglewood Open Studios Tour, October 13, 2007.
Benjamin Anderson poses in front of one of his original paintings, October 13, 2007, Inglewood Artist Open Studios, First Annual. Â
Photo by Ginger Van Hook, 2007
INGLEWOOD ARTISTS OPEN STUDIO second annual show!
Itâs time for another open studios in Inglewood on Saturday the 8th of November.
THERE ARE quite a few more artists involved this year,Â
so IT should be a good opportunity to have a behind the scenes look into some great artistsâ¦
(and possibly get some very affordable deals for the holidays)
To see the blog go to: http://inglewoodopenstudio.blogspot.com/
Inglewood Open Studios : 15 locations around Inglewood
Saturday November 8th, 2-7pm
Locations throughout Inglewood â see on-line map:
Inglewood Open Studios is an all day event in which artists, with studios in Inglewood, will open their working spaces to the public. Recent work of these artists will be on view. Although Inglewood is not known for art, it has a sizable and vibrant artist community. There are also public art treasures throughout the city, such as Helen Lundeberg's 1940 mural "The History of Transportation", a detail of which is being used as the image for the 2008 Open Studios. Maps to Inglewood public art locations will be available at all participating studios.
Conceptually and materially diverse, these artists have the most common thread of proximity, however, they are also joined by the sense of a supportive community. Inglewood artists are professionals, teachers, business owners and students. A few are alumni of Otis College of Art & Design, whose modern campus is, like Inglewood, in the "Airport Area", but located in neighboring Westchester. Inglewood boasts a variety of commercial spaces amidst residential areas, perfect for artists, some of which can be seen on November 8th.
On Saturday, November 8th from 2pm-7pm, more than twenty artists will open their studios throughout the neighborhood. Maps, like the one attached, will be available at all sites, showing numbers of the locations of all studios open for the event. Each studio will display a large number on the outside of their building, to make them easy to find. Street parking is readily available throughout the city although visitors are urged to pay attention to street parking signs.
Drawing composed by Los Angeles Artist Steven Bankhead for his show at Circus GalleryÂ
April 5th - May 10th 2008 titled Â "Battery" visit: Â Â www.circus-gallery.com 323-96208506
Writer and Photographer Ginger Van Hook photographed beside her husband, Artist and Painter, Luke Van Hook, August 2008 for Luke Van Hook's show "Circle in the Square" exhibition at the Brand Library Art Gallery August 2nd, 2008. Â Ginger and Luke Van Hook plan to attend the Inglewood Artists Second Annual Artwalk and Open Studios Tour November 8th, 2008. Â Both Luke and Ginger Van Hook work in their Inglewood Studio inÂ
Los Angeles County, California. Visit them online at www.lukevanhook.com and www.gingervanhook.com as well as www.enildeingelsvanhook.comÂ
Photo courtesy of Â Peter Bolten, 2008
Artists practicing and working in Inglewood have opportunities to buy supplies close by atÂ
CKS ARTIST PRODUCTSÂ
(A business run by artists for artists)
Â 1111 and 1115 North La Brea Avenue, Inglewood, California 90302-1212Â
Both ladies made studio visits all over Los Angeles and surrounding communities in search of the "perfect circle" of artists to represent the illusive qualities of the circle.
It takes over a year to prepare for a large show at the Brand Library Art Galleries and no one will have a better story to tell you about the waiting process than Galleries Manager and Curator, Cathy Billings or Alyssa Resnick, Senior Library Supervisor and Gallery Director. These ladies traveled to Inglewood, California for a studio visit to see Luke Van Hook's circle paintings some time in the early summer of 2007. They told Luke that they were preparing to curate a show of artists working on the motif of the 'circle'. Â They had already reviewed a number of artists and found making the final decision difficult, first because there were a number of artists who worked with this subject and secondly, the talent was very competitive.Â The subject of the circle and how each artist approaches this topic is worth dedicated study in and of itself. Â These lovely ladies, Cathy and Alyssa, with a keen eye for artistic talent, selected a total of five talented artists to show together this summer. Â Â
Here you will find photos of how each artist expressed their obsession with the circular form. Â I'll begin my blog entry with a brief history of what I believe may have led Luke Van Hook to painting the circle and continue with the photos and biographical information of the additional four artists each selected for working with the motif of circles, independently of each other, with their own unique and individual interpretations of the circle: Yesung Kim, Barbara Kolo, Susan Sironi, and Cheryl Walker.
Luke Van Hook began his present study of the circle in 2005. He first discovered the legend of Giotto's "Perfect Circle" in a class about ancient history; but the idea didn't sink in at first. He needed time to reason with his quest. While Luke approached the specific task of painting the circle with thin paintbrushes and applying layer upon layer of color to a raw naked canvas, I set about trying to understand what the hell prompted my husband to go circle crazy in the first place. Â I started researching what the circle meant and I found a lot of literature in the realm of magic, rituals, mathematics, secret societies and romance. But my first impression was that the circle was a way to get back to the beginning of things. Â Then I delved deeper. Â Was Luke trying to say that he was going in circles? Â Were we at this artistic point in our lives as a result of a past life? Â Was our circular existence referencing our cycle of birth, death and rebirth? Â Or was the answer more basic than that, like "the earth is round and it's an orbital thing.' There were other issues on the table I was urged to deal with also. Â Were these circle paintings partly influenced by the school we had attended? Â Once we leave school we are expected to make works of art that have fresh meaning and to blow out the cobwebs of old thinking. Â While at Otis College of Art and Design in Los Angeles, Luke Van Hook studied all the required areas to excel in his chosen profession as a fine arts painter including the figure, landscapes and abstracts. But the abstract visual image is what finally drew Luke back in. Â Could it be the understated obvious fact that the big 'O' (which formed a circle on every memo, syllabus and brochure in the name of Otis College) was influencing him subconsciously? Â
Luke's earlier work involved intricately small hatch marks that evolved into large abstract images full of vibrant colors. Â This work was very reminiscent of Jasper Johns. Â So where did this circle idea really emanate from? Â Did his hatch marks get married or what? Â Observers of Luke Van Hook's work have stated that it raises the question, 'Is it a painting or a drawing? Â Is it text or writing?' Â Luke will often begin a row of circles that reads from left to right just as western literature is expressed. Â But sometimes he changes his mind, and the direction of his technique, and he starts to paint his rows from right to left. At other times, he completes a horizontal column of circles which refers more to ancient Asian forms of writing going from the top, down.
During his graduating year at Otis College in 2004, Luke went on a mission to explore machine technology as it pertained to replacing humans. Â He painted large canvases with a number of faces and shapes that represented cyborgs expressing the fear, uncertainty and ambivalence that humans have toward our technological future. Â But once out of school, a full year later, in 2005 Luke seem to have turned a corner. Â He seemed to have replaced his fear of technology with a competitive defiance that defied all reason. Â Luke started working with his father-in-law, in his machine shop, where he started to observe how everything around him involved the circle in one way or another. Â He watched the machines (FadalCNC's- numerical control production machines) in action. The tool would spin in circles, plunging in and out of aluminum, stainless steel and plastic materials. The space left behind was almost always a perfect circle. Â Perhaps, this was Luke's starting point. It was the first time he'd really seen a machine make simple circles and Luke probably said something to himself like 'I can do this! Just watch me!' then promptly, decided to take on his destiny. To compete with a machine, may have been the early impulse that drew Luke to paint the circle, but the legend of Giotto's 'perfect circle' was what has kept Luke going full steam ahead into production of abstract works of art. Â The initial pieces he created were prototypes. These were the experiments he and his father-in-law Luis Ingels, worked on before moving into the hand made pieces. As his first experiment, Luke inserted a paint brush into the collet of the machine and programmed the coordinates to match the canvas. He overshot his calculations and the brush came crashing down upon the canvas; the collet smashed the brush right through the canvas and even broke the frame. Perhaps, Luke might have thought as he and my father, Luis, looked at each other, 'it was time to go back to the drawing board'. Undaunted by initial failure, Luke did complete an entire series of machine made circles before he went on to the main event, the competition of drawing the circles, one by one, by hand. Â
Each piece of artwork created since his first attempts, is meticulously reinvented into creative visual landscapes layering circles upon circles of color schemes in gradations of complementary hues. Â The colors reveal very subtle changes. Â The circles pull the eye in. Â The images seem to have a life of their own, a vibrant quality of pushing the viewer to look for patterns while pulling the eyes into fishers, crevices, or 'wormholes' as one collector observed. I have witnessed the intimate evolution of Luke's circles only because I have the honor and privilege of being Luke's wife. Â The fact that I am discussing my husband's art work is of significance only in the sense that it is somewhat rare, although not unheard of, for the artist's loved one to interject a provocative discussion of the artwork publicly in a blog; however, this is a sign of the times we live in today and I feel blessed as a writer to have this open forum to share with you the joys and struggles inherent in Luke's artistic process.
The way I see it, Luke has taken on Â the impossible task of creating the perfect circle, where no perfect circle has ever existed before, despite Giotto's legend. Â All mathematical equations to date reveal that there is no perfect circle. It is a myth. So why Luke has persisted in this impossible feat only reminds me of the story of Don Quixote. Here is where I see Luke chasing his windmills. This is where in my imagination, I view the circles on the canvas as Luke's quest for the impossible dream and his circles are his windmills. Â His paintbrush is his sword. Â Thus LukeÂ
Van Hook's paintings, for me, exhibit all the romantic qualities innate in a love story. Â Seeking to please his beloved Lucia, these references emerging from raw canvas could be read practically like text. Â Some art collectors saw the circles as Braille text or some secret code or language. Â The secret, I think, lies in Luke's love of sports! Â Sometimes I interpret this circle code to reflect images of the sports activities I see Luke enjoy daily; Â I make visual connections to the circles on the wheels of his bicycles which hang in his studio or his skate boards that decorate the rafters of the painting bays or even the wheels that drive his car which sits resting on almost perfect circles on the driveway.
For a while, I was convinced that Luke's enthusiasm for cycling was directly influencing the subjects of his paintings because one day, I was staring at one of his earlier images, (which is hung lovingly on the wall of the dining room right over the microwave oven); I saw it hanging next to a photograph of Luke participating in the 'Death Race 1999', a bicycle ride that cycle enthusiasts pursue along the most dangerous mountainous roads known as the California Alps in Northern California at the edge of the Northern Nevada border where Markleeville meets the Carson Valley. Â The image Luke had painted in 1998, while recovering, ironically, from a broken ankle suffered in a bicycle race in Minden; was the image of three bicycles in a dead heat on the gray pavement with the yellow dividing line providing a ground for what appears as three large helmets (representative of the riders) in red, green and yellow. Â The eventual emergence of Luke's hatch marks from work created in 2000, can be seen on the helmets and if you are really looking for this, (with your microscope) you may even find, the very beginnings of the influences which have eventually led to this mad case of circle paintings! Â The circle imagery you might be searching for could have started at the base of the bicycle's anatomy with the wheels spinning along the highway to Kingsbury Grade, somewhere near Genoa, along the bottom of the hill leading to Lake Tahoe. Â I comfort myself as painter's wife, that even Picasso had his periods, as did Rembrandt, Vincent Van Gogh, Monet and Gauguin and so long as Luke Van Hook doesn't try to cut off his ear we are doing just fine with these circles.
But don't take my word for it. Luke Van Hook's circle paintings are something you should see for yourself. Â The subtlety of the work is difficult to capture on film, although I tried my best to create a video after struggling with photographing the stills for three years. Â But even the video work fails to reveal the whole story. Â You've got to stand in front of one of these pieces to involve yourself in the novella of Luke's life. Â Although I can decode a small portion of what I see through his work, the rest of the circles on the canvas are still a vague mystery to me as well. Â Every relationship has its secrets. Â Thus Luke and I, as artists, are no different. Â Even when we know each other, there are elements of surprise and adventure that we have yet to tell each other. Â The mystery in his canvases is what really thrills me to see Luke's work on display under gallery lighting! (Sales don't hurt my enthusiasm either!)
When I think of Luke Van Hook's circle paintings, today, in 2008, I often think of Luke riding a skateboard doing 'ollies' and then trying for a loop-de-loop in mid-air. Â This is because in January of 2008, Luke begged for a skateboard for his birthday and little did I know what would happen when I wrapped it up for him! Â He has returned to the love of his youth. Â Luke Van Hook has come full circle to his beginnings to land on his home base. The skateboard has also flown in mid-air, in harmony with gravity, and both land as one in a perfect execution of a move I would never dare try to do myself. Â I see each circle on the canvas as Luke's attempt to catapult his work into the mainstream of the art-world with each rotation of the paintbrush on the surface of the canvas. Â This is where I see Luke Van Hook in mid catapult, surfing on the air, light in transition, from youth to inspired maturity; from student to master, with paintbrush in hand landing and continuing to roll on four wheels with a great big shit-eating grin on his face. ('four' being the lucky number of his numerology charts). I see the ordered struggle, the innate joy in the success of one loop-de-loop after another. And once in a while, I also see the crash landing and the bloody injuries. Â What is more important is that Luke gets up and does it again each and every time. Â Luke has to begin again with each new circle, every circle becoming a part of a larger layer of community, thus his canvases vibrate with activity, mystery, romance and adventure. Â I find my own meanings in each image Â as it develops day by day and I am privileged to stand beside him, admire and witness the struggle of our Don Quixote in the new millennium, first hand.
There is still time to see these painting up close and personal. The Brand Library Art Galleries is part of the Glendale Public Library, located at 1601 West Mountain Street in the City of Glendale, 91201 Â Telephone: Â 818-548-2051/ fax 818-548-2713 ; Â visit the Brand Library Art Galleries online at Â www.brandlibrary.org Â Â to Â check for Library hours.
Cookie Gallegos, Ana Porras and Martha Ingels attend the opening of "Circle in the Square" to support Luke Van Hook. Brand Art Library Galleries, Glendale, California August 2, 2008 Photo by Ginger Van Hook
(From left to right) Margo Payne, Lynn Nantana-Green and Angela Williams attend the exhibition "Circle in the Square" in support of Luke Van Hook.
Lynn Lantana-Green came to support Artist, Luke Van Hook at the opening reception of "Circle in the Square" an art exhibition held at the Brand Library Art Galleries, Glendale, California, August 2, 2008. Â Photos by Ginger Van Hook
Kevin Powell came to support Luke Van Hook and enjoy the paintings at the Brand Library Art Galleries, Glendale California, August 2, 2008. Photo by Ginger Van Hook
Artist Luke Van Hook brought home-made pies to his reception of the exhibition "Circle in the Square". In addition to painting, Luke Van Hook has a reputation for making awesome pies from scratch.Â Photographed milling around the Double Fudge Pican Pie and the Sweet Berry Pie were the grandchildren of Hector Sticker. Brand Library Art Galleries, Glendale, California August 2, 2008. Photo by Ginger Van Hook
(From left to right) Claudio Sticker, Hector Sticker, Peter Bolten, Martha Ingels, Luke Van Hook and Luis Ingels attend the reception of Â "Circle in the Square". Luke Van Hook and Luis Ingels worked together to create circles on canvas with the use of robotic CNC machines. After creating a little over a dozen machine-made paintings, Luke went on to compete with the machine and do the circles on his own by hand, one by one. Each circle is represented as being one breath and Luke Van Hook states that these are the marks he is leaving behind which define his existence during this lifetime as he continues to pursue the legend of "Giotto's Perfect Circle". Brand Library Art Galleries, Glendale, California, August 2, 2008. Photo by Ginger Van Hook
From left to right, Ohannes Berberian, his daughter Melanie, Luke Van Hook and Rouzanna Berberian attend the opening reception of "Circle in the Square" at the Brand Library Art Galleries, August 2, 2008. Â Ohannes Berberian owns DigiTECH Camera Repair in Monrovia, California (www.digitechcamerarepair.com). Luke Van Hook and Rouzanna Berberian are both fine art painters and members of the Monrovia Association of Fine Arts (M.A.F.A.). Rouzanna Berberian is a teacher in the after-school arts programs supported by M.A.F.A. Â which promotes the goal of enhancing the lives of those within the community through interaction with the arts and to increase the opportunities of children through art education. Photo by Ginger Van Hook
From left to right, Kathleen Zgonc, photographer Frank Zgonc and artist Luke Van Hook attend the opening reception of 'Circle in the Square' at the Brand Library Art Galleries, August 2, 2008. Frank Zgonc is a an executive member of the Monrovia Association of Fine Arts in Monrovia, California. Frank Zgonc is the vice-president and official curator of Monrovia's yearly October Art Festival. This year the October Festival will be held on Saturday and Sunday October 11th and 12th, 2008 at the Monrovia Community Center located at 119 W. Palm Avenue in Monrovia. Free and open to the public, this art event will feature work by photographer Frank Zgonc; (Scheduled from 10 am to 6pm both days). Â There will also be an Opening Night Celebration Saturday, October 11th from 7-9:30 pm where the special Renaissance Award will be presented to a worthy individual who has made significant contributions to the arts.Â
Photo by Ginger Van Hook
Mr. and Mrs. Luke and Ginger Van Hook attend the opening reception of 'Circle in the Square' at the Brand Libraries Art Galleries, August 2, 2008 in Glendale, California. Â Luke Van Hook an artist working from Inglewood, California earned a BFA Â at Otis College of ARt and Design. Â For several years, Van Hook has been exploring in his work, Giotto's fabled "perfect circle". Â Over time the single-minded focus on the perfection of the circle has been subsumed by the artist's interest in the aesthetic and expressive qualities of the circle. New works depict ritualistically repeated circular brushstrokes on canvas, hemp, and other materials. Van Hook states that he began " as a challenge to myself to see if a perfect circle was possible; these circles have now morphed into a challenge to myself to see if a perfect circle is Â possible. These circles have now morphed into a study in patience. The sense of time and the marking of time is inherent in the meticulous application of paint. The viewer can appreciate these temporal qualities but is also compelled to bring their own Â interpretation to the work. Are these circles pure abstraction? Combined do they conceal deliberate shapes and forms? or are they perhaps a secret code or language? Van Hook has exhibited at TAG Gallery, Focus One Gallery, and the Bolsky Gallery in Â Westchester. Luke Van Hook's painting may also be viewed on his website: www.lukevanhook.com
Photo courtesy of Peter Bolten
Kevin Powell comes to support Luke Van Hook for his opening reception. Brand Library Art Galleries, Glendale, California, August 2, 2008. Â Photo by Ginger Van Hook
Jason Porras attends the opening reception to support Luke Van Hook in his endeavors to pursue Giotto's legend of the 'Perfect Circle'. Brand Library Art Galleries, Glendale, California August 2, 2008. Photo By Ginger Van Hook.
Zoe Hengst, Ginger Van Hook and Martha Ingels attend the opening of "Circle in the Square" to support Luke Van Hook. Brand Library Art Galleries, Glendale, California August 2, 2008. Photo courtesy of Peter Bolten.
Zoe and Jopie Hengst walk through the center of the exhibition "Circle in the Square" to support Luke Van Hook at the opening night, August 2, 2008. Paintings by Susan Sironi in the background. Brand Library Art Galleries, Glendale, California. Photo by Ginger Van Hook.
Cookie Gallegos, Ginger Van Hook and Luke Van Hook pose for photographs in front of Luke Van Hook's painting at the Brand Library Art Galleries, August 2, 2008 Glendale, California. Photo courtesy of Peter Bolten.
Cookie Gallegos and Ana Porras watch the dance performance choreographed by Cheryl Walker, Brand Library Art Galleries, August 2, 2008, Glendale, California.
Paintings by Yesung Kim, Brand Library Art Galleries, August 2, 2008, Glendale, California. Photo by Ginger Van Hook.
Paintings by Yesung Kim, Brand Library Art Galleries, August 2, 2008, Glendale, California.
Photo by Ginger Van Hook
Yesung Kim poses for a photograph in front of her paintings at the Brand Library Art Galleries, August 02, 2008, Glendale, California. Yesung Kim from Upland, California, was born in Seoul, South Korea and holds MFA degrees from Chung-Ang University and Claremont Graduate University. Kim's mixed media pieces are seductively simple. Ordinary brown packing string is deftly applied to a painted canvas creating organic shapes that shimmer and reflect light. At times these shapes appear to be on the brink of an amoeba-like division as they spread and expand, dropping off the edge of one canvas and continuing on to another. Kim Â cites the natural world and light and color as the underlying themes that both inspire and permeate her work. Â Following solo shows at the Seoul Museum of Art and the Seoul Arts Center, Kim's work was most recently exhibited at the San Bernardino County Museum's Multi Media Mini Show. More information about Kim's work can be found on her website: www.yesungkim.com
Photo by Ginger Van Hook
Painting by Susan Sironi, Brand Library Art Galleries, August 2, 2008 Glendale, California.
Photo by Ginger Van Hook
Glass curtain by Susan Sironi, Brand Library Art Galleries, August 2, 2008,Glendale, California. Photo by Ginger Van Hook.
Cheryl Walker designed a curtain of vinyl layers of color called 'Waterfall IV' that became the backdrop for a beautiful dance performance using the 'circle in the square' theme exhibited at the Brand Library Art Galleries in Glendale California, August 2, 2008. Cheryl Walker holds in her hand some of the vinyl circles that were placed upon the windows at the exhibition hall. Her vinyl circles upon the windows created an illusion of Â the stained glass effects. The dance piece entertained a large audience on opening night as artists, collectors, art appreciators and family and friends celebrated the mythologies, geometries, magical and mystical qualities of the circle. Â Dance Performers Liz Â Curtis, and Martha Carrascosa performed a dance which included participation from members of the audience. Â
Members of the audience interacted with the dancers Martha Carrascosa and Liz Curtis at the Brand Library Art Galleries participated in creating a colorful cascade of window art on August 2, 2008 in Glendale, California.
Audience watches dancers Liz Curtis and Martha Carrascosa from Glendale Community College as they perform a choreographed piece by Cheryl Walker, artist. "Circle in the Square", Brand Library Art Galleries, Glendale California, August 2, 2008. Â Photo By Ginger Van Hook
Dancers Liz Curtis and Martha Carrascosa performing dance choreographed by artist Cheryl Walker, (within the green curtain), Brand Library Art Galleries, Glendale, California.Â
Photo by Ginger Van Hook.
Cheryl Walker engaged in performance art intersecting with window art using the artistic theme of 'Circle in the Square'. Brand Library Art Gallery, Glendale, CAlifornia August 2, 2008. Photo by Ginger Van Hook.
Cheryl Walker smiles happily on opening night, Brand Library Art Galleries, Glendale California. August 2, 2008. Cheryl Walker, a Los Angeles artist, earned her BA in art in her home state of Minnesota, and her MFA from California State University, Long Beach. In this exhibition Walker created two large site-specific installations of vinyl, oil pastel and natural and artificial light. Â Walker explains that the driving force behind her work is "human interaction and improvisation in response to a natural phenomenon or situation." Trained as painter, Walker's installations have some of the qualities of painting; when viewed head-on the suspended layers of vinyl can appear to be two-dimensional because of their transparency and the cut shapes and forms applied to the vinyl are reminiscent of brushstrokes--but removed from the wall these works are thrust into what she calls an "interactive field of play." The fluidity of the material she works with and her interest in collaboration between the artist and the viewer have inspired Walker to create works that can be transformed into performance pieces by dance, music and in-situ art-making. In this exhibition, a dance performance captivates the audience on opening night at the Brand Library Art Galleries, Glendale, California. August 2, 2008. Â Photos By Ginger Van Hook
Barbara Kolo, Artist from "Circle in the Square" poses for a photograph in front of her painting with her husband Mr. Kolo. Barbara Kolo, a Santa Monica Artist, earned her BFA from the School of Visual Arts in New York City. Kolo Participated in a successful two-person show at the Brand Library Art Galleries in 1999. The Brand Library Art Galleries are pleased to present (nearly ten years later) a new body of work by Barbara Kolo that connects to that which was here before. In those works and these, her focus is on representing organic materials. The current large scale acrylic on canvas works are saturated with color; the stippled application of paint creates organic shapes and patterns representative of the natural world. Â The subject matter is open to each viewers interpretation, where one may see a birch forest at dusk, others may see the Â bold aesthetic of pure color and abstraction. Kolo has had recent solo shows at Topanga Canyon Gallery and the Off Rose Gallery in Venice, California. More information about Kolo's work can be found on her website: www.barbarakolo.com Brand Library Art Galleries, Glendale California. Photo by Ginger Van Hook
Barbara Kolo poses for a photograph during opening night celebrations for the exhibition, "Circle in the Square" at the Brand Library Art Galleries, Augusts 2, 2008. Glendale, California.
Susan Sironi, Â an artist living in Altadena, California posed for her photograph in front of her paintings at Â the Brand Library Art Galleries, Glendale, California. August 2, 2008. Â Susan Sironi earned her BFA at California Sate University, Long Beach. This exhibition will showcase Sironi's recent paintings as well as her Glass Curtain installation which is comprised of conjoined antique optometric lenses. Her paintings are about texture, color and process. Small dabs of oil paint are painstakingly applied to aluminum, building up an intricate, thorny surface. Highly textured and multihued when viewed up close, this surface belies the color play minimalist color-field appearance of the work at a distance . In the artist's own words "texture and color play equal roles in these works. They ... set up contradictions within each piece. Painitings Â that seem to invite touch and intimacy are also reserved and automomous. Time and process are weighed against a static and minimal structure. Sironi's work was most recently seen in the Brea Art Gallery's Made in California exhibition, at the Chouinard School of Art Gallery, and the Orange County Center for Contemporary Art. Â More information about Sironi's work can be found on her website: web.mac.com/susansironi/susan/sironi/Welcome.html.
Photo by Ginger Van Hook. Â
Yesung Kim, Brand Library Art Gallery, Glendale, California, August 2, 2008.
The Entrance to the Brand Library Art Galleries in Glendale, California hosts a prominent postcard of the show "Circle in the Square" now exhibiting through September 5th, 2008
Â Â Â Â Â Â Â Â Â Â Luke Van Hook paintings are now showing at the Brand Library Art Galleries in
When is a library, not a library? When itâs a Book Festival where the books come out to play! The Los Angeles Times Festival of Books celebrated its 13th year of book promotions on the UCLA campus with an estimated attendance of over 140,000 people who love to read books! Here is where the traditional library, once thought to be a stuffy, hush-hush, nerdy and quiet setting transforms itself into a megalomaniac fair of books and stories and documentaries just waiting to come alive. Books become the roller coaster of emotions, the merry-go-round of ideas, the bumper cars of change and the Ferris wheels of fiction.
In this day and age, the traditional library has undergone a radical change in our cultureâ¦it has gone outside, yes outside the box, outside the building and outside under yonder shade trees to re-invent itself. Unlike the regular library, where one checks out a book and must return it within a specific amount of time, this type of literary environment goes beyond just borrowing a book. This activity steps into the realm of personal libraries. This is where the reader amasses his or her own library collection of favorite authors, books, books on tape, digital recordings of books, even recordings for the blind and dyslexic by going outside the comfort of indoor lighting and venturing into the elements of nature.
The weekend of April 26th and 27th, under weather conditions reaching over 90 degrees in Westwood, the Pacific Ocean breeze quietly slipped in and around the leaves of Ficus trees, Great Oaks, Pines, and luscious landscaped lawns of one of our most prestigious institutions of higher learning; on the campus of UCLA, surrounded by noble buildings of great learning and ample gardens of exquisite greenery, what promised to be adventure at first, had indeed become an obsession for learning, an unquenchable thirst for more information about oneâs worldâ¦who was in it in the past? Whoâs in it now? Whereâs the planet going? Who killed who? Or Whom? What artist leapt to his death from the bridge of misunderstanding? The answers were all there waiting to be revealed once you ventured out into the Festival of Books to bring home some new friends! This was my third year visiting the LA Times Festival of Books.
As I came upon the first of the booths, I saw a long line of people, fanning themselves in the hot sun with only partial shade for some while others brought lawn chairs, umbrellas and water bottles or coolers and bared the heat while reading the LA Times or a comic book theyâd purchased while sipping lemonades from the local vendors. âGet your lemonade!â a man shouted from the center of another line of readers waiting for an author. As I made my way down the narrow aisles of celebrity book fans I looked up in time to see that Valerie Bertinelli was about to emerge and I could already see a wave of nervous cameramen and camerawomen with their trigger fingers anxiously poised above their focused lenses. I felt in good company. I too was about to sign copies of my book today. The Kingdom Of Nuts and Bolts, was being released to the reading public and I was headed over to join the authors at booth 715 sponsored by THE GREATER LOS ANGELES WRITERâS SOCIETY.
I was invited to join the Greater Los Angeles Writerâs Society recently and have discovered the treasures of its membership as well as the benefits to career and community. The Greater Los Angeles Writers Society is a non-profit organization dedicated to mentoring writers of all levels in the craft and business of writing. The society works to provide continuing education and a forum for the marketing of a writerâs work. The society is guided by a philosophy of âwriters mentoring writers of all disciplinesâ and their website (www.glaws.org) details their variety of resources, welcoming writers from all over California and the country to learn more about the craft.
I knew I had gotten to the right booth when I saw the buttons they were passing out. âWhatâs Your Story?â As I was about to take the hot seat of an authorâ¦I kid you not; the seat was hot because the sun cast its rays upon the storytellersâ table; I thought to myself again, âIâm in fine company!â I had heard that Gay Talese, Julie Andrews and Tommy Lasorda were telling their stories and here I was, a humble little writer of my first fiction novel about to tell my own. I resorted to taking pictures to relax my own photo-happy-trigger finger. I always enjoy a good shutterbug moment and this was no exception. So, I took pictures of the authors I was with, while I signed a few books myself.
I met Leslie Ann Moore, the author of Griffinâs Daughter, and I learned she wrote romantic fantasy (which I overheard her telling a reader that she had won an award). I visited her website at www.leslieannmoore.com and was inspired by her story that she is a veterinarian, writer and belly dancer too!
I also met Mike Robinson the author of Too Much Dark Matter, Too Little Gray (which personally as a photographer, I liked the title.) I learned that Mike Robinson is the author of seven novels and two collections. Mike also sold a number of short stories to print and electronic magazines, anthologies and podcasts. Visit Mikeâs website at www.freewebs.com and learn that he too is stalking BIG FOOT!
On Saturday, another author I had the opportunity to meet at the GLAWS booth was Matt Pallamary. We sat together as our fans lined up to talk to us about our books. (Maybe our lines werenât as long as Valerie Bertinelliâs for her book âLosing it: And Gaining My Life Back One Pound at a Timeâ but we had a following, nonetheless!) Matt has written his memoirs detailing his spiritual journeys to Peru where he worked with shamanic plant medicines. His most recent book is titled Spirit Matters and his website is www.mattpallamary.com. This was a serendipitous place to be sharing space with Matt Pallamary as I had the rare opportunity to discuss some of my own spiritual stories from my early childhood in Argentina. The Kingdom of Nuts and Bolts is a story about a five-year-old boy named Miguelito, who can see things that others canât and this makes him special and extra inventive. He has a special magic friend named Hector (made out of nuts and bolts) who teaches him to fix things. The story, a comedy, is set in Buenos Aires, Argentina using the popular genre of South American writers, that of Magical Realism. The story explores an imaginative spirit world set in the 1930âs and is told from the perspectives of a fly, a witch, a seagull, an angel, a demon and two little brothers. The paperback version is available through www.enildeingelsvanhook.com. and coming soon to www.amazon.com so check the website in mid May for available stock.
Several new, emerging and established writers joined us at the Festival of Books in the GLAWS booth #715. Among them was Joan A. Friedman, a Ph.D. who is an identical twin, herself, and has over thirty years of experience as a psychotherapist specializing in the treatment of twin-related issues. Her new novel, Emotionally Healthy Twins is a comprehensive guide on how to raise twins who are self-realized and distinct individuals.
Dr. Joan Friedman posed for a photo-op alongside two of the movers and shakers of GLAWS; Tony Todaro, one of its original founders (Sci-Fi aficionado) and an established strategic consultant (Todaro Communications) as well as John Weiskopf, the author of The Ascendancy.
The Ascendancy is an appropriate story for todayâs times, as John Weiskopf has created a new world mythology at a volatile point in history. His latest novel brings modern day imagination to the old story of Jack in the Beanstalk. The premise of this novel is that a beanstalk starts growing out of the rubble of the World Trade Center and the protagonist Jack Tott, a twenty-six-year-old musician, believes that if he climbs the beanstalk, he will somehow find the means to help save his dying sister. This book is available through www.johnweiskopf.com.
I met Sandra Walter, the author of The Creator State (www.sandrawalter.com) a story where actors discover a unique state of consciousness and art changes reality. Pictured here to the right is the author of Akira's Army by Keith Kowalczyk as he tells the story of Ray Quincy who becomes a prisoner of war while on his family vacation on a small South Pacific Island (a novel available through midnightpressbooks.com) Also pictured in booth #715 are Tony Todaro, Neil Citrin, and John Weiskopf.
I also had an opportunity to talk to Robin Reed who was also releasing her first novel called Xanthan Gumm. Robin Reed writes in the science fiction genre about hard working creatures called âHumansâ who labor to make stories that are loved throughout the Galaxy. One young alien dreams of going to the âForbidden Planet Earthâ to perform in the movies and wants to become famous like his idol, E.T. This book is available through www.barstowproductions.com.
On Sunday at the LA TIMES FESTIVAL OF BOOKS, I had the distinct privilege of sitting at the authorâs table with Film Educator and author Charles Domokos. His work in education especially in the cinema and film-editing field has a long history of contributing extremely technical post-production knowledge to film students at USC School of Cinematic Arts, Loyola Marymount and Los Angeles City College. His book titled: Non-linear Editing: The Cutting Edge provides the foundation for the college-level media student to make the leap into the world of film and HD-based professional post-production, as practiced in the Hollywood media community. His book is available through Amazon.com; Barnes&Noble.com or www.GoGardner.com.
While sitting under the canopy of a nearby Elm tree, our booth enjoyed a little more shade and relief from the heat on Sunday, just enough to share our experiences and challenges of our publishing our first books. Charles and I also shared some of our inspirations to write and joked around that in our booth alone, we had the resources for taking my story of The Kingdom of Nuts and Bolts and turning it into a movie using stop-frame animation to create a Hollywood environment for my animated critter made of nuts and bolts and feathers named âHectorâ. We figured we had a whole production team from writing the screenplay to filming, editing and strategic marketing with Tony Todaro!
Speaking of Tony Todaro, one of the founders of GLAWS, I learned he is a prolific fiction writer as well. He is now working on a final draft of his next novel, âWhat Comes Aroundâ a story set in a future city by the name of San Angeles, a metropolis divided by rivers and gangs after the âBig Oneâ (the big anticipated earthquake Angelinoâs often fear, has already happened in this story) has rearranged the real estate and politics of the Southland. Just a little sneak preview of his upcoming book, finds Fed Corp Special Crimes investigator Major Xander Hunt in the midst of two murder mysteries to solve: the death of prominent physicist Allan Dunwharton, and after a series of battles and attempted assassinations, (perhaps even his own death). Hunt has kept his aging body alive with a concoction of drugs and nanobots, despite decades of damage as a black-ops agent, and the terminal cancer eating at his guts. (Imagine here the actor Sean Connery as the wise, aging officer in the Untouchables, though Hunt thinks of himself as the younger version of a Kevin Costner character.) Tony Todaro is a strategic marketing consultant with a long history in the music business and now shares his expertise with his fellow authors in GLAWS!
With a philosophy of âwriters mentoring writers of all disciplinesâ GLAWS holds monthly informative meetings, often with nationally-known guest speakers, offers critique groups, advice in the craft and business of writing, conducts special events including writers conferences and seminars, and promotes its vision through many businesses and social opportunities. In April I had the opportunity to attend one of the membership meetings to hear the science fiction and fantasy writer, Tim Powers, author of Anubis Gates and winner of the Philip K. Dick Award. He spoke at length about the essence of âplotâ or what actually happens in a story. He encouraged writers to think of the question âwhyâ and then dig deeper and ask no, âwhy, really?â; âwhy really is the character motivated?â He also gave us an overview of what it is like to be a writer at work. He stated that he had cultivated a sense of both guilt and fear. âAfterall, I play with the cat while truckers have jobsâ¦â In a brief moment I had to talk with him before he got on the podium, he stated that I should write down imaginary betsâ¦ but not to do it in my head. He urged me to write thoughts down directly onto the keyboard. In his presentation, he also shared some of the advantages to writing down your ideas and character traits onto index cards and spreading them around your workspace. Maybe one day, if you are experiencing âwriters blockâ; maybe the landlord comes around knocking, blows open your door and tromps all over the index cards mixing them up every which way; well, he said, âyou never know when that might have helped your plot strategy a little!â TIM POWERS chuckled.
The headline of todayâs blog stated that the Art of Reading leads to the Art of Writing. I strongly believe this because I can attest to the significant verbal, literary and visual growth that a child can attain while immersed in a supportive community reading program. That, in and of it-self is where the art of reading leads directly to the successful art of writing. Exposure to the arts at a young age in a personâs life greatly enhances the chances this experience will foster a love of story telling as well as an appreciation for the authors and artists of these works that influence the mind at a critical stage in our development. I am an example of an After School Reading Program child. My first exposure to library books came about at approximately the age of 8 when I stated participating in the Duarte Public Library After School Reading Program and simultaneously the Monrovia Public Library system in California.
I personally see this important correlation between early reading and early writing because I began to keep a diary at the age of twelve after reading The Diary of a Young Girl by Anne Frank. I went on to improve my reading skills by practicing my writing skills in my journal and reading even more each month until I had practically consumed all the books I could in the childrenâs section of the Duarte Library. I seem to recall that by the age of thirteen I was already into the adult section where I promptly fell in love with science fiction and The Martian Chronicles by Ray Bradbury. (At the time, I made no physical distinction between the right or left section of the Duarte Library but I did get into trouble with my mother who discovered one day that one of my books had an identifying label from the adult section of the libraryâ¦I no longer remember what the name of that book was, because I didnât get to read itâ¦only that it had a harmless picture of a cat on the cover and I distinctly recall how disappointed and rather humiliated I was when I had to return the book to the librarian and admit that I had rules at home I had to follow that superceded library freedoms.)
My consolation was that I was a rebellious child so after that, I no longer checked out the adult books to take homeâI just spent my free time reading the contraband stories, sitting cross legged on the floor between the stacks by the light of a window where a beautiful oak tree cast intermittent sun, shade and childhood inspiration; Under these conditions, I finished reading Pearl Buckâs novel The Good Earth. I canât stress enough the importance of reading in a young personâs life. I admired writers without even knowing what they looked like. Often I didnât see pictures on the covers. I just knew their voices by the way they would write their sentences. I feel I learned about life, lived through the characters and had adventures I couldnât even dream of having all through the art of reading a wonderful book.
By the time I was sixteen, I had obtained my first job away from home. The Duarte Public Library hired me to work as a âpageâ part time while I attended high school. I was able to devote even more time to filing and flipping through the pages of my most beloved writers and fondest friends. I recall taking a whole summer to finish the novel Hawaii by James Mitchner. These books were my education and entertainment away from the classroom and the schoolyard. By the age of eighteen, I was working for the USC Bookstore during freshman year of college and the Doheny Library by my sophomore year of college.
Now fast forward to the present day in 2008. I have written and self-published five books of poetry and recently released my first novel, The Kingdom of Nuts and Bolts here at the Los Angeles Times Festival of Books on the campus of UCLA. Was it an accident that I developed into a writer? (In my particular case, I am also a photographer and an artist.) (www.gingervanhook.com) (www.enildeingelsvanhook.com) I donât think this is a random event. I think there are no accidents in the universe. I firmly believe that everything happens for a reason. I believe in cause and effect. I believe that if you want to end up with a delicious cake, you need to prepare the recipe with proper ingredients. The ingredients leading to the successful art of writing requires nothing short of fresh time, young minds, good books and positive parental and community encouragement to read. The art develops naturally as the heat of age ripens the stories into cupcakes of our culture for everyone to enjoy!
I attended the Duarte Festival of Authors in October of 2005 in Westminster Gardens, in Duarte California just to visit with and enjoy a moment listening to Ray Bradbury as the featured keynote speaker, presented by The Friends of the Duarte Library.
We also support the Monrovia Arts Festival Association which is undergoing a change of name this year. In addition to the changes featured in Monrovia Library Park, with the new Library construction, Monrovia Arts Festival Association is about to be renamed the Monrovia Association of Fine Arts to better define the role of the arts in the community of Monrovia. The Monrovia Arts Festival Association will continue to serve the arts and artists as well as the after school art programs in Monrovia as well as surrounding communities and schools. I firmly believe, the younger a child is exposed to the arts, in terms of reading, writing, painting, sculpture, photography, film, digital media, comic book art and art history just to name a few of the variety of arts, the more creative a child will grow into adulthood and the more rewarding our communities will be to thrive in.
TV celebrity Jason Alexander supports the arts at the TAG Gallery in Santa Monica, California on August 18, 2007 for the CALIFORNIA OPEN EXHIBITION show juried by Peter Frank. Now showing NEW WORKS, painting, mixed media, sculpture, photography and video through September 1st 2007. Jason Alexander, an actor who played the part of "George" in the long running and popular hit TV show "Seinfeld", is pictured here beside sculpture artist Ali Alinejad. Photo by Ginger Van Hook
Christine Owens, president of the Focus One Community Credit Union and sponsor of the Focus One Gallery in Monrovia, California is presented with the Renaissance Award by Monrovia City Councilman, Joe Garcia at the Monrovia Arts Festival Association Gala Black Tie Annual Fund-raising Event May 12, 2007. The Renaissance Award is given to honor and recognize a special member of the community whose contributions to their fellow citizens leads to the cultural enrichment of the community as a whole. Photo by Ginger Van Hook
Artist, Photographer and Actor, David Newsom poses with his dog in front of his latest photographs (Thistle #1) being exhibited at the DCA Fine Arts Gallery, in Santa Monica, California, (June 1, 2007 through July 14th, 2007). Three miles of Idaho is an exhibit focusing on the landscape between his brother and his sister's properties in a unique and poignant family setting. David Newsom released large scale renditions of his work currently published from his best-selling book titled SKIP. Photo by Ginger Van Hook
Peter Frank, Jurist, for the TAG Gallery, CALIFORNIA OPEN EXHIBITION, stands beside emerging Los Angeles based artist, Luke Van Hook, August 18th, 2007. The Painting in background, oil on canvas, "May", the study of Giotto's perfect circle. by Luke Van Hook (Investigating the legend that Giotto drew a perfect circle for the Pope)
As the economy goes up and down, so do the trends in the arts and art collecting. This is an exciting time for the arts because we have many historical markers and world conditions that exist today that make it a good time to invest in the arts. For instance, instability in the stock market often releases money to make investments in art, that, like real estate, also goes up in value as the years progress. Additionally, there are wars raging around the world so instability in world economic markets are impacting the art market too. The best impact that market instability plays upon the arts is that it gives incentives to support artists in your local communities. These artists are here and now. Their work is presently available, and like property, it too can be insured, placed into a family trust or safety deposit vault and along with the family heirlooms, art can be bequeathed as a legacy or inheritance to members of your family. Both the housing market and the stock market have been riding a roller-coaster in recent years making a good piece of tangible artwork a far more solid investment than betting on governments, point spreads or Las Vegas Mega Slots.
My husband Luke and I have explored a number of fine art galleries and art communities that will interest the art lover, the art collector and fellow artists in the pursuit of great works being created in the NOW, as well as some works that have survived the test of time. In my Blog I intend to discuss some of the hot spots and hot artists in Sunny Southern California. I'll share photos with you of some of these exciting options available to the every day collector, the seasoned collector, the art aficionados, or the emerging collectors eager with new money to infuse into an already thriving and ripe harvest of works in Oil Painting, Photography, Sculpture, Conceptual works, Collage, Digital Photography, Digital Film and Electronic Visual Art.
Through this summer we visited communities on the West side such as Santa Monica, West LA, and Culver City. In the inland areas, we visited some of the foothill mountain art communities such as Glendale and a little further inland, we visited Old Town Monrovia. Starting with the inland foothills we find the quaint town of Monrovia where I grew up and went to school at Immaculate Conception Elementary on Shamrock Avenue. In Monrovia, the City of Art and in Duarte, the City of Health, I grew up as a child. I volunteered about 300 hours as a candy striper for the City of Hope in my teenage years, went on to work for the Duarte Library and attended Alverno High School for girls in Sierra Madre. This is the place where I was raised marching in parades with the Brownies and the Girl Scouts and where I learned to tap dance, twirl a baton and where I rode a ferris wheel for the first time at the fiesta, (as well as ate a lot of cotton candy), I came back as an adult to find an incredible amount of support for the arts in local schools. The arts are not limited to crayons and pencils either. There is an extensive array of art mediums in which students, and some very young students at that, learn to hone their creative skills. For instance, at Paint N Play on Myrtle Avenue, they learn how to throw pottery. Also, with after school teacher, Rouzanna Berberian, children learn the art of drawing, photography and gallery showmanship as well. There are art lessons going on, on almost every street corner you encounter in the busy Old Town Center on Myrtle near the Krikorian Movie theatre. You'll find this charming section of town both soothing and exhilarating. You ought to try walking up and down the main street where there are sidewalk activities, new park benches to rest under shade trees, new lampposts and lanterns all reminiscent of a nostalgic time. Artists show their work on wide city blocks and inside cool and dim lit gallery spaces. The mountains loom in the distance and the afternoons yeild a light summer breeze in the early evening.
We support the Monrovia Arts Festival Association in their endeavors to promote the arts to the children at a very young age. It is not uncommon for lots of families that are raised to appreciate art to blossom into artists later in life. MAFA is a nonprofit organization led by President Bill Beebe with a history of supporting local artists and local after-school art programs. Over the years, the Monrovia community has begun to expand its outreach of art by developing local talent through a number of venues: Focus One Gallery for instance, is located in the lobby of the Focus One Community Credit Union at 404 East Huntington Drive on the corner of California and Huntington Drive. The president of Focus One Community Credit Union, Christine Owens is known for her support of local artists and was recently nominated for and awarded the annual Renaissance Award by Monrovia City Councilman Joe Garcia at the MAFA Black Tie Fundraiser in May 2007. This is a prestigious award that goes to honor and recognize a special member of the community whose contributions to their fellow citizens leads to the cultural enrichment of the community as a whole.
MAFA Marketing coordinator, (on left)Denise Daniels is pictured here with Christine Owens, President of Focus One Community Credit Union and Bill Beebe, President of MAFA at their annual Black Tie Fundraiser that occurs in May.
Monrovia, California Foothill Mountain Communities Some Artists in Action...
THE MONROVIA ARTS FESTIVAL ASSOCIATION otherwise known as MAFA, is a 501 (c) (3) non-profit organization and is dedicated to the cultivation and support of the arts in children's after school programs as well as educational awareness of the arts in the community at large. MAFA P.O. Box 92 Monrovia, CA 91017 (www.artfestivals.org) 626-256-3124
Several galleries and art venues have developed over the years which participate and support MAFA. The following information is current as of August 2007: If your event or venue is not listed, please contact Ginger Van Hook, press liaison, for MAFA at (firstname.lastname@example.org).
The AZTEK ART GALLERY, is located beside the Aztek Hotel at 305 West Foothill Blvd. Exhibits local artists work as well as holds art classes during scheduled times. The contact person is Bill Hyatt, (Hyatt2000@yahoo.com)
California Wine and Cheese, LLC supports local artists. New Artist reception for Frank Zgonc, Photographer is scheduled for the evening of Friday August 24th, 2007. Frank Zgonc shares images from his travels through Europe, scenes from Bodie Flats, Nevada and local scenes in Monrovia along with his signature digital watercolor manipulations. California Wine and Cheese is located at 115 W. Foothill Blvd., Owned by Janet and Tom Dugan, their website can be located at www.cawineandcheese.com (Contact by phone 626-358-6500 for reservations.)
The MONROVIA COFFEE COMPANY supports local artists and is located at 425 South Myrtle Avenue. Exhibits contemporary and emerging artists work. Next artists showing September 1 through December 30th, Ginger and Luke Van Hook Photography exhibit, Methusula in the Bristlecone Pine Forest. (Landscape photographs of some of the oldest pine trees on the planet. Some trees aged over 4,700 years, older than the Egyptian Pyramids.) (Additional digital photography of flowers and collage by Ginger Van Hook.) For artist schedules, contact person is Carol Curtis, (email@example.com) The PAINT 'N PLAY ART GALLERY is affiliated with Monrovia Arts Festival Association in its' support of the arts by providing a meeting place for MAFA members to discuss and plan their upcoming events for the community on a monthly basis. Contact Lisa or Rachel at paintnPlay2@aol.com. Paint 'N Play is located at 418 South Myrtle Avenue. Paint N Play sponsors the SUMMER ARTWALKS in Old Town Monrovia along with several merchants who participate every year. KidsArt, Segil Fine Art, Oh My Goddard Gallery, Family Festival Productions, Scoops, Joy Print and Design, Box Jewelers and Baldwin's Baked Potatoes as well as the Outback SteakHouse- Arcadia and Trader Joe's also participate in art festivities that promote the education of art in schools through Summer Artwalks. For more information regarding Summer Art Walks and how you may participate, you may also contact Betsy Thurmond (626-358-7800) or firstname.lastname@example.org. The next SUMMER ARTWALK is scheduled for Saturday evening, August 25, 2007 from 6:30 to 9pm.
GLENDALE COMMUNITY ARTISTS EXHIBIT AT THE BRAND LIBRARY ART GALLERIES
August 11 - September 28th, 2007. Glendale Public Library Associates of Brand Library 1601 West Mountain Street Glendale, CA 91201 818-548-2051 www.brandlibrary.org
A group show Titled: PATTERN PLAY. Four artists demonstrate the variety of patterns available in color schemes, pattern originality, unique images in oil paints, sculpture, and graphic designs. Artist reception August 18, 2007. Artists featured are Patsy Cox, Yuriko Etue, Melanie Rothschild, and Jerrin Wagstaff. Definitely a great show for the entire family. You'll experience a great variety of brilliant colors and patterns that pop out of the walls, rise from the floor and reveal creative abstract patterns that draw you in, spiral you out and make you feel good.
16:1 Gallery, Santa Monica, California Summer 2007
Kathryn Andrews Chris Lipomi Donald Morgan Stephanie Taylor organized by Kathryn Andrews
Showing August 11 through September 8, 2007
Sixteen:One 2116 Pico Blvd., Unit B Santa Monica, CA 90405 310-450-4394 email: email@example.com www.16to1.com
************************************************************************************************************ SANTA MONICA, CALIFORNIA DCA FINE ART GALLERY Delia Cabral, Gallery Director www.dcafineart.com firstname.lastname@example.org 3107 Pico Blvd. Santa Monica, CA 90405 310-396-8565
From Exhibition, THREE MENDACIOUS MINDS,(The Return of Paris' New Pestilence School)David Schoffman, Currado Malaspina, Micah CarpenterJuly 23- August 31, 2007310-770-2525 Photo by Ginger Van Hook
****************************************************************************************************************** SANTA MONICA, CALIFORNIA
TAG Gallery TAGtheartistsgallery.com Elizabeth Sadoff Gallery Director 2903 Santa Monica Blvd. Santa Monica, CA 90404 310-829-9556
Elizabeth Sadoff, Gallery Director, TAG Gallery handing out awards to the winning artists. Photo by Ginger Van Hook
Jason Cimenski accepts award from Peter Frank and Elizabeth Sadoff TAG Gallery, August 18, 2007 Photo by Ginger Van Hook First Place Winner, Artist, Jason Cimenski with his daughter"The Flooded Room"TAG Gallery, August 18, 2007Photo by Ginger Van Hook
Artist Kim Kimbro, TAG Gallery, August 18, 2007 Photo by Ginger Van Hook
Artist, Lorien Suarez, TAG Gallery August 18, 2007Photo by Ginger Van Hook
Artist, Carlos Daub, TAG Gallery, August 18, 2007 Photo by Ginger Van Hook
Derek McMullen, Luke Van Hook, Dennis TreretolaThree artists, oil painters, from the same graduating class at Otis College of Art and Design, 2004 TAG Gallery, August 18, 2007 Photo by Ginger Van Hook
Artists, and fine art painters, Carlos Daub, Luke Van Hook, Dennis Treretola TAG Gallery, August 18, 2007 Photo by Ginger Van Hook Artist, Carole Garland, "Midnight Mystery", oil on canvas TAG Gallery, August 18, 2007 Photo by Ginger Van Hook
TAG Gallery, Santa Monica, California August 18, 2007 Standing room only at the popular show CALIFORNIA OPEN EXHIBITION Photo by Ginger Van Hook
Peter Frank thanks the artists and their guests who have participated at the TAG Gallery, Santa Monica, California Open Exhibition, August 18, 2007 Photo by Ginger Van Hook
Biological drug testing is a tool that provides information about an individual's recent substance use. Like any tool, its value depends on using it correctly; that is, on selecting the right test for the right person at the right time. This document is intended to clarify appropriate clinical use of drug testing in addiction medicine and aid providers in their decisions about drug testing for the identification, diagnosis, treatment, and recovery of patients with, or at risk for, addiction. The RAND Corporation (RAND)/University of California, Los Angeles (UCLA) Appropriateness Method (RAM) process for combining scientific evidence with the collective judgment of experts was used to identify appropriate clinical practices and highlight areas where research is needed. Although consensus panels and expert groups have offered guidance on the use of drug testing for patients with addiction, very few addressed considerations for patients across settings and in different levels of care. This document will focus primarily on patients in addiction treatment and recovery, where drug testing is used to assess patients for a substance use disorder, monitor the effectiveness of a treatment plan, and support recovery. Inasmuch as the scope includes the recognition of addiction, which often occurs in general healthcare settings, selected special populations at risk for addiction visiting these settings are briefly included.
Objectives: The prevalence of opioid use disorder (OUD) during pregnancy is increasing. Practical recommendations will help providers treat pregnant women with OUD and reduce potentially negative health consequences for mother, fetus, and child. This article summarizes the literature review conducted using the RAND/University of California, Los Angeles Appropriateness Method project completed by the US Department of Health and Human Services Substance Abuse and Mental Health Services Administration to obtain current evidence on treatment approaches for pregnant and parenting women with OUD and their infants and children.
Methods: Three separate search methods were employed to identify peer-reviewed journal articles providing evidence on treatment methods for women with OUD who are pregnant or parenting, and for their children. Identified articles were reviewed for inclusion per study guidelines and relevant information was abstracted and summarized.
Results: Of the 1697 articles identified, 75 were included in the literature review. The perinatal use of medication for addiction treatment (MAT, also known as medication-assisted treatment), either methadone or buprenorphine, within comprehensive treatment is the most accepted clinical practice, as withdrawal or detoxification risks relapse and treatment dropout. Medication increases may be needed with advancing pregnancy, and are not associated with more severe neonatal abstinence syndrome (NAS). Switching medication prenatally is usually not recommended as it can destabilize opioid abstinence. Postnatally, breastfeeding is seen as beneficial for the infant for women who are maintained on a stable dose of opioid agonist medication. Less is known about ideal pain management and postpartum dosing regimens. NAS appears generally less severe following prenatal exposure to buprenorphine versus methadone. Frontline NAS medication treatments include protocol-driven methadone and morphine dosing in the context of nonpharmacological supports.
Conclusions: Women with OUD can be treated with methadone or buprenorphine during pregnancy. NAS is an expected and manageable condition. Although research has substantially advanced, opportunities to guide future research to improve maternal and infant outcomes are provided.
The Centers for Disease Control have recently described opioid use and resultant deaths as an epidemic. At this point in time, treating this disease well with medication requires skill and time that are not generally available to primary care doctors in most practice models. Suboptimal treatment has likely contributed to expansion of the epidemic and concerns for unethical practices. At the same time, access to competent treatment is profoundly restricted because few physicians are willing and able to provide it. This âPractice Guidelineâ was developed to assist in the evaluation and treatment of opioid use disorder, and in the hope that, using this tool, more physicians will be able to provide effective treatment. Although there are existing guidelines for the treatment of opioid use disorder, none have included all of the medications used at present for its treatment. Moreover, few of the existing guidelines address the needs of special populations such as pregnant women, individuals with co-occurring psychiatric disorders, individuals with pain, adolescents, or individuals involved in the criminal justice system. This Practice Guideline was developed using the RAND Corporation (RAND)/University of California, Los Angeles (UCLA) Appropriateness Method (RAM) â a process that combines scientific evidence and clinical knowledge to determine the appropriateness of a set of clinical procedures. The RAM is a deliberate approach encompassing review of existing guidelines, literature reviews, appropriateness ratings, necessity reviews, and document development. For this project, American Society of Addiction Medicine selected an independent committee to oversee guideline development and to assist in writing. American Society of Addiction Medicine's Quality Improvement Council oversaw the selection process for the independent development committee. Recommendations included in the guideline encompass a broad range of topics, starting with the initial evaluation of the patient, the selection of medications, the use of all the approved medications for opioid use disorder, combining psychosocial treatment with medications, the treatment of special populations, and the use of naloxone for the treatment of opioid overdose. Topics needing further research were noted.
You may not have thought about it, but if you go to your local supermarket you’ll discover that bottled water has a dedicated aisle. You already know it’s big business, especially in many parts of California. In Los Angeles for example, residents are turning away from tap water and turning to bottled water instead. They […]
The 2015 Emmys are here, and while, sure, it’s fun to see who wins, let’s face it â it’s the red carpet we really want to see. Here are all the looks from the Microsoft Theater in Los Angeles. And follow along with social media reaction to the show below.
Apesar da sua patologia clÃnica em nada o ajudar, contra todos os prognÃ³sticos, Burt estableceu o recorde de 288km/h na sua Indian com o motor de 850cc. Uma moto que nem travÃµes de disco tinha, e cuja ciclÃstica era um misto de foguetÃ£o artesanal com bicicleta a pedais. Mas sobreviveu! De tal maneira que no ano seguinte regressou e atingiu os 305.88km/h (nÃ£o oficial). Em 1967, Burt estabeleceu o recorde mundial de 295.45km/h com a sua Indian Scout a atingir uma capacidade de 950cc. Este feito ainda hoje perdura.
De todas as vezes que Burt se deslocava a Bonneville, a sua âdream-teamâ era um grupo de entusiastas que o apoiava como podia e sabia. Os recursos eram escassos, e as necessidades eram muitas. Havia que gerir tudo com parcimÃ³nia. Compensava a boa vontade, que essa era de sobra. Como mais tarde confidenciou: Â«Na Ãºltima vez em Los Angeles arranjei um furgÃ£o por 90 dÃ³lares. Era a sede da equipa IndianÂ».
Burt faleceu em 1978, com 79 anos. O seu exemplo de coragem e tenacidade ficarÃ¡ para sempre. A Indian Scout, que foi sua durante 57 anos, e com a qual estabeleceu novos limites para a ousadia, estÃ¡ hoje na posse de um entusiasta de longa data em South Island.
INDIAN SCOUT Engenheiro responsÃ¡vel pelo projecto: Charles Franklin ProduÃ§Ã£o: 1919-1930 Cilindrada: 596cc Motor: bicilÃndrico em V, 42Âº com vÃ¡lvulas laterais Caixa: 3 velocidades TransmissÃ£o: corrente
ApÃ³s a morte de Kurt Cobain, Grohl entrou no Robert Langâs Studio em Seattle com o amigo e produtor musical Barrett Jones. ExcepÃ§Ã£o feita para a parte de guitarra de âX-Staticâ Grohl tocou todos os instrumentos das faixas.
Gary Gersh (que jÃ¡ tinha trabalhado com os Nirvana, e que era um âdescobridor de talentosâ da Capital Records) incluiu Dave Grohl no catÃ¡logo da editora. As faixas acabaram por ser misturadas, e o resultado final tornou-se posteriormente no primeiro Ã¡lbum â homÃ³nimo â da banda. Grohl nÃ£o quis que este fosse um projecto de estÃºdio ao estilo One Man Show, entÃ£o trabalhou para formar uma banda de suporte ao Ã¡lbum. Inicialmente, o seu antigo colega Krist Novoselic era o principal candidato, mas ambos ponderaram sobre imagem errada que estariam a dar dos Foo Fighters como sendo uma continuaÃ§Ã£o dos Nirvana. Grohl decidiu convidar outro mÃºsico, o baixista Nate Mendel, e mais tarde o baterista William Goldsmith.
Pat Smear, que era um membro nÃ£o oficial do Nirvana apÃ³s o lanÃ§amento de In Utero, foi adicionado como segundo guitarrista, completando assim a banda. O colectivo realizou a sua primeira digressÃ£o ainda em 1995, abrindo os concertos de Mike Watt. Com o segundo trabalho de estÃºdio, Dave Grohl realizou um feito considerado por muitos mÃºsicos quase impossÃvel. Gravou todas as mÃºsicas do disco, nada mais, nada menos, em somente uma semana. Ele tocou guitarra, baixo, bateria, e cantou em cada uma das treze canÃ§Ãµes compostas integralmente por si. Ã obra! Como precisava de um baterista (jÃ¡ que Goldsmith se havia desentendido e abandonado o projecto), Grohl indagou o baterista das digressÃµes de Alanis Morissette, Taylor Hawkins, sobre a possibilidade de indicaÃ§Ã£o de algum mÃºsico da sua confianÃ§a; para sua surpresa Hawkins voluntariou-se para a banda.
Anthony Kiedis (voz), Flea (baixo), Chad Smith (bateria) e John Frusciante (guitarra),eis a actual formaÃ§Ã£o dos RHCP e aquela que tem sido responsÃ¡vel, ao longo dos anos, pelos maiores sucessos da banda. Mas a histÃ³ria comeÃ§a mais atrÃ¡s, no longÃnquo ano de 1983, em Los Angeles. Sim, os Red Hot estÃ£o quase a celebrar as bodas de prata.
De moto: Chad Smith, no documentÃ¡rio Funky Monks, no percurso de casa para o local das gravaÃ§Ãµes de Blood Sugar Sex Magik, aos comandos da sua Harley-Davidson.
Â«EstÃ¡vamos a deixar as coisas fluir, ensaiando e escrevendo material novo [NR: que viria a ser o disco One Hot Minute]. Entre outras coisas, cada um de nÃ³s comprou uma Harley-Davidson. ChegÃ¡mos mesmo a formar um gangâ¦Â» Anthony Kiedis em Scar Tissue, a sua auto-biografia (pÃ¡g. 318). E segundo o mesmo livro, era na sua moto que Anthony Kiedis rumava Ã baixa de Los Angeles para comprar heroÃna e cocaÃna. Isto passou-se ao longo de vÃ¡rios anos.
CitaÃ§Ã£o: Â«Ela dominava. Fazia coisas do tipo ir encher a boca com Ã¡gua quente do chuveiro para depois vir ter comigo e fazer-me sexo oral. O que terei eu feito para mereceruma experiÃªncia tÃ£o boa?Â» Anthony Kiedis sobre Karen, a irmÃ£ de Flea, em Scar Tissue (pÃ¡g. 59). Porreiro pÃ¡! O que tu fizeste para merecerâ¦nÃ£o sei, mas diz lÃ¡ ao Flea para me apresentar a irmÃ£ deleâ¦
These photos are from the wedding of Rebecca Johnson to Todd Worley which was held on September 27, 2014 at Crafted at the Port of Los Angeles. Crafted is located at 112 E. 22nd Street in San Pedro, California. Back to the Worley – Johnson Wedding Photos Back to the Worley – Johnson Wedding Photos
While the East Coast often suffers from temperatures well below 20 degrees, those in Los Angeles can't seem to stand anything below 60. Thanks to Jimmy Kimmel, America is now aware just how spoiled the LA crowd is. Recently, the talk show host aired a segment from the local news, in which newscasters incessantly seem to complain about the recent temperatures -- which all sat in the mid-fifties.
BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature Newsies, Mamma Mia!, The Book of Mormon, and more!
Check out our top features from around the BroadwayWorld below!
St. Louis:Check out video highlights from The Muny's production of ALL SHOOK UP! Set to the chart-topping hits of the King of Rock 'n' Roll, himself, Elvis Presley, and based on Shakespeare's Twelfth Night, All Shook Up follows the story of Natalie, a tomboy mechanic with a longing heart, and Chad, a mysterious, hip-swiveling roustabout who is new to town and ready to shake things up. Set in the 1950s, and filled with secret crushes, hysterical shenanigans and matters of the heart, this is one Muny production that promises to have the entire family dancing in their 'Blue Suede Shoes.'
Washington DC: Contributor Bejamin Tomchik reviews MAMMA MIA! He writes "The credit lays first, and most obviously, with Benny Andersson and Björn Ulvaeus, the Bs in ABBA. Their music and lyrics are as catchy as when they first debuted in the seventies and eighties. It is hard to find someone leaving Wolf Trap not humming their favorite song. Second is book writer Catherine Johnson for creating an original story that is playful, and naturally incorporates ABBA's songs making them feel like natural extensions of the characters and/or scenes. Director Phyllida Lloyd and choreographer Anthony Van Laast give the production a youthful energy that is a great compliment to ABBA's music. Van Laast's athletic and energetic choreography conveys the urgency of finding Sophie's father with the excitement of her wedding."
Philippines: Contributor Robert Encila reviews NEWSIES! He writes "Guevara himself has extracted a rambunctious performance from a gifted and intrepid ensemble, harnessing a collective power that defied the heavy rains that threatened to steal the glory on Saturday night [July 15] at Bonifacio High Street Amphitheatre. Fortunately, nature yielded to the man-made tempest, a savage storm forged by inspired singing, dynamic choreography, and a sizzling live band."
South Carolina: Contributor Neil Shurley reviews HAIR at the Lyric! He writes "The journey begins even before curtain time, as actors - already in character - mill around the open theatre space, creating a welcoming atmosphere as they interact with audience members and each other. The set, designed by Henry Wilkinson, consists of some low platforms, covered in blankets and pillows, with a few swaths of draped fabric in places. And as the music begins, the actors converge and undergo a small ritual in which they take a drug and the lights and music swirl more and maybe the whole evening is just going to be one long drug trip for all of us and then the "Age of Aquarius" dawns and draws us into its spell."
San Francisco: Contributor Robert Sokol reviews THE BOOK OF MORMON. He writes "A return visit does not lessen the joy of frog-on-face jokes and there's anticipatory joy in getting another dose of Elder McKinley's first-rate, tapping advice "Turn It Off," or succumbing to another "Spooky Mormon Hell Dream." The other thing you get is an opportunity to really absorb the musical riffs on other hit shows with whom Mormon has rightfully taken its place. Try to not hear the essence of "The Wizard and I," "Hakuna Matata," or "Somewhere That's Green" hinted in "You and Me (But Mostly Me), " "Hasa Diga Eebowai," and "Sal Tlay Ka Siti."
Los Angeles: Contributor Michael Quintos reviews MARY POPPINS at Musical Theatre West. He writes "It also helps that the cast is superb. Katharine McDonough---who was incredible as Eliza Doolittle in MTW's MY FAIR LADY---returns with her Brit accent and self-assured wit and confidence to play the titular nanny, who has magically arrived at Number 17 Cherry Tree Lane to assist in the care of two "adorable" children whose family life seems to be in flux. In McDonough's hands, Mary is appropriately playful yet sincere, sassy yet capable of forethought, empathy and care (McDonough is so charming that the audience didn't even bat an eye when she pantomimed having her infamous measuring tape which went inexplicably missing on Opening Night). Her every appearance as Mary is a delight and her singing voice is, indeed, practically perfect for the role."
Pittsburgh: Contributor Dylan Shaffer reviews NEWSIES at the Pittsburgh CLO. He writes "Pencil turns, pirouettes, and barrel rolls abound in this show, as large dance numbers follow one another throughout both the first and second acts. Audiences love when a stage full of actors are able to kick, jump, and step in unison, and for the most part, the cast of Disney's Newsies does this. Their synchrony is evident in the tap number "King of New York." There is no question that these boys are talented, but being a beat ahead or behind will never bode well in a group number, and the audience will notice unforgivingly."
Kansas City: Contributor Sara Brown reviews BACK TO THE 80s at Theatre in the Park. She writes "My favorite part of the show was the girls' costumes. The 80's had such defined fashion, and these girls didn't disappoint with sparkly frocks, fringe boots, and plaid skirts. Their song "Girls Just Want to have Fun," sung by Murphy, Maggie Hutchinson, Anna Hastings, and Colette Worthington, was my second favorite song in the show with their iconic dance moves."
Cleveland: Contributor Roy Berko reviews THE SOUND OF MUSIC at Playhouse Square. He writes "The little girl sitting behind me was on the edge of her seat throughout the show and, at the end, sleepily said to her mother, "I loved it!"Yes, the touring production of "The Sound of Music," is a very pleasant experience. "So long, Farewell," How long will it be before I have to "Climb Every Mountain" again? Guess as long as I'm a reviewer, "There is No Way to Stop It."
Toronto: Contributor Taylor Long reviews SHAKESPEARE IN THE PARK. He writes "Shakespeare in High Park is the perfect summer theatrical experience. Bring a blanket, pack some bug spray - hey, even pack a picnic. I was jealous at some of the picnic spreads people had prepared. Escape the bustling city and experience two of the greatest plays ever written - performed by some exceptional talent."
Regional Editor Spotlight:
Dylan Shaffer Pittsburgh Contributing Editor
Dylan is a modern writer, producer and theatregoer in the Pittsburgh region. In the theatrical realm, he has worked in production, marketing, box office and front of house, in addition to acting, directing and stage-managing. When he is not involved with shows, either in the Cultural District downtown or in the small-town theatres speckling western PA, Dylan keeps busy on the golf course, in the community and at new and exciting restaurants.
Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!
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The always-interesting Freakonomics guys (Steven D. Levitt and Stephen J. Dubner) had a fascinating column in this weekend's NYTimes Magazine. It covers the law of unintended consequences and links some seemingly unrelated topics:
What do a deaf woman in Los Angeles, a first-century Jewish sandal maker and a red-cockaded woodpecker have in common?
I recommend reading the column to find out - as well as to catch how the Shemita-year device of Heter Mechira figures into the discussion. Though their point - that every action can incur all manner of unexpected results - might seem obvious, it doesn't make reading about some specific unintended consequences any less interesting.
This is the relevant passage from the column as regards to Shemitta and Heter Mechira:
How long have such do-good laws been backfiring? Consider the ancient Jewish laws concerning the sabbatical, or seventh year. As commanded in the Bible, all Jewish-owned lands in Israel were to lie fallow every seventh year, with the needy allowed to gather whatever food continued to grow. Even more significant, all loans were to be forgiven in the sabbatical. The appeal of such unilateral debt relief cannot be overestimated, since the penalties for defaulting on a loan at the time were severe: a creditor could go so far as to take a debtor or his children into bondage.
So for a poor Jewish sandal maker having trouble with his loan payments, the sabbatical law was truly a godsend. If you were a creditor, however, you saw things differently. Why should you lend the sandal maker money if he could just tear up the loan in Year Seven? Creditors duly gamed the system, making loans in the years right after a sabbatical, when they were confident they would be repaid, but then pulling tight the purse strings in Years Five and Six. The resulting credit drought was so damaging to poor people that it fell to the great sage Hillel to fix things.
His solution, known as prosbul, allowed a lender to go to court and pre-emptively declare that a specific loan would not be subject to sabbatical debt relief, transferring the debt to the court itself and thereby empowering it to collect the loan. This left the law technically intact but allowed for lenders to once again make credit available to the poor without taking on unwarranted risk for themselves.
The fallow-land portion of the sabbatical law, meanwhile, was upheld for centuries, but it, too, finally gained a loophole, called heter mechira. This allowed for a Jew to temporarily âsellâ his land to a non-Jew and to continue farming it during the sabbatical year and then âbuyâ it back immediately afterward â a solution that helped the modern state of Israel keep its agricultural economy humming.
The trouble is that many of the most observant Israeli Jews reject this maneuver as a sleight of hand that violates the spirit of the law. Many of these traditionalists are also extremely poor. And so this year, which happens to be a sabbatical year, the poorest Jews in Israel who wish to eat only food grown on non-Jewish land are left to buy imported goods at double or triple the regular price â all in order to uphold a law meant to help feed the poorest Jews in Israel.
They make an interesting point. When the Shemitta-year law of forgiving all debts created a situation in which those who needed loans were being refused in pre-Shemitta years, thus harming those (the poor) who most needed the reprieve ostensibly offered by Shemitta, Hillel instituted a system whereby that unintended consequence could be averted. However, while the law of Shemita that commanded that all fields must lie fallow may have allowed poor Jews living in Israel to help themselves to produce during that year, the similar though admittedly far more recently instituted Heter Mechira has not at all been accepted among Charedi Jews. This has created a situation where the Charedim, some of whom number among the poorest of Israeli citizens, instead spend their meager funds on imported produce to avoid buying fruits and vegetables grown on Jewish-owned land with a Heter Mechira - or worse, these families are forced to go without much in the way of fresh produce altogether.
Now, the fact that that individual Halachot might have unintended consequences is far from a Chiddush. I think it's fair to state that just about every law - whether religious or secular - will have some unintended or unplanned-for consequence. Nor should that fact necessarily be a criteria to attempt to change normative Halacha. That said, there is a halachic concept of considering the societal or financial fallout of a psak before rendering it. I have personally seen such a practice in action, when in a situation that forced me to ask a Shaila of a quite eminent Rav regarding the need to replace a certain kitchen appliance that had been rendered unkosher. When I posed the question to the Rav, his first ruling was that we were required to replace a certain component of the appliance only, as opposed to the entire appliance. When I mentioned that I had researched the pricing and found it almost as expensive to do so as to replace the appliance entirely, he paused, told me he was unaware as to how costly the component in question was, and told me to call him back later that evening after he did some research. When I called back later that evening he had decided on a more lenient ruling, and told me how to perform a technique to kasher the appliance instead of replacing the component or the appliance entirely. At first blush, that might seem to be a cop-out of sorts, a less than strict adherence to Halacha in the face of what might have amounted to a bit of financial discomfort. But clearly this very learned Rav felt comfortable amending his ruling based on the hardship a stricter ruling might cause. I should probably add, however, that the same Charedim who do not hold of Heter Mechira might very likely not hold of the ruling I received regarding my kitchen appliance. I will also add the the usual disclaimers regarding how one ruling has absolutely nothing to do with the other aside for the seeming differences in flexibility when it comes to the question of a strict adherence to halacha when it imposes financial hardship.
Some might also find it interesting that the very same Rav who gave me my kitchen appliance psak does not approve of eating produce grown with Heter Mechira. So in the interests of full disclosure, I must note that the OrthoFamily ourselves do not purchase Heter Mechira fruits and vegetables.
Edward Garren is a California licensed psychotherapist, offering counseling services to individuals, couples and families.
"The purpose of therapy is to remove blocks to truth; to help you abandon any patterns of belief that no longer serve you in a productive way; to implement self-forgiveness.
Therapy can alleviate suffering and open the door to peace of mind. It can assist in separating illusion from reality and even reality from truth.
Finally, it can help you to learn to make your decisions from internal prompts because you have created an internal locus of control."
From "A Course in Miracles"
Mr. Garren has worked in the profession for many years and has a broad range of experiences and "styles" of doing therapy. He has particular expertise working people who are dealing with depression, anxiety, recovering from addiction or alcoholism, desiring to reduce or eliminate use of prescribed psychotropic medications* (*NOTE: any change in one's medication should always be done under the guidance and supervision of the prescribing or other physician).
Ed has experience providing Counseling, Psychotherapy, Coaching, Career Development and related services to: Individuals Couples Families GLBTQ Community Members Persons living with HIV Persons and Families of mixed heritages Adult Survivors to Childhood Trauma Persons with Post Traumatic Stress Disorder Military and Law Enforcement personnel.
His office is conveniently located on Rodeo Road, near Western Ave. Â This location is within ten minutes of the USC main campus, Downtown Los Angeles, Koreatown, Leimert Park, Baldwin Hills, View Park, West Adams, etc. Â It is within fifteen minutes of Hollywood, West Hollywood, Mid-Wilshire, Los Feliz, Silverlake, Echo Park, Chinatown, East Los Angeles, South Central, South Los Angeles, Inglewood, Playa del Rey, Marina del Rey.
My city has a tumor in its heart, a cancer that is threatening to destroy the host, destroy the state, destroy America.
The government, more so, the members of congress in their infantile wisdom have handed over a large portion of Los Angeles to the Zombies. It has been named the zombie zone by elected officials and zombie homeland by the degenerate half dead monsters that infest it. Explained to the public as a way of reaching across the aisle and finding common ground on which to base human zombie relations, the zombie zone is a huge blow to humans. With one sinuous line of the governor?s pen, and the president Obazy smiling over his shoulder, a large swath of Los Angeles was given over to the zombies. The creatures flooded the area within days, and the humans that failed to leave beforehand were as cattle at the slaughter. Some humans remained behind to fight for their property, given away by the government without their consent or recompense; others did not have any means to leave, or anywhere to go. The feeding frenzy of the zombies was and orgy of screams heard all around the perimeter of the zone, yet most of America sat secure in their homes, blissfully ignorant of the happenings in the heart of L.A., denying that it could ever happen to them.
Some citizens learned of what was happening, and in their outrage they went to their representatives in congress begged and demanded that something be done to help those trapped in the zombie zone. Their pleas were ignored. Other citizens begged for congress to send in the National Guard, and once again, congress remained resolutely silent.
Within days, the zombie zone was declared human free, eradicated as if they were offending vermin. Some few humans clung to life and learned how to survive and fight in the zone. However, they were seriously outnumbered and lacked much to defend against the walking dead.
I could not sit by any watch this horror without attempting to help, so I snuck in to the zone.
Throughout my career as a costumed crime fighter, I haunted the night and protected those that ventured into that world. But night in the zombie zone was death for a normal human, so I explored the zone during the day, avoiding darkened areas, as I quickly learned this is where the zombies rested and would awaken at the lest amount of noise. I found that most zombies stayed in large groups and hunted as if in packs. But some, for what reason I cannot fathom, chose to be by themselves. It was one of these monsters I came across, and learned how to tune my fantastic goggle to read what I could from their near black soul. It was from this beast I learned what it took to kill a zombie.
After my foray into the zone, I realized I would need a better mode of transportation than walking on foot. I went home and bought a 1945 Dodge power wagon and began making some modifications.
I am the Mirrorman, I protect humans, I protect good citizens, and I hunt zombies. Your doom or triumph will be at your own hand.
LOS ANGELES â A US judge ruled Wednesday that Jared Loughner was unfit to stand trial over charges he tried to assassinate a US congresswoman and killed six other people in Arizona, US media reported. Loughner had to be removed from court in Tucson after making an outburst at a hearing to decide if ...
A deal with the International Olympic Committee to give Los Angeles a $1.8 billion contribution and other incentives likely means the city will play host to the 2028 summer Olympics, a deal that reflects a changing dynamic for host negotiations after a slew of cities dropped out of bidding this time around.
Muitos me perguntam se eu desisti do blog, se eu nÃ£o me interesso mais por green issues e blablabla. Para todos os leitores e apreciadores desse blog, achei que precisava dar uma satisfaÃ§Ã£o do meu sumiÃ§o.
O Raponesa Green foi um projeto que se iniciou com a minha vontade de morar em San Francisco para entender melhor o movimento sustentÃ¡vel. Morei na minha cidade do coraÃ§Ã£o por 1 ano e assim, o blog foi se desenvolvendo. Fiz mil cursos na UC Berkeley, workshop de permacultura, aprendi a fazer lixo compostÃ¡vel, fui a eventos sociais green, fui a encontros de green blogueiros, participei da maior feira green do mundo, experimentei leite a base de maconha, fiz detox com sucos orgÃ¢nicos, meu carro era uma bike, trabalhava num restaurante sustentÃ¡vel, fazia shopping em thrift store, enfim, vivi.
O feedback em relaÃ§Ã£o ao meu projeto nÃ£o poderia ter sido melhor, fui convidada para ser colaboradora da Revista Vida Simples e trabalhei como consultora e fiz zilhÃµes de pesquisa sobre o movimento green para agÃªncias de publicidade e empresas.
Depois de 1 ano, vi que estava na hora de ir para o segundo step. Com o conhecimento da sustentabilidade em mÃ£os, percebi que preciso aplicar esse knowledge em um algum assunto mais especÃfico. Com toda a certeza do mundo, a moda foi o tema escolhido.
Mudei para Los Angeles e abri minha loja online especializada em vintage (roupa atemporal, em perfeita condiÃ§Ã£o, com preÃ§o justo e com a bandeira da reciclagem). Quem compra local, tem desconto no shipping, no entanto, o mundo inteiro estÃ¡ disponÃvel a conhecer a Delicia Modas.
Salam sejahtera kepada semua pembaca setia blog makan Mahamahu dan juga rakan-rakan sekalian. Pernahkan korang menggunakan perkhidmatan MAS? Malaysia Airlines (MH / MAS) adalah syarikat penerbangan negara Malaysia, yang ditubuhkan pada tahun 1937 oleh British di bawah nama Malayan Airways.
Pada masa kini, Malaysia Airlines ialah Skytrax yang disahkan Five Star Airline disediakan untuk wilayah Asia, âLaluan Kangarooâ antara Eropah dan Australasia serta penerbangan transpasifik dari Kuala Lumpur ke Los Angeles melalui Tokyo.
Tahu tak korang Malaysia Airlines mempunyai 2 anak syarikat penerbangan untuk berkhidmat kepada segmen pasaran yang berbeza. Pertama adalah MASwings anak syarikat milik penuh yang memberi tumpuan kepada kawasan luar bandar di Sabah dan Sarawak serta kawasan BIMP-EAGA.
Kedua pula adalah Firefly, syarikat penerbangan serantau bajet rendah yang memberi tumpuan kepada tiket penerbangan tambang murah juga milik penuh Malaysia Airlines dan dengan pengurusan berasingan oleh FlyFirefly Sdn.Bhd.
Malaysia Airlines mempunyai slogan yang menekankan lebih kepada syarikat penerbangan itu sebagai sebahagian daripada pengalaman perjalanan dan bukan komoditi semata-mata: "Perjalanan Dilakukan Bersama Orang yang Anda Bercuti Bersama".
Ia memiliki keanggotaan-status penuh Oneworld yang merupakan salah satu 3 kerjasama yang terbaik di dunia. Satu lagi syarikat penerbangan terkemuka antara yang lain bergabung dalam Oneworld adalah American Airlines, Air Berlin, British Airways dan Cathay Pacific.
Malaysia Airlines telah memenangi jumlah anugerah yang banyak. Sejak dari 2001-2004, 2007, 2009 dan 2012 ia telah dianugerahkan dengan Krew Kabin Terbaik Dunia oleh Skytrax. Pada tahun 2010 sahaja, Malaysia Airlines telah dianugerahkan sebagai Kelas Ekonomi Terbaik di Dunia dan Perkhidmatan Petugas Cemerlang bagi Asia oleh Skytrax, Syarikat Penerbangan Utama Dunia Asia, Syarikat Penerbangan Utama Asia dan Syarikat Penerbangan Kelas Perniagaan Asia yang pertama. Pada tahun 2012, ia telah memenangi âBest Airline Signature Dishâ serta status Syarikat Penerbangan 5-Bintang (juga pada 2005-2007 dan 2009).
Malaysia Airlines menawarkan 3 kelas perjalanan: Kelas Pertama, Kelas Perniagaan dan Kelas Ekonomi. Bagi Kelas Ekonomi, penumpang akan menduduki kerusi 18 inci berjenama A380 yang baru. Hiburan dalam penerbangan syarikat penerbangan ini disokong oleh âAudio Video on Demandâ (AVOD) yang mengagumkan, video di kerusi dengan pilihan hiburan yang luas terdiri daripada Filem Blockbusters hingga kepada lagu-lagu popular. So korang boleh pilih kelas mana yang korang nak duduk mengikut bajet dan kemampuan korang. Jangan risau perkhidmatan mereka memang yang terbaik.
Malaysia Airlines juga menawarkan pelbagai cara untuk mendaftar masuk selain menggunakan kaunter daftar masuk di lapangan terbang. Tersedia 48 jam sehingga 90 minit sebelum berlepas, penumpang boleh memilih untuk melakukan perkhidmatan daftar masuk sendiri melalui daftar masuk web desktop atau mudah alih (tanpa kertas dengan pas masuk mudah alih kod bar 2D) dan MHmobile di mana pas masuk penumpang dihantar melalui pautan SMS dan emel, hanya boleh didapati untuk tempahan satu penumpang.
Peruntukan pemeriksaan bagasi untuk Kelas Ekonomi adalah 30 kg, Kelas Perniagaan 40 kg dan Kelas Pertama 50 kg (kecuali Amerika Utara & Selatan). Setiap penumpang dibenarkan membawa bagasi kabin sehingga 7 kg / 1 buah untuk Kelas Ekonomi, dan 2 buah (setiap 7 kg) untuk Kelas Perniagaan / Pertama. Cabin Baggage ni maksudnya beg yang boleh di bawa masuk sekali dengan kita dalam flight. Ada sesetengah orang gelarkan Hand Carry Luggage.
Bagi pengetahuan korang, lepas korang beli tiket. Terus la download apps dekat playstore ye. Actually senang untuk korang in future. Download apps then add la korang punya travel date. Apps ni bagus sebab boleh remind bila boleh buat check in. Web chek in boleh dibuat 48 jam sebelum penerbangan dan free seat boleh pilih lepas chek in yang ni untuk sapa cepat dia dapat la. Tapi kalau korang tak nak berebut korang boleh la buat belian seat awal-awal.
Last week I attended STOC as its first new TheoryFest in Montreal. Pretty much everything about TheoryFest went extremely well and for the first time in a long time I felt STOC played a role beyond a publication venue. Great plenary talks from both within and outside the community. The poster sessions were well-attended and caused our community to talk to each other--what a concept. Senior people took junior people to lunch--I had a great time with graduate students Dhiraj Holden (MIT) and Joseph Bebel (USC). I missed the tutorials and workshops but heard they went very well.
By the numbers: 370 attendees, 46% students. 103 accepted papers out of 421 submitted. These numbers are moderate increases over recent years.
The Panel on TCS: The Next Decade talked about everything but the next decade. A few of my favorite quotes: "Hard instances are everywhere except where people care" (Russell Impagliazzo, who walked back a little from it later in the discussion). "I never know when I proved my last theorem" (Dan Spielman on why he keeps trying). Generally the panel gave great advice on how to do research and talk with other disciplines.
Avi Wigderson argued that theory of computing has become "an independent academic discipline" which has strong ties to many others, of which computer science is just one example. He didn't quite go as far as suggesting a separate department but he outlined a TCS major and argued that our concepts should be taught as early as elementary school.
Oded apologized for lying about why he was attending STOC this year. TheoryFest will be a true success when you need reasons to not attend STOC. All happens again next year in Los Angeles (June 23-27) for the 50th STOC. Do be there.
Copyright 2017 NPR. To see more, visit ARI SHAPIRO, HOST: NBC's hit show "The Voice" pairs famous recording artists with aspiring singers competing for a chance at a recording contract. The stars sit in big red chairs as the competitors give it their all on stage. Also giving it their all - the backup musicians, the house band. NPR's Elizabeth Blair went behind the scenes to learn more about "The Voice" house band for the first in our summer series Backstage Pass. UNIDENTIFIED MAN #1: Six, five - big applause, big applause. And we're happy, yay. ELIZABETH BLAIR, BYLINE: "The Voice" is a pretty massive operation. (SOUNDBITE OF SONG, "THE VOICE THEME") UNIDENTIFIED SINGER: (Singing) This is "The Voice." BLAIR: On live show days, rehearsals begin at 3 in the afternoon in a studio theater on the Universal lot in Los Angeles. The contestants, the crew and the band do a run through of what they'll perform that night. UNIDENTIFIED WOMAN: (Singing) And it's too late, baby. Now it's too late.
https://www.youtube.com/watch?v=8VwJMw_fLvI Infinity is a concept that's nearly impossible to grasp, let alone see . But it's one of artist Yayoi Kusama's obsessions. The Japanese artist is known for her "infinity rooms," which have mirrored walls that make the space feel endless. Now, for the very first time, six of Kusama's infinity rooms are on display in one venue: the Hirshhorn Museum in Washington, D.C. (The show will later travel to Seattle, Los Angeles and other cities.) At first, walking into one of Kusama's infinity rooms can be disorienting. One room, The Souls of Millions of Light Years Away , is pitch black except for a spray of flickering red, green, yellow and blue lights â like little jewels suspended in mid-air. They seem to go on forever; you're not sure what you can touch and what's out of reach. Hirshhorn Director Melissa Chiu says the room makes "you feel as if you're a speck in amongst something greater." That idea â that we're all just specks in the universe â
Nachdem wir Los Angeles verlassen haben, beginnt die Fahrt mitten durch den wilden Westen. Links und rechts sieht man bis auf ein paar SteinhÃ¼gel und die weiten, fast unbefahrenen StraÃen nichts. Die Mojave-WÃ¼ste erinnert mich an all die Cowboy- und Indianer- Filme, von denen ich schon als Kind immer fasziniert gewesen bin. Es fehlten nur noch die SteppenlÃ¤ufer, die gemÃ¤chlich vom Wind Ã¼ber die StraÃe getragen werden. Aber genau so habe ich es mir vorgestellt - die unendliche Weite des Westens. Man kÃ¶nnte fast vermuten, dass hinter dem nÃ¤chsten HÃ¼gel ganz plÃ¶tzlich grÃ¶lende Indianer auf ihren Pferden auf uns zu galoppiert kommen. Oder sich vielleicht noch die ein oder andere SchieÃerei liefern, wÃ¤hrend die Geier schon ungeduldig Ã¼ber ihnen kreisen. Doch auf all das mussten wir allerdings vorerst verzichten, aber nicht gÃ¤nzlich! Denn wir machten in einer Stadt Halt, die vor genau diesen Erinnerungen geradezu Ã¼berflutet ist - Calico Ghost Town!
Schon von Weitem kann man erahnen, wo sich die Stadt befindet - der groÃe Schriftzug ist kaum zu Ã¼bersehen und erinnert an das Hollywood-Zeichen in Los Angeles. Calico wurde 1881 gegrÃ¼ndet und war von etlichen Silberminen umgeben. Eine typische Westernstadt eben, die darauf wartet, endlich von uns besichtigt zu werden.
NatÃ¼rlich sind nicht mehr alle GebÃ¤ude im Originalzustand! Aber einige OriginalgebÃ¤ude und -requisiten kann man tatsÃ¤chlich noch besichtigen. Einige GebÃ¤ude wurden auch zu Restaurants oder kleinen Shops umgestaltet. Sogar ein kleines Horrorkabinett gibt es. Es ist klar, dass es hier grÃ¶Ãtenteils darum geht, so viele Touristen wie mÃ¶glich hinzulocken, um auch so viel Geld wie mÃ¶glich einnehmen zu kÃ¶nnen. Aber dennoch fand ich es toll, einen kleinen Einblick in das damalige Leben zu erhaschen. Ein Touristenmagnet - aber dafÃ¼r ein ganz besonderer! Eine kleine Wild-West-Show trÃ¤gt auÃerdem zu diesem Erlebnis bei. Leider waren wir wohl zu frÃ¼h am Vormittag dort, so dass wir die Show leider nicht sehen konnten. Doch ein sehr netter Cowboy begrÃ¼Ãte uns sofort, als wir aus dem Bus gestiegen sind.
Die Geisterstadt ist ein kleines Abenteuer und wahrscheinlich vor allem fÃ¼r Kinder ein ganz besonderes Erlebnis! Es macht einfach SpaÃ, dort einen kleinen Zwischenstopp einzulegen und die Zeit fÃ¼r ein paar Stunden zurÃ¼ckzudrehen, sich zu entspannen und zu entdecken. Am Ende schlenderten wir wieder zurÃ¼ck zum Parkplatz am Eingang der kleinen Stadt, verlieÃen Calico und fuhren weiter in Richtung Las Vegas!
Shoppen wie die Stars? Und schlemmen, was das Herz begehrt? Wer einmal in Los Angeles ist, sollte auf einen Besuch des Farmers Marketund der Shoppingmeile the Grove auf keinen Fall verzichten! Hier bekommt man einfach alles, was das Herz begehrt. Es ist der Wahnsinn! Ich war total begeistert und bin es auch heute noch. Sollte man sich vor lauter Hunger einmal nicht entscheiden kÃ¶nnen, was man essen mag, so wird einem die Entscheidung auf dem Farmers Market mit Sicherheit kein StÃ¼ck erleichtert. Ganz im Gegenteil. Hier hat man eine so riesige Auswahl, dass man mehrere Wochen benÃ¶tigen dÃ¼rfte, um sich durch all die leckeren Angebote durchgetestet zu haben. Das typisch amerikanische Flair lÃ¤dt zum Bummeln ein und zieht einen in seinen Bann. Man fÃ¼hlt sich direkt wie in einem amerikanischen Traum, in dem alles mÃ¶glich ist. Zumindest rein kulinarisch. Kleine Shops und StÃ¤nde mit frischem Obst runden das ganze noch ab. Und wer auf die amerikanische KÃ¼che einmal keine Lust mehr hat, der findet sicher beim Asiaten oder Italiener eine kleine KÃ¶stlichkeit.
Ein Bisschen ist es auf dem Farmers Market auch wie auf nem Rummel. SÃ¼Ães gibt es hier an jeder Ecke und auch vor Cookies und mit Schokolade Ã¼berzogenen Ãpfeln kann man sich kaum retten, Vor lauter Auswahl und groÃem Staunen vergisst man auch ganz schnell mal die Zeit und kann so einen tollen Abend hier verbringen. Teilweise ist der Market auch Ã¼berdacht, aber dennoch hauptsÃ¤chlich unter freiem Himmel. Wenn sich dann auch jeder endlich fÃ¼r einen Stand und sein Lieblingsgericht entschieden hat, trifft man sich einfach wieder in der Mitte und nimmt an einen der zahlreichen StÃ¼hlen Platz. Wo, ist hier total egal. Man kann sich frei entfalten, Streitigkeiten, die mit der Wahl des passenden Restaurants zu tun haben kÃ¶nnten, werden somit ganz einfach vermieden. Denn hier kommt jeder auf seine Kosten. Und das Grinsen weicht einem vor lauter Begeisterung kaum aus dem Gesicht. Perfekt!
Da lÃ¤uft einem doch das Wasser im Mund zusammen oder nicht? Ich kann euch auch nur empfehlen, unbedingt mal bei der total lieben und herzige Omi vorbeizuschauen, die frische, selbstgemachte Erdnussbutter verkauft! Sie ist wahnsinnig nett und sympathisch und vor allem auch leicht zu finden - immer der Nase nach.! Die Erdnussbutter riecht einfach fantastisch und meine eigene Oma hat sich wahnsinnig Ã¼ber ein solches Glas gefreut. Nach all den Kalorien kommt einem der Schaufensterbummel dann gerade Recht. The Grove ist dafÃ¼r genau das richtige und befindet sich direkt neben dem Farmers Market. Es ist dort wunderschÃ¶n aufgebaut und total sauber. wie eine ganz eigene kleine Stadt. Wenn man GlÃ¼ck hat, kann man sogar hier und dort mal einen Star bei seiner Shoppingtour treffen.
Selbst ein Kino findet man hier und auch der Cheesecake Factory kÃ¶nnte einen Besuch abstatten, (wenn denn da noch irgendwo Platz im Bauch wÃ¤re). Und auch vor SÃ¼Ãigkeiten ist man hier nicht sicher - Dylan's Candy Bar - wie ich sie liebe! Sie ist nicht nur wunderschÃ¶n dekoriert, sondern auch ein Traum fÃ¼r jedes SchlemmermÃ¤ulchen. Einfach fantastisch! Vor allem gibt es diese Candy Bars in den USA einfach an jeder Ecke und somit hatte ich auch mindestens jeden zweiten Tag eine volle TÃ¼te verschiedenster SÃ¼Ãigkeiten in meiner Hand! Ein Schlaraffenland fÃ¼r GroÃ und Klein also! :)
Besser, als diese Fotos, kÃ¶nnte ich es auch nicht beschreiben.
Eine kleine Traumfabrik, die fÃ¼r jeden so viel tolles zu bieten hat.
Wenn man an Kalifornien denkt, dann denkt man doch automatisch an Sommer, Sonne, Strand und Meer. Ja - das tat ich bisher auch immer. Doch ich wurde eines Besseren belehrt, denn: Es geht auch anders.
Nach einem ziemlich turbulenten 6 stÃ¼ndigen (!!!) Flug von New York nach Los Angeles, war ich froh, als wir dann auch endlich unsere Koffer vom Band nehmen und zum Shuttle-Bus gehen konnten. Der brachte uns dann in unser Hotel, das allen Fans von Germany's next Topmodel wohl noch aus der letzten Staffel bekannt sein wird - das Hotel Figueroa im indischen Stil. Die Zimmer sind eher klein, aber da man sich dort eh kaum aufhalten wird, war das vollkommen ok. Leider liegt es in Downtown und damit auch ziemlich abseits von allem Sehenswerten.
Los Angeles ist eine wahnsinnig riesige Stadt, so dass man schon so einige Kilometer zurÃ¼cklegen mÃ¼sste, um von einem Ort zum nÃ¤chsten zu gelangen. Doch viel Zeit blieb uns leider nicht - die etwas unpassend gelegten Flugzeiten lieÃen uns erst am spÃ¤ten Nachmittag in Los Angeles ankommen, wodurch viele SehenswÃ¼rdigkeiten leider auf der Strecke bleiben mussten. Die erste Erkundungstour starteten wir rund um unser Hotel in Downtown. Mir ist nach den 3 Tagen in New York sofort aufgefallen, was fÃ¼r eine Ruhe LA eigentlich ausstrahlt. Die StraÃen waren leer, die Menschen blieben komischer Weise an roten Ampeln stehen, keiner drÃ¤ngelte einen Ã¼ber die StraÃe und auch Bauarbeiten, hupende Autos und laute Menschenmassen waren nicht an jeder StraÃenecke zu finden. DafÃ¼r empfand ich die Stadt ehrlich gesagt doch viel dreckiger und unschÃ¶ner, als erwartet. Zwischen all der Show blitzten nicht nur Glamour, sondern auch hier und da mal Dreck und heruntergekommene GebÃ¤ude hervor. Und so kommen wir nicht nur an wunderschÃ¶nen Ecken vorbei, sondern auch an denen, die man Nachts instinktiv wohl besser meiden sollte.
Vor allem muss man sich daran gewÃ¶hnen, dass Jaywalken hier komplett verboten ist! Sollte man also dabei erwischt werden, die StraÃe in der Mitte eines Blocks oder diagonal zu Ã¼berqueren, hat man einen Strafzettel als Urlaubssouvenir erstmal sicher. An der WestkÃ¼ste gelten andere Regeln und an diese hatte man sich hier nun zu halten - Umdenken war also mal wieder angesagt. Hinzu kamen der erneute Jetlag und die Verwirrung aufgrund des Wetters - ich habe mich auf strahlenden Sonnenschein, Tops und kurze Hosen eingestellt... doch bekommen habe ich Wind und einen wolkenbedeckten Himmel. Meine Laune sank also von Minute zu Minute. Doch der Abend und vor allem der nÃ¤chste Tag belehrten mich dann eines Besseren.
Da sind sie - die Palmen, die aus LA kaum wegzudenken sind und einfach dazu gehÃ¶ren. Sie erinnern an ein tropisches Paradies mitten in der Stadt und lassen schon erahnen, dass das Meer nicht mehr weit sein kann. FÃ¼r uns allerdings schon - denn Venice Beach und Co waren genau wie die Universal Studios fÃ¼r diesen viel zu kurzen Aufenthalt leider unerreichbar. Aber dennoch durfte Hollywood nicht fehlen und lud dazu ein, sich einmal wie ein Star zu fÃ¼hlen.
Selbst fÃ¼r einen kurzen Shoppingausflug zu Victoria's Secret mit Blick auf die Hollywood Hills blieb noch etwas Zeit. Ich bin erstaunt, dass es, wenn man denn mal in einem der LÃ¤den steht, gar nicht so glamourÃ¶s ist, wie man es sich immer vorstellt. Hier findet man fÃ¼r jeden Geldbeutel die passende UnterwÃ¤sche. Selbst Slips im 3er Pack, wie man sie von H&M kennt, sind hier in allen Formen und Farben mit dabei. Wodurch ich den Hype ehrlich gesagt gar nicht mehr so nachvollziehen kann. Dennoch kamen zwei wunderschÃ¶ne BH's mit nach Deutschland, denn QualitÃ¤t und auch Service sind wirklich toll!
Nicht nur am Haus von Steven Spielberg Ã¼ber den DÃ¤chern von LA hoch oben in den Hollywood-Hills fuhren wir vorbei, sondern auch an einem kleinen HÃ¤uschen, in dem Marilyn Monroe einst eimal gewohnt haben soll. In vielen Gegenden ist es den Reiseveransaltern verboten, die Touristen dort "abzuladen", da sich viele Stars und vor allem auch Anwohner von all dem Trubel reichlich gestÃ¶rt fÃ¼hlen, was ich auch vollkommen verstehen kann. Vor allem in Beverly Hills muss man aufpassen. Aber einzelne SpaziergÃ¤nge durch die Nachbarschaft der SchÃ¶nen und Reichen sollten kein Problem sein. Wer in den zahlreichen Bars und Restaurants trotz Suche auf keinen Star trifft, dem bleibt dann am Ende noch Madame Tussauds. Hier sind sie zwar nur aus Wachs, aber immerhin!
Wer dann immer noch nicht genug von all der Traumwelt hat, der geht auf Entdeckungsreise entlang des Hollywood Boulevard. Der Walk of Fame ist mit so vielen Sternen der verschiedensten Stars gepflastert - ob Musiker, Produzenten, Schauspieler oder Regisseure - hier muss man schon ordentlich auf die Suche gehen, um seinen Liebling zu finden. Ansonsten stehen Superman, Mickey Mouse oder Charlie Chaplin Ã¤hnlich wie am Time Square in New York an jeder Ecke herum und warten auf Touristen, die sich gern mit ihnen fotografieren lassen wollen. Auch das Chinese Theatre ist ein beliebter Anlaufpunkt und sollte nicht ausgelassen werden. Hier stellt man sich gern mal in die FuÃstapfen der LieblingskÃ¼nstler und legt die HÃ¤nde in deren AbdrÃ¼cke. Genau so habe ich es mir auch vorgestellt. Das GefÃ¼hl, genau dort zu stehen, wo so viele Stars bereits ein und aus gegangen sind, ist einfach Ã¼berwÃ¤ltigend. Doch bei der Durchsicht der Bilder wurde mir das Herz auch etwas schwerer - nicht nur, da ich mich an all diese Orte zurÃ¼cksehne und dort gern noch so vieles mehr erleben wollen wÃ¼rde, sondern auch, da ich entdeckt habe, dass ich genau auf den FuÃabdrÃ¼cken von Robin Williams gesessen habe. Ein Schauspieler, der mich von meiner Kindheit bis heute in all seinen wundervollen Rollen begleitet hat, mich zum Lachen brachte und an den ich mich noch ewig erinnern werde.
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Jack Roosevelt "Jackie" Robinson (January 31, 1919 – October 24, 1972) was the first black Major League Baseball.Robinson broke the baseball color barrier when he signed with the Brooklyn Dodgers in 1947. As the first black man to play in the major leagues, (aside from the 1880s, before the MLB was organized) he is most known for bringing social justice to baseball, which had seperate leagues for blacks (the Negro leagues) and whites for six decades. His character and skills are what helped him challenge the traditional basis of segregation, which was prevalent in all areas of American Life, and was a catalyst to the Civil Rights Movement. Robinson was not just any other baseball player, he strived for success and achieved it, as he helped the Dodgers get to six World Series' and win it all in 1955. He was Rookie of the Year in 1947, MVP in 1949 and a six time All-Star from 1949-1954. He was then inducted to the Baseball Hall of Fame in Cooperstown in 1962 followed by all of MLB retiring the Jackie Robinson Jersey: number 42, in 1997, an honor reserved solely to Robinson.
Pre Baseball Life
Jackie was born on January 31, 1919, in Cairo, Georgia, to a family of farmers during a Spanish flu and smallpox epidemic. He was the youngest of five children, after his brothers Edgar, Frank, Matthew, and Willa Mae. He was named "Roosevelt" as a middle name, in honor of former President Theodore Roosevelt, who died earier that month. The Robinson's moved to 121 Pepper Street in Pasadena, California after their father left them in 1920. Their mother worked various jobs to support them as they grew up in relative poverty even though Pasadena was considered an affluent place. They attended Washington Junior High School followed by Muir Tech High School. The Robinsons were superb athletes. Matthew was a silver medalist in the 1936 Olympics and he and Frank inspired Jackie to seriously pursue a career in sports. Jackie played on the Muir Tech football team as quarterback, basketball team as a guard, track team as a jumper, tennis team and baseball team as both a catcher and shortstop. In 1936, he won a Tennis Tournament and played in the Pomona baseball tournament all star team with fellow future Hall of Famers Ted Williams and Bob Lemon.
After High School, Jackie went on to Pasadena Junior College where he continued his involvement in sports. He also was elected to the Lancers, a local organization responsible for helping patrol school activities. In 1938, Jackie joined the All-Southland Junior College baseball team and was selected as that years MVP. He also received honors for his outstanding community service, even though he sometimes acted against those around him who seemed racist. While playing football for PJC, Jackie broke his ankle. A few days before Jackie's 19th birthday he was arrested for vocally disputing the arrest of a black friend of his. He quickly earned a reputation for being one who won't shy away from beligerrance in the face of racism.
After graduating from PJC, Jackie's brother, Frank, was killed in a motorcycle accident which helped Jackie make a decision to move to L.A. where he could console Frank's family. Jackie decided to attend UCLA where he met is future wife, Rachel Isum, and won varsity letters in all the major sports. He won the 1940 NCAA Mens Outdoor Track and Field Championship in the Long Jump,jumping a whopping 24 Feet 10.5 Inches. Ironically, in that year, robinson batted .097 for the UCLA baseball squad. In 1941, he took a job with the NYA as an assistant athletic director, as it would have been impossible for him to get a job as a proffesional athlete due to the color barrier. Later that year he traveled to Hawaii where he had an opportunity to play for the racially mixed semi-pro Honolulu Bears' football team. After that season he would move back to L.A. to play for a local football team, not realizing that the US involvement in World War 2 would sidetrack him for a little while and end his short football career.
Robinson was drafted to the Army in 1942 and was stationed in Fort Riley, Kansas. Throughout his 3 plus years in the Army, he was always treated as a subordinate by the White controlled military. He still managed to become a second lieutenant in 1943, and joined the Black Panthers Tank Battallion, the first Black tank unit to see combat in WWII. However, jackie was never in combat. After getting engaged to his College sweetheart, Rachel, he was sidelined after injuring the same ankle he hurt back in high school. He would finish his army service as a coach for army athletes until 1944 when he was discharged. While in the Army, Robinson made close ties with boxer, Joe Louis, as they helped each other struggle in the white dominated Army.
In early 1945, after working some part time coaching jobs, Jackie received an offer from the Kansas City Monarchs to Play professional Baseball in the Negro Leagues. He signed a contract worth $400 a month as he played for the Monarchs for 1 Season. He played 47 games at shortstop batting .387. The Negro leagues were'nt for Jackie as he didn't like their unorganized style. Luckily he received a secret offer from the GM of the Brooklyn Dodgers, Branch Rickey, to come to NY and play for their Minor League team. They offered him $600 a month on the condition that he would be able to take abuse from other players for being the only black, but contain himself from fighting back. Jackie accepted, and immediately left the Monarchs for NYC where he would marry Rachel Isum, who was in NY studying to be a Nurse. Jackie would start with the Dodgers' AAA club in Daytona Beach, FL that next season.
In 1946, Robinson arrived at Daytona Beach, Florida, for spring training with the Montreal Royals of the Class AAA International League (the designation of "AAA" for the highest level of minor league baseball was first used in the 1946 season). Robinson's presence was controversial in racially charged Florida. As he was not allowed to stay with his teammates at the team hotel, he lodged instead at the home of a local black politician. Since the Dodgers organization did not own a spring training facility (the Dodger-controlled spring training compound in Vero Beach known as "Dodgertown" did not open until spring 1948), scheduling was subject to the whim of area localities, several of which turned down any event involving Robinson or Johnny Wright, another black player whom Rickey had signed to the Dodgers' organization in January. In Sanford, Florida, the police chief threatened to cancel games if Robinson and Wright did not cease training activities there; as a result, Robinson was sent back to Daytona Beach. In Jacksonville, the stadium was padlocked shut without warning on game day, by order of the city's Parks and Public Property director. In DeLand, a scheduled day game was called off, ostensibly because of faulty electrical lighting.
After much lobbying of local officials by Rickey himself, the Royals were allowed to host a game involving Robinson in Daytona Beach. Robinson made his Royals debut at Daytona Beach's City Island Ballpark on March 17, 1946, in an exhibition game against the team's parent club, the Dodgers. Robinson thus simultaneously became the first black player to openly play for a minor league team and against a major league team since the de facto baseball color line had been implemented in the 1880s. Later in spring training, after some less-than-stellar performances, Robinson was shifted from shortstop to second base, allowing him to make shorter throws to first base. Robinson's performance soon rebounded. On April 18, 1946, Roosevelt Stadium hosted the Jersey City Giants' season opener against the Montreal Royals, marking the professional debut of the Royals' Jackie Robinson. In his five trips to the plate, Robinson had four hits, including a three-run home run. He also scored four runs, drove in three, and stole two bases in the Royals' 14–1 victory. Robinson proceeded to lead the International League that season with a .349 batting average and .985 fielding percentage, and he was named the league's Most Valuable Player. Although he often faced hostility while on road trips (the Royals were forced to cancel a Southern exhibition tour, for example), the Montreal fan base enthusiastically supported Robinson. Whether fans supported or opposed it, Robinson's presence on the field was a boon to attendance; more than one million people went to games involving Robinson in 1946, an amazing figure by International League standards. In the fall of 1946, following the baseball season, Robinson returned home to California and briefly played professional basketball for the short-lived Los Angeles Red Devils.
The following year, six days before the start of the 1947 season, the Dodgers called Robinson up to the major leagues. With Eddie Stanky entrenched at second base for the Dodgers, Robinson played his initial major league season as a first baseman. On April 15, 1947, Robinson made his major league debut at Ebbets Field before a crowd of 26,623 spectators, including more than 14,000 black patrons. Although he failed to get a base hit, the Dodgers won 5–3. Robinson became the first player since 1880 to openly break the major league baseball color line.Black fans began flocking to see the Dodgers when they came to town, abandoning their Negro league teams.
Robinson's promotion met a generally positive, although mixed, reception among newspapers and white major league players. However, racial tension existed in the Dodger clubhouse. Some Dodger players insinuated they would sit out rather than play alongside Robinson. The brewing mutiny ended when Dodgers management took a stand for Robinson. Manager Leo Durocher informed the team, "I do not care if the guy is yellow or black, or if he has stripes like a fuckin' zebra. I'm the manager of this team, and I say he plays. What's more, I say he can make us all rich. And if any of you cannot use the money, I will see that you are all traded."
Robinson was also derided by opposing teams. Some, notably the St. Louis Cardinals, threatened to strike if Robinson played. After the threat, National League President Ford Frick and Baseball Commissioner Happy Chandler let it be known that any striking players would be suspended. Robinson nonetheless became the target of rough physical play by opponents (particularly the Cardinals). At one time, he received a seven-inch gash in his leg. On April 22, 1947, during a game between the Dodgers and the Philadelphia Phillies, Phillies players called Robinson a "nigger" from their dugout and yelled that he should "go back to the cotton fields".Rickey later recalled that Phillies manager Ben Chapman "did more than anybody to unite the Dodgers. When he poured out that string of unconscionable abuse, he solidified and united thirty men."
Robinson received significant encouragement from several major league players. Dodgers teammate Pee Wee Reese once came to Robinson's defense with the famous line, "You can hate a man for many reasons. Color is not one of them." In 1948, Reese put his arm around Robinson in response to fans who shouted racial slurs at Robinson before a game in Cincinnati. A statue by sculptor William Behrends, unveiled at KeySpan Park on November 1, 2005, commemorates this event by representing Reese with his arm around Robinson. Jewish baseball star Hank Greenberg, who had to deal with racial epithets during his career, also encouraged Robinson. After colliding with Robinson at first base on one occasion, Greenberg whispered a few words into Robinson's ear, which Robinson later characterized as "words of encouragement." Greenberg had advised him that the best way to combat the slurs from the opposing players was to beat them on the field.
Robinson finished the season having played in 151 games for the Dodgers, with a batting average of .297, an on-base percentage of .383, and a .427 slugging percentage. He had 175 hits (scoring 125 runs) including 31 doubles, 5 triples, 12 home runs, driving in 48 runs for the year. Robinson led the league in sacrifice hits, with 28, and in stolen bases, with 29. His cumulative performance earned him the inaugural Major League Baseball Rookie of the Year Award (separate National and American League Rookie of the Year honors were not awarded until 1949).
Following Stanky's trade to the Boston Braves in March 1948, Robinson took over second base, where he logged a .980 fielding percentage that year (second in the National League at the position, fractionally behind Stanky).Robinson had a batting average of .296 and 22 stolen bases for the season. In a 12–7 win against the St. Louis Cardinals on August 29, 1948, he hit for the cycle—a home run, a triple, a double, and a single in the same game. The Dodgers briefly moved into first place in the National League in late August 1948, but they ultimately finished third as the Braves went on to win the league title and lose to the Cleveland Indians in the World Series.
Racial pressure on Robinson eased in 1948 as a number of other black players entered the major leagues. Larry Doby (who broke the color barrier in the American League on July 5, 1947) and Satchel Paige played for the Cleveland Indians, and the Dodgers had three other black players besides Robinson. In February 1948, he signed a $12,500 contract (equal to $120,914 today) with the Dodgers; while a significant amount, this was less than Robinson made in the off-season from a vaudeville tour, where he answered pre-set baseball questions, and a speaking tour of the South. Between the tours, he underwent surgery on his right ankle. Because of his off-season activities, Robinson reported to training camp 30 pounds (14 kg) overweight. He lost the weight during training camp, but dieting left him weak at the plate.
In the spring of 1949, Robinson turned to Hall of Famer George Sisler, working as an advisor to the Dodgers, for batting help. At Sisler's suggestion, Robinson spent hours at a batting tee, learning to hit the ball to right field. Sisler taught Robinson to anticipate a fastball, on the theory that it is easier to subsequently adjust to a slower curveball. Robinson also noted that "Sisler showed me how to stop lunging, how to check my swing until the last fraction of a second".The tutelage helped Robinson raise his batting average from .296 in 1948 to .342 in 1949. In addition to his improved batting average, Robinson stole 37 bases that season, was second place in the league for both doubles and triples, and registered 124 runs batted in with 122 runs scored. For the performance Robinson earned the Most Valuable Player award for the National League. Baseball fans also voted Robinson as the starting second baseman for the 1949 All-Star Game—the first All-Star Game to include black players.
That year, a song about Robinson by Buddy Johnson, "Did You See Jackie Robinson Hit That Ball?", reached number 13 on the charts; Count Basie recorded a famous version. Ultimately, the Dodgers won the National League pennant, but lost in five games to the New York Yankees in the 1949 World Series.
Summer 1949 brought an unwanted distraction for Robinson. In July, he was called to testify before the United States House of Representatives' Committee on Un-American Activities (HUAC) concerning statements made that April by black athlete and actor Paul Robeson. Robinson was reluctant to testify, but he eventually agreed to do so, fearing it might negatively affect his career if he declined.
In 1950, Robinson led the National League in double plays made by a second baseman with 133. His salary that year was the highest any Dodger had been paid to that point: $35,000 ($338,091 in 2012 dollars). He finished the year with 99 runs scored, a .328 batting average, and 12 stolen bases.The year saw the release of a film biography of Robinson's life, The Jackie Robinson Story, in which Robinson played himself, and actress Ruby Dee played Rachael "Rae" (Isum) Robinson. The project had been previously delayed when the film's producers refused to accede to demands of two Hollywood studios that the movie include scenes of Robinson being tutored in baseball by a white man. The New York Times wrote that Robinson, "doing that rare thing of playing himself in the picture's leading role, displays a calm assurance and composure that might be envied by many a Hollywood star."
Robinson's Hollywood exploits, however, did not sit well with Dodgers co-owner Walter O'Malley, who referred to Robinson as "Rickey's prima donna". In late 1950, Rickey's contract as the Dodgers' team President expired. Weary of constant disagreements with O'Malley, and with no hope of being re-appointed as President of the Dodgers, Rickey cashed out his one-quarter financial interest in the team, leaving O'Malley in full control of the franchise.Rickey shortly thereafter became general manager of the Pittsburgh Pirates. Robinson was disappointed at the turn of events and wrote a sympathetic letter to Rickey, whom he considered a father figure, stating, "Regardless of what happens to me in the future, it all can be placed on what you have done and, believe me, I appreciate it."
Before the 1951 season, O'Malley reportedly offered Robinson the job of manager of the Montreal Royals, effective at the end of Robinson's playing career. O'Malley was quoted in the Montreal Standard as saying, "Jackie told me that he would be both delighted and honored to tackle this managerial post"—although reports differed as to whether a position was ever formally offered.
During the 1951 season, Robinson led the National League in double plays made by a second baseman for the second year in a row, with 137. He also kept the Dodgers in contention for the 1951 pennant. During the last game of the season, in the 13th inning, he had a hit to tie the game, and then won the game with a home run in the 14th. This forced a playoff against the New York Giants, which the Dodgers lost.
Despite Robinson's regular-season heroics, the Dodgers lost the pennant on Bobby Thomson's famous home run, known as the Shot Heard 'Round the World, on October 3, 1951. Overcoming his dejection, Robinson dutifully observed Thomson's feet to ensure he touched all the bases. Dodgers sportscaster Vin Scully later noted that the incident showed "how much of a competitor Robinson was." He finished the season with 106 runs scored, a batting average of .335, and 25 stolen bases.
Robinson had what was an average year for him in 1952. He finished the year with 104 runs, a .308 batting average, and 24 stolen bases. He did, however, record a career-high on-base percentage of .436. The Dodgers improved on their performance from the year before, winning the National League pennant before losing the 1952 World Series to the New York Yankees in seven games. That year, on the television show Youth Wants to Know, Robinson challenged the Yankees' general manager, George Weiss, on the racial record of his team, which had yet to sign a black player. Sportswriter Dick Young, whom Robinson had described as a "bigot", said, "If there was one flaw in Jackie, it was the common one. He believed that everything unpleasant that happened to him happened because of his blackness." The 1952 season was the last year Robinson was an everyday starter at second base. Afterward, Robinson played variously at first, second, and third bases, shortstop, and in the outfield, with Jim Gilliam, another black player, taking over everyday second base duties. Robinson's interests began to shift toward the prospect of managing a major league team. He had hoped to gain experience by managing in the Puerto Rican Winter League, but according to the New York Post, Commissioner Happy Chandler denied the request.
In 1953, Robinson had 109 runs, a .329 batting average, and 17 steals, leading the Dodgers to another National League pennant (and another World Series loss to the Yankees, this time in six games). Robinson's continued success spawned a string of death threats. He was not dissuaded, however, from addressing racial issues publicly. That year, he served as editor for Our Sports magazine, a periodical focusing on Negro sports issues; contributions to the magazine included an article on golf course segregation by Robinson's old friend Joe Louis. Robinson also openly criticized segregated hotels and restaurants that served the Dodger organization; a number of these establishments integrated as a result, including the five-star Chase Park Hotel in St. Louis.
In 1954, Robinson had 62 runs, a .311 batting average, and 7 steals. His best day at the plate was on June 17, when he hit two home runs and two doubles. The following autumn, Robinson won his only championship when the Dodgers beat the New York Yankees in the 1955 World Series. Although the team enjoyed ultimate success, 1955 was the worst year of Robinson's individual career. He hit .256 and stole only 12 bases. The Dodgers tried Robinson in the outfield and as a third baseman, both because of his diminishing abilities and because Gilliam was established at second base. Robinson, then 37 years old, missed 49 games and did not play in Game 7 of the World Series.Robinson missed the game because manager Walter Alston decided to play Gilliam at second and Don Hoak at third base. That season, the Dodgers' Don Newcombe became the first black major league pitcher to win twenty games in a year.
In 1956, Robinson had 61 runs, a .275 batting average, and 12 steals. By then, he had begun to exhibit the effects of diabetes, and to lose interest in the prospect of playing or managing professional baseball. After the season, Robinson was traded by the Dodgers to the arch-rival New York Giants for Dick Littlefield and $35,000 cash (equal to $299,192 today). The trade, however, was never completed; unbeknownst to the Dodgers, Robinson had already agreed with the president of Chock full o'Nuts to quit baseball and become an executive with the company. Since Robinson had sold exclusive rights to any retirement story to Look magazine two years previously,[165&91; his retirement decision was revealed through the magazine, instead of through the Dodgers organization.
Robinson's major league debut brought an end to approximately sixty years of segregation in professional baseball, known as the baseball color line. After World War II, several other forces were also leading the country toward increased equality for blacks, including their accelerated migration of to the North, where their political clout grew, and President Harry Truman's desegregation of the military in 1948.Robinson's breaking of the baseball color line and his professional success symbolized these broader changes and demonstrated that the fight for equality was more than simply a political matter. Martin Luther King, Jr. said that he was "a legend and a symbol in his own time", and that he "challenged the dark skies of intolerance and frustration." According to historian Doris Kearns Goodwin, Robinson's "efforts were a monumental step in the civil-rights revolution in America ... [His&91; accomplishments allowed black and white Americans to be more respectful and open to one another and more appreciative of everyone's abilities."
Beginning his major league career at the relatively advanced age of twenty-eight, he played only ten seasons, all of them for the Brooklyn Dodgers. During his career, the Dodgers played in six World Series, and Robinson himself played in six All-Star Games. In 1999, he was posthumously named to the Major League Baseball All-Century Team.
Robinson's career is generally considered to mark the beginning of the post–"long ball" era in baseball, in which a reliance on raw power-hitting gave way to balanced offensive strategies that used footspeed to create runs through aggressive baserunning. Robinson exhibited the combination of hitting ability and speed which exemplified the new era. He scored more than 100 runs in six of his ten seasons (averaging more than 110 runs from 1947 to 1953), had a .311 career batting average, a .409 career on-base percentage, a .474 slugging percentage, and substantially more walks than strikeouts (740 to 291). Robinson was one of only two players during the span of 1947–56 to accumulate at least 125 steals while registering a slugging percentage over .425 (Minnie Miñoso was the other). He accumulated 197 stolen bases in total, including 19 steals of home. None of the latter were double steals (in which a player stealing home is assisted by a player stealing another base at the same time). Robinson has been referred to by author David Falkner as "the father of modern base-stealing."
"I'm not concerned with your liking or disliking me ... all I ask is that you respect me as a human being." —Robinson, on his legacy
Historical statistical analysis indicates Robinson was an outstanding fielder throughout his ten years in the major leagues and at virtually every position he played. After playing his rookie season at first base, Robinson spent most of his career as a second baseman. He led the league in fielding among second basemen in 1950 and 1951. Toward the end of his career, he played about 2,000 innings at third base and about 1,175 innings in the outfield, excelling at both.
Assessing himself, Robinson said, "I'm not concerned with your liking or disliking me ... all I ask is that you respect me as a human being." Regarding Robinson's qualities on the field, Leo Durocher said, "Ya want a guy that comes to play. This guy didn't just come to play. He come to beat ya. He come to stuff the goddamn bat right up your ass."
Robinson as ABC sports announcer in 1965
Robinson retired from baseball on January 5, 1957. Later that year, after he complained of numerous physical ailments, his doctors diagnosed Robinson with diabetes, a disease that also affected his brothers. Although Robinson adopted an insulin injection regimen, the state of medicine at the time could not prevent continued deterioration of Robinson's physical condition from the disease.
In his first year of eligibility for the Baseball Hall of Fame in 1962, Robinson encouraged voters to consider only his on-field qualifications, rather than his cultural impact on the game. He was elected on the first ballot, becoming the first black player inducted into the Cooperstown museum.
In 1965, Robinson served as an analyst for ABC's Major League Baseball Game of the Week telecasts, the first black person to do so.In 1966, Robinson was hired as general manager for the short-lived Brooklyn Dodgers of the Continental Football League. In 1972, he served as a part-time commentator on Montreal Expos telecasts.
On June 4, 1972, the Dodgers retired his uniform number, 42, alongside those of Roy Campanella (39) and Sandy Koufax (32).From 1957 to 1964, Robinson was the vice president for personnel at Chock full o'Nuts; he was the first black person to serve as vice president of a major American corporation. Robinson always considered his business career as advancing the cause of black people in commerce and industry. Robinson also chaired the National Association for the Advancement of Colored People's (NAACP) million-dollar Freedom Fund Drive in 1957, and served on the organization's board until 1967. In 1964, he helped found, with Harlem businessman Dunbar McLaurin, Freedom National Bank—a black-owned and operated commercial bank based in Harlem. He also served as the bank's first Chairman of the Board. In 1970, Robinson established the Jackie Robinson Construction Company to build housing for low-income families.
Robinson was active in politics throughout his post-baseball life. He identified himself as a political independent although he held conservative opinions on several issues, including the Vietnam War (he once wrote Martin Luther King, Jr. to defend the Johnson Administration's military policy). After supporting Richard Nixon in his 1960 presidential race against John F. Kennedy, Robinson later praised Kennedy effusively for his stance on civil rights. Robinson was angered by conservative Republican opposition to the Civil Rights Act of 1964. He became one of six national directors for Nelson Rockefeller's unsuccessful campaign to be nominated as the Republican candidate for the 1964 presidential election. After the party nominated Senator Barry Goldwater of Arizona instead, Robinson left the party's convention commenting that he now had "a better understanding of how it must have felt to be a Jew in Hitler's Germany". He later became special assistant for community affairs when Rockefeller was re-elected governor of New York in 1966. Switching his allegiance to the Democrats, he subsequently supported Hubert Humphrey against Nixon in 1968.
Protesting the major leagues' ongoing lack of minority managers and central office personnel, Robinson turned down an invitation to appear in an old-timers' game at Yankee Stadium in 1969. He made his final public appearance on October 15, 1972, throwing the ceremonial first pitch before Game 2 of the World Series. He gratefully accepted a plaque honoring the twenty-fifth anniversary of his MLB debut, but also commented, "I'm going to be tremendously more pleased and more proud when I look at that third base coaching line one day and see a black face managing in baseball." This wish was fulfilled only after Robinson's death: following the 1974 season, the Cleveland Indians gave their managerial post to Frank Robinson (no relation), a Hall of Fame-bound player who would go on to manage three other teams. Despite the success of these two Robinsons and other black players, the number of African-American players in Major League Baseball has declined since the 1970s.
Family life and death
After Robinson's retirement from baseball, his wife, Rachel Robinson, pursued a career in academic nursing—she became an assistant professor at the Yale School of Nursing and director of nursing at the Connecticut Mental Health Center. She also served on the board of the Freedom National Bank until it closed in 1990. She and Jackie had three children: Jackie Robinson Jr. (born November 18, 1946), Sharon Robinson (born January 13, 1950), and David Robinson (born May 14, 1952).
Robinson's eldest son, Jackie Robinson Jr., had emotional trouble during his childhood and entered special education at an early age.He enrolled in the Army in search of a disciplined environment, served in the Vietnam War, and was wounded in action on November 19, 1965. After his discharge, he struggled with drug problems. Robinson Jr. eventually completed the treatment program at Daytop Village in Seymour, Connecticut, and became a counselor at the institution. On June 17, 1971, at the age of 24, he was killed in an automobile accident. The experience with his son's drug addiction turned Robinson, Sr. into an avid anti-drug crusader toward the end of his life.
Robinson did not long outlive his son. Complications of heart disease and diabetes weakened Robinson and made him almost blind by middle age. On October 24, 1972, he died of a heart attack at home in Stamford, Connecticut, aged fifty-three. Robinson's funeral service on October 27, 1972, at New York City's Riverside Church attracted 2,500 admirers. Many of his former teammates and other famous black baseball players served as pallbearers, and the Rev. Jesse Jackson gave the eulogy.Tens of thousands of people lined the subsequent procession route to Robinson's interment site at Cypress Hills Cemetery in Brooklyn, New York, where he is buried next to his son Jackie and mother-in-law Zellee Isum.Jackie Robinson Parkway also runs through the cemetery.
After Robinson's death, his widow founded the Jackie Robinson Foundation, of which she remains an officer as of 2009. On April 15, 2008, she announced that in 2010 the foundation will be opening a museum devoted to Jackie in Lower Manhattan. Robinson's daughter, Sharon, became a midwife, educator, director of educational programming for MLB, and the author of two books about her father. His youngest son, David, who has ten children, is a coffee grower and social activist in Tanzania.
Awards and recognition
According to a poll conducted in 1947, Robinson was the second most popular man in the country, behind Bing Crosby. In 1999, he was named by Time on its list of the 100 most influential people of the 20th century. Also in 1999, he ranked number 44 on the Sporting News list of Baseball's 100 Greatest Players and was elected to the Major League Baseball All-Century Team as the top vote-getter among second basemen.Baseball writer Bill James, in The New Bill James Historical Baseball Abstract, ranked Robinson as the 32nd greatest player of all time strictly on the basis of his performance on the field, noting that he was one of the top players in the league throughout his career. Robinson was among the 25 charter members of UCLA’s Athletics Hall of Fame in 1984. In 2002, Molefi Kete Asante included Robinson on his list of 100 Greatest African Americans. Robinson has also been honored by the United States Postal Service on three separate postage stamps, in 1982, 1999, and 2000.
The City of Pasadena has recognized Robinson in several ways. Brookside Park, situated next to the Rose Bowl, features a baseball diamond and stadium named Jackie Robinson Field. The city's Human Services Department operates the Jackie Robinson Center, a community outreach center that provides early diabetes detection and other services. In 1997, a $325,000 bronze sculpture (equal to $470,522 today) by artists Ralph Helmick, Stu Schecter, and John Outterbridge depicting oversized nine-foot busts of Robinson and his brother Mack was erected at Garfield Avenue, across from the main entrance of Pasadena City Hall; a granite footprint lists multiple donors to the commission project, which was organized by the Robinson Memorial Foundation and supported by members of the Robinson family.
Major League Baseball has honored Robinson many times since his death. In 1987, both the National and American League Rookie of the Year Awards were renamed the "Jackie Robinson Award" in honor of the first recipient (Robinson's Major League Rookie of the Year Award in 1947 encompassed both leagues). On April 15, 1997, Robinson's jersey number, 42, was retired throughout Major League Baseball, the first time any jersey number had been retired throughout one of the four major American sports leagues.
As an exception to the retired-number policy, MLB has recently begun honoring Robinson by allowing players to wear number 42 on April 15, Jackie Robinson Day. For the 60th anniversary of Robinson's major league debut, MLB invited players to wear the number 42 on Jackie Robinson Day in 2007. The gesture was originally the idea of outfielder Ken Griffey, Jr., who sought Rachel Robinson's permission to wear the number.After receiving her permission, Commissioner Bud Selig not only allowed Griffey to wear the number, but also extended an invitation to all major league teams to do the same. Ultimately, more than 200 players wore number 42, including the entire rosters of the Los Angeles Dodgers, New York Mets, Houston Astros, Philadelphia Phillies, St. Louis Cardinals, Milwaukee Brewers, and Pittsburgh Pirates. The tribute was continued in 2008, when, during games on April 15, all members of the Mets, Cardinals, Washington Nationals, and Tampa Bay Rays wore Robinson's number 42. On June 25, 2008, MLB installed a new plaque for Robinson at the Baseball Hall of Fame commemorating his off-the-field impact on the game as well as his playing statistics. In 2009, all uniformed personnel (players, managers, coaches, and umpires) wore number 42 on April 15.
At the November 2006 groundbreaking for a new ballpark for the New York Mets, Citi Field, it was announced that the main entrance, modeled on the one in Brooklyn's old Ebbets Field, would be called the Jackie Robinson Rotunda. The rotunda was dedicated at the opening of Citi Field on April 16, 2009. It honors Robinson with large quotations spanning the inner curve of the facade and features a large freestanding statue of his number, 42, which has become an attraction in itself. Mets owner Fred Wilpon announced that, in conjunction with Citigroup and the Jackie Robinson Foundation, the Mets will create a Jackie Robinson Museum and Learning Center, located at the headquarters of the Jackie Robinson Foundation at One Hudson Square in lower Manhattan. The main purpose of the museum will be to fund scholarships for "young people who live by and embody Jackie's ideals."
Since 2004, the Aflac National High School Baseball Player of the Year has been presented the "Jackie Robinson Award".
Robinson has also been recognized outside of baseball. In December 1956, the NAACP recognized him with the Spingarn Medal, which it awards annually for the highest achievement by an African-American. President Ronald Reagan posthumously awarded Robinson the Presidential Medal of Freedom on March 26, 1984, and on March 2, 2005, President George W. Bush gave Robinson's widow the Congressional Gold Medal, the highest civilian award bestowed by Congress; Robinson was only the second baseball player to receive the award, after Roberto Clemente. On August 20, 2007, California Governor Arnold Schwarzenegger and his wife, Maria Shriver, announced that Robinson was inducted into the California Hall of Fame, located at The California Museum for History, Women and the Arts in Sacramento.
A number of buildings have been named in Robinson's honor. The UCLA Bruins baseball team plays in Jackie Robinson Stadium, which, because of the efforts of Jackie's brother Mack, features a memorial statue of Robinson by sculptor Richard H. Ellis.City Island Ballpark in Daytona Beach, Florida—the baseball field that became the Dodgers' de facto spring training site in 1947—was renamed Jackie Robinson Ballpark in 1989. A number of facilities at Pasadena City College (successor to PJC) are named in Robinson's honor, including Robinson Field, a football/soccer/track facility named jointly for Robinson and his brother Mack. The New York Public School system has named a middle school after Robinson, and Dorsey High School plays at a Los Angeles football stadium named after him. In 1976, his home in Brooklyn, the Jackie Robinson House, was declared a National Historic Landmark.Robinson also has an asteroid named after him, 4319 Jackierobinson. In 1997, the United States Mint issued a Jackie Robinson commemorative silver dollar, and five dollar gold coin. That same year, New York City renamed the Interboro Parkway in his honor.
In 2011, the U.S. placed a plaque at Robinson's Montreal home to honor the ending of segregation in baseball. The home is located at 8232 avenue de Gaspe south of rue de Guizot Est and near Jarry Park and close to Delorimier Stadium, where Robinson played for the Montreal Royals during 1946. In a letter read during the ceremony, Rachel Robinson, Jackie's widow, wrote: "I remember Montreal and that house very well and have always had warm feeling for that great city. Before Jack and I moved to Montreal, we had just been through some very rough treatment in the racially biased South during spring training in Florida. In the end, Montreal was the perfect place for him to get his start. We never had a threatening or unpleasant experience there. The people were so welcoming and saw Jack as a player and as a man."
a The sacrifice fly (SF) as a unique statistical category did not exist in Major League Baseball from 1940 through 1953. Any pre-1954 sacrifice flies by Robinson would be reflected in the sacrifice hit (SH) category.
b Likewise, the intentional walk (IBB) category only became a unique statistic beginning in 1955.Any intentional walks issued to Robinson before that year would be reflected in the walk (BB) category.
Central Falls Mayor James Diossa, a Democrat, has joined mayors from New York, Los Angeles, Chicago and 14 other cities in saying they are ready and willing to accept even more refugees than the Obama administration has proposed. In a letter to the president, the mayors said, ``We will welcome the Syrian families to make homes and new lives in our cities.ââ ``Indeed, we are writing to say that we stand ready to work with your administration to do much more and to urge you to increase still further the number of Syrian refugees the United States the United States will accept for resettlement,ââ the letter stated. Boston Mayor Marty Walsh, New York Mayor Bill de Blasio, Los Angeles Mayor Eric Garcetti, Chicago Mayor Rahm Emanuel and Baltimore mayor Stephanie Rawlings-Blake all signed the letter. ``We have taken in refugees, and will help make room for thousands more,ââ stated the letter. ``This is because the U.S. has developed a robust screening and background check that assures us that
The Notorious BIG 112- Skys The Limit feat 112 - Life After Death
Big L- Street Struck - Lifestylez Ov Da Poor Dangerous
Gang Starr- No Shame In My Game - Daily Operation
Ultimate Breaks Beats- Synthetic Substitution - Instrumentals
Funkadelic- Ill Bet You - Funkadelic Ill Bet You
WuTang Clan- Can It Be All So Simple Intermission - Enter The WuTang 36 Chambers
Hieroglyphics- Battle Of The Shadow - Unknown
Mike Wird- The Blast Off - Afronaut Funk Vol 1
Beastie Boys- Alive - Beastie Boys Anthology The Sounds Of Science
Crown City Rockers- Go Away - The Day After Forever
Ghostface Killah- Nutmeg featuring The RZA - Supreme Clientele
Gang Starr- Jazz Music - No More Mr Nice Guy
Rufas Thomas- The Breakdown 1 - Unknown
EazyE- EazyEr Said Than Dunn - EazyDuzIt
James Brown- Get Up Get Into It Get Involved - The Millennium Collection The Best Of James Brown Friends Vol 3
Trouble Funk- Trouble Funk Express - E Flat Boogie GoGo Classics
Kraftwerk- TransEurope Express - Trans Europe Express Remastered
Eric B Rakim- I Know You Got Soul - Paid In Full Deluxe Edition
Nas- UBR Unauthorized Biography Of Rakim - Streets Disciple
John Blackinsell Orchestra- Also Sprach Zarathustra from 2001 A Space Odyssey - Lounge Music Timeless Soundtracks
The Original Movies Orchestra- Imperial March Darth Vaders Theme Episode 5 The Empire Strikes Back - Star Wars
Rage Against The Machine- Testify - The Battle Of Los Angeles
Dj Paul Nice- Fine Fingers Of Death - Five Fingers Of Death
U2- Bullet The Blue Sky - The Joshua Tree Remastered
DJ Shadow- Letter From Home - The Private Press
Living Colour- Cult Of Personality - Vivid
Gambilin Petes- Break Beats - Million Dollar Black Jack Breaks
Dread Zeppelin- When The Levee Breaks - UnLedEd
Beastie Boys- Rhymin And Stealin - Licensed To Ill
Dj First Rate- 1 - From The Bong Hits
RjD2- Final Frontier - Deadringer
People Under The Stairs- Yield - Or Stay Tuned
DJ Spinna- Capitol - Compositions Part 3
Just cruising around the net today and I happened across the latest Hoonigan production: Gymkhana Seven. This time everyone's favourite driving ace, Ken Block, is running a (heavily) modified 1965 Ford Mustang throughout the streets of Los Angeles. No stalling, here's the video from the source:
Some of my favourite moments:
1. Being introduced to a Mustang modified to power all four wheels.
2. An epic doughnut being laid down around the iconic Randy's Donuts. As a doughnut fanatic (the snack more than the driving stunt), this was a meaningful moment for me in this film.
3. The car's interaction with a Caprice 2-door (a 1986 or 1987, can't quite tell). I wouldn't necessarily have modified mine the way this guy did, but because they are such unlikely companions, it's a rare day when two of my favourite cars are featured together.
4. Filling up a section of the L.A. freeway with reams of tire smoke. Pretty awesome when you see it.
I first heard about Mr. Block and his fantastic driving skills in his appearance on Top Gear a few years back. Appropriately, this segment was presented by Captain Slow himself, James May.
Here's that vid:
I for one really dig some the creative ways this group uses their environment to really push the car. It's exciting to watch and Ken Block makes it look so effortless. The fact is though, not everyone can do what these guys do. Simply put, that's what makes it so awesome. Enjoy everyone!
On December 16, the Los Angeles Times posted an opening for a new Middle East Correspondent.
The Los Angeles Times is looking for a seasoned reporter to cover the Middle East.
This correspondent will anchor our coverage of the ongoing conflicts in Iraq and Syria, as well as monitoring the turbulent progress of âdemocracyâ in Egypt, North Africa and the Gulf. But more than that, we are looking for an accomplished writer who is capable of plunging into these ancient and dazzling cultures, capturing their mesmerizing variety, deep intellectual history, turbulent social upheaval and â from ISIS insurgents to entrenched dictators â their capability for brutish violence.
The successful candidate will be the one who avoids the office and wanders the back roads; who will leave the others to tally the daily mayhem and bring us stories we will not have the power to forget.
Fluency in Arabic is strongly preferred. Home base is negotiable. Please apply to Kim Murphy, assistant managing editor for foreign and national news.
After a week of contemplation I finally decided to apply. Here's my Cover Letter. Please wish me luck!
I consider myself seasoned - well at least lightly seasoned- especially at the time of the holiday season, and so I thought why not: maybe I should apply to be the Middle East Correspondent for the Los Angeles Times. What can I tell you - I have always loved living in the Middle East ever since my first visit to Damascus in 2003. I have travelled from Baghdad to Agrabah and everywhere in between over the last decade or so. Along the way I too have learned to put things like "democracy" in quotes. Sometimes I put it in double quotation marks because "democracy" that is imported can become an even more interesting version of ""democracy."" But that is neither here nor there. I too agree with you that the only thing really worth covering in this region - besides the contested debate over Hommus in my humble opinion - are the "ongoing conflicts in Iraq and Syria" and the "turbulent progress of democracy in Egypt, North Africa, and the Gulf." What better way to ensure that the readers of the Los Angeles Times have an in-depth understanding of the region than to ensure they only hear about those specific issues? However, I know you are looking for "more than that" from the new correspondent. An accomplished writer? Sure let's check that box. Capable of plunging into ancient and dazzling cultures? I have been known to take the plunge but only rarely dazzle. By the way normally when someone refers to ancient and dazzling, I don't really think of the Middle East but maybe Jack Nicholson. Nevertheless I feel you about this place. I too love its "mesmerizing variety" and "deep intellectual history", topics that are almost superfluously covered in the pages of the LA Times.
Allow me at this point to pivot to what I think is my defining characteristic - and a key characteristic for anyone who writes about these Middle Eastern "dazzling cultures": my ability to understand "their capability for brutish violence." I know you are looking for a focus on ISIS insurgents and entrenched dictators but what about Jafar the sinister wicked Vizier? Or how about further afield, Scar and his brutish attack on Simba and Mufasa? Or Shere Khan - does anyone really understand why he went after Baloo? What caused him to choose violent extremism? I'm sorry, I digress. Getting back to the point: I am your man, your successful candidate. Just as the doctor ordered, I always avoid the office. I don't really wander the back roads - do you? What do you do there? Finally I wholeheartedly support your call: who needs to tally the mayhem when we can indulge on stories to give us the power to forget.
Should you find my candidacy deserving, please be in touch with me and I will fly my carpet right over for an interview.
The days are long gone when you would go to a Kathryn Bigelow film to be entertained. Early in her directing career, she would feature a nervous intensity in movies such as “Near Dark” and “Point Break,” but they would at the same time be fun to watch. She entered more controversial territory with “Strange Days” (still my favorite of her films), a science-fiction actioner that focused on bad cops and racial tensions in Los Angeles, but really made her [...]
Admit it â you donât think I can pull it off, do you? Well, itâs Day 2 of what Iâm now referring to as Nut Up or Shut Up Week at Club Trillion and here I am. In case you were wondering, I am actually writing all of these blogs posts the same day that I publish them, so donât think that I wrote a bunch of these and stockpiled them just so I could just sit back and make it seem like Iâm working diligently (I really am working diligently, dammit!). Also, even though it may seem like this week is all about me giving back to the Trillion Man March or something, the truth is that Iâm much more selfish than that. The sole purpose of this week is to get me to stop being so lazy and to give myself the kick in the pants that I kinda need right now, which is ironic since had I not issued this challenge to myself in the first place thereâs a solid chance I wouldnât have even put pants on at all this entire week (another irony: this last sentence discussed both pants and irony and sometimes I iron my pants before I put them on!!!).
Anyway, for Day 2 Iâve decided to write about something Iâve been giving some thought to for a little while and was just reminded of this past weekend when I went back to Indiana and stayed in my hometown for a few days. Now, Iâve mentioned Brownsburg a time or two on this blog before, but in case you missed it or donât remember what the town is like, just imagine your stereotypical suburban town and thatâs pretty much it. Thereâs really nothing all that special about the place (save the Little League World Series appearances in 1999 and 2001 and the fact that Gordon Hayward of the Utah Jazz, Drew Storen of the Washington Nationals, and Lance Lynn of the St. Louis Cardinals all graduated from BHS within a few years of each other), but there is at least one thing about Brownsburg that Iâve yet to see duplicated anywhere else, and that one thing is the unprecedented amount of adolescent loitering. Yes, loitering (loiteringâ¦and smoking the reefer).
Forgive me for sounding like a grumpy old geezer, but every time I go back to my hometown, there always seems to be a ridiculous amount of 12-15 year old dudes just hanging out everywhere throughout the town. They never have any sort of agenda and seem like theyâre just really bored and want to get out of their houses cause their moms are strung out on drugs and their dads are alcoholics who beat them or something. No matter the day of the week or the time of day, it always seems like there are kids hanging out at the grocery stores, the bowling alley, the Wal-Mart, the movie theater, both of the McDonaldâs (donât want to brag or anything but yeah, Brownsburgâs got two), and even the liquor stores. Itâs like a gay pedophileâs paradise seeing as how the entire town is crawling with 12-15 year old boys.
Now, using my own adolescence as a template, I originally thought that these kids were at the grocery stores to MILF hunt, were at the bowling alley to hit on girls their own age, were at the Wal-Mart to commit petty theft, were at the movie theater to sneak into some terrible (probably Tyler Perry) movie and get a handy in the back row, were at the Mickey Dâs to get free food from their friends who work there, and were at the liquor stores to try to get someone who is 21 to score some booze for them. But Iâve observed these kids enough to know that they arenât doing any of that (um, I swear I observed them for research purposes for this blog post and not some other reason).
Instead, theyâre just hanging out by the entrances of all these places and are talking amongst themselves, presumably about how big of a bitch their English teacher is or how badly they want to see that Kelly chickâs boobs. More often than not, they never actually go into the establishment that theyâre hanging out by and instead just get in everyoneâs way since theyâre sitting right by the entrance, which is why these kids annoy me so much. Also, without fail there is always at least one kid in the group who has a skateboard with him. And thatâs what got me thinking.
Because of the kid in the group with a skateboard, Iâve noticed that Iâve developed a bit of a disdain for all kids who skateboard, primarily because Iâm a stereotyping ass. Having said that, though, I donât have a blanket hatred for all skateboarders, as I actually think pro skateboarders are pretty badass and enjoy watching them do their thing during the X Games every summer. Iâm a big fan of Tony Hawk, Rob Dyrdek, and Jason Ellis in particular, and anyone who knows anything about me knows that just thinking about Rune Glifberg doing a Christ Air on Tony Hawk Pro Skater makes my nipples rock hard. I really do enjoy skateboarding, but thanks to these kids who loiter with their skateboards at popular places in my hometown and annoy me to no end, I only like pro skateboarding and kinda think that all non-pro skateboarders are crusty tampons.
After giving it some thought, I realized that skateboarding isnât the only thing that I feel this way about. There seem to be a handful of skills/activities that I think to myself, âThat guyâs a doucheâ if I see someone doing the activity recreationally or as just a hobby or something, but also think, âThat guyâs a total badassâ when I see an expert doing the exact same thing. Obviously this is somewhat hypocritical thinking since itâs impossible for someone to become an expert at something without being a novice first, so itâs stupid to rag on young skateboarders because Tony Hawk was once a novice too.
With that in mind, this is more of an observation of my own flawed thought process than anything else. So if you do any of the activities that Iâm going to mention in a little bit as a hobby, please donât take this the wrong way and think that I think youâre an idiot for what you choose to do with your free time. Iâm not trying to tell you how to live your life. Iâm instead just basically pointing out how messed up my logic is (although, my guess is that a lot of you feel the same way about a few of these things so really itâs more of me pointing out how messed up everyoneâs logic is).
Now that we got that disclaimer out of the way, letâs take a look at my list of the nine things other than skateboarding for which I think novices are losers but experts are badasses. Before we do, though, I should address the fact that you might be thinking that this criteria applies to all activities. You might be saying to yourself, âBut of course you think novices suck and experts are awesome. Thatâs because novices are novices and experts are experts. Thatâs how everything works.â My response to this is well, not necessarily. Hereâs a chart that provides some examples and shows the difference between a few separate activities.
If you play pick-up basketball but arenât that good, nobody is going to look down on you or judge you or anything (I mean that they wonât judge you for the decision to play basketball â if they make fun of you, itâs because you are atrocious and canât even hit the rim and not because of what you choose to do as a hobby). Meanwhile, video games are something that are almost better to not be that good at. Itâs cool to play video games with your friends every now and then, but when you become an expert at a particular game, people think youâre a complete loser who never leaves your house (this explains the genesis of Nut Up or Shut Up Week). And poor Magic: The Gathering players â no matter how good or bad you might be, the mere fact that youâre playing it at all kinda makes you a loser.
So now that you see the difference, keep in mind that weâre concerned with just that fourth case on the chart. Iâll provide my list, but part of the reason I wrote about this is because I want some input from the Trillion Man March. I know that there are some things I didnât think of, which is why Iâm hoping some of you will email me with examples you come up with. Anyway, hereâs my list:
I guess MMA guys could also kinda be grouped in with this, but here I really mean guys who do karate or judo or taekwondo or whatever else they teach at your local dojo. Just think for a second how youâd react if you found out your friend goes to karate class every Thursday night versus how youâd react if you found out your friend was a black belt in karate. I donât know about you, but Iâm equal parts jealous and terrified of anyone who has a black belt in any of the martial arts, which might explain why I make fun of people who take martial arts classes and arenât yet black belts. Maybe Iâm just getting in my licks while I feel like I still can since once they get black belts theyâd be able to mutilate me without even breaking a sweat (yes, Iâm aware that even non-black belts could still have their way with me).
I know some people probably think ventriloquists fall into that Magic: The Gathering group in that no matter how good or bad they are, theyâre still kind of weird for doing it at all. But thereâs something about good ventriloquism that I appreciate. I really shouldnât have to defend myself, but I offer this example as one bit of evidence why I am sometimes jealous of and thoroughly entertained by ventriloquists.
Itâs been brought to my attention that some people donât know what Parkour is, so if youâre included in this group, watch this video and get up to speed. I might be alone in this, but the first time I watched that, my jaw would have dropped all the way to the ground had my fully erect penis not stopped it first. Some of the stuff on there completely blows my mind and makes me wonder exactly how someone practices that stuffâ¦.
â¦which brings me to the homeless man I saw in downtown Los Angeles a couple of months ago who was apparently trying to run up walls. Now, thereâs a good chance this guy was just high on LSD, but Iâm going to give him the benefit of the doubt and assume that he was actually just trying to practice some Parkour, because he also jumped over a few benches and twirled himself around a street sign. Up until that point, I had always assumed that all Parkour was sweet, but then I saw this homeless man faceplant after he tried to jump over a bike rack and I realized that for as cool as the Parkour experts are, the Parkour novices are exactly that uncool.
(If you didnât click the links, I should mention that the video that I linked to as the good example probably isnât the one that you thought was going to be the good one.)
Obviously thereâs nothing wrong with being able to make a good meal for yourself, so donât think Iâm picking on you if you regularly cook. Iâm more concerned with the guys like Randy Marsh from the âCrÃ¨me Fraicheâ episode of South Park. You know, guys who own all sorts of utensils (and probably donât know what most of them do), obsess over cooking shows, are always on the hunt for good recipes, and think theyâre gourmet chefs just because they can make a casserole.
Actual gourmet chefs, on the other hand, are doing the Lordâs work. I fully respect people who can make elaborate and delicious meals, to the point that the rare times I eat at a nice restaurant, I typically donât enjoy the meal as much as I should because Iâm too busy envying the chef and hating myself for not knowing how to make anything more than a ham sandwich.
This is pretty self-explanatory. I hate to be the one to tell you this, but your cheesy uncle who thought he was awesome when he would pretend to pull his thumb off or find a quarter behind your ear whenever he saw you at family reunions was actually a complete loser. Conversely, this is kind of badass.
This one is a little different than all the others in that I personally never get jealous of someone because they do drugs (just say no, kids). But I still thought I should include it because there are enough examples of people who I think are pure badass primarily because of the boatloads of drugs they did or still do. Plus, I think the juxtaposition of a looking down on the stereotypical meth head high school dropout and idolizing the stereotypical rock star who shoots up in his trailer before and/or after playing to a packed house is interesting.
The kids who spray paint random lines on alleyways and the sides of trains are undoubtedly complete twats, but after watching Exit Through the Gift Shop, I canât help but think that guys like Banksy and Shepard Fairey rule (if Exit Through the Gift Shop was a hoax, that only makes me respect Banksy that much more since he was able to dupe so many people).
Anybody who has spent any time on a college campus has seen the guy who knows two or three chords and sits in a grassy area on campus (usually with his shirt off), strums his guitar, and throws lyrics to a popular song over top of some guitar playing that in no way matches the actual song. This is the novice Iâm talking about, not people like me who tried to teach themselves how to play guitar (but failed miserably) in the privacy of their own homes (of course Iâm not talking about me â I have to find a way to save face, after all). And really, you donât even have to be an expert at guitar for me to think youâre awesome. So long as you can actually play the thing and arenât just trying to give the impression that you know how to play, youâre cool in my book. Itâs the dude with his shirt peeled who is desperate for attention and bought a guitar just because he thought chicks would like him more that needs a swift kick to the taint.
I think I might make my blog post for Friday a mailbag post, but that depends mostly on whether or not I get any good emails between now and then, so if you have anything to ask or tell me, send it to me in the form of an email and Iâll respond to it for all the world to see. I know Simmons is in the midst of his âSummer of Mailbagâ over at Grantland, so after youâre done complaining about how Iâm copying him and after youâre done sulking over the fact that he didnât include your email in his mailbag column from last week, send your rejected email my way and Iâll take care of you.
And donât forget to do your homework tonight and send me any ideas you came up with for what I discussed with this post. If I get some good ones, Iâll post them at the end of the blog entries throughout the week and give you a shoutout, which will in turn surely result in at least 2 or 3 Facebook friend requests you wouldnât have otherwise received.
As always, if your ideas suck please keep them to yourselves.
Proud To Be An American But Even Prouder To Be A Buckeye,
OS ANGELES (Reuters) - Le chanteur Michael Jackson est mort, a annoncé jeudi le Los Angeles Times, citant des sources municipales et policières.
"La mort de Michael Jackson a été proclamée par des médecins cette après-midi après être arrivé à l'hôpital dans un coma profond", ont dit au Times des sources municipales et policières, rapporte le journal sur son site internet.
Le 25juin2009, Michael Jackson se trouvait dans sa maison d'Holmby Hills, à Los Angeles, quartier de Bel Air, Carolwood Drive. Un peu avant 13 heures, heure locale, les pompiers du Los Angeles Fire Department reçoivent un appel annonçant qu'il venait de faire un arrêt cardiaque.
Sur place, les ambulanciers envoient un médecin procéder à une réanimation cardio-pulmonaire. Michael Jackson, en état d’arrêt cardiaque complet, est transporté d'urgence au Ronald Reagan UCLA Medical Center où il arrive six minutes plus tard. Malgré des tentatives de réanimation pendant plus d'une heure, sa mort est annoncée à 14 h 26, mais n'est officialisée que tardivement. Une enquête du département de Los Angeles des vols et homicides est menée et une autopsie est prévue pour le 26 juin 2009 afin de déterminer les causes réelles de sa mort.
The five world-class illusionists that make up this mind-bending theatrical production are coming to the USA for the very first time, following 4 years in the the UK, with sold-out shows, rave reviews and a run in London's West End.
The Champions Of Magic cast includes Grand Illusionists Young & Strange, Queen of Close-Up Fay Presto, Master Mind Reader Alex McAleer and International Stage Magician Of The Year Edward Hilsum.
With over 20 million online views between them, this cast of Britain's top magicians includes international award winners presenting incredible mind reading, stunning close-up magic and daring large-scale illusions. Their skills have been seen around the world on TV with appearances on The CW's 'Penn & Teller: Fool Us', CNN's 'A Quest For Magic' and NBC's 'Caught On Camera With Nick Cannon'.
Witness the impossible, including disappearances, levitation, teleportation and a heart stopping finale, all presented with lighting and special effects to rival the biggest theatrical spectacles.
Champions Of Magic has been seen by tens of thousands across the UK and finally in fall 2017 U.S. audiences will get their first chance to see why British fans return to see the country's biggest touring illusion show time and time again. Don't miss your chance to catch some of the greatest magicians on the planet on their debut US tour, in a show that never fails to amaze.
October 3 - Whiteaker Center, Harrisburg, Pensylvania
October 5 - State Theater, Ithica, New York
October 6 & 7 - The Levoy, Millville, New Jersey (New York City Metro)
October 8 - Infinite Energy Center, Duluth, Georgia (Atlanta)
October 10 & 11 - Sharon Morse PAC, The Villages, Florida (Gainsville/Orlando)
October 12- The Orpheum, New Orleans, Louisiana
October 13- Arlington Music Hall, Arlington, Texas (Dallas / Ft. Worth)
October 20, Warner Theatre, Erie, Pensylvania
October 25, Weidner Theatre, Green Bay, Wisconson
October 26, Genesee Theatre, Waukegan, Illinios (Chicago)
October 28, Emporia Granada Theatre, Emporia, Kansas
November 3, Casino Regina, Regina, Saskatchewan
November 8, Union Colony Civic Center Greeley, Colorado
November 9, Rose Wagner PAC, Salt Lake City, Utah
November 10, Thousand Oaks PAC, Thousand Oaks, California (Los Angeles)
November 12, Northern Quest Casino Airway Heights, Washington (Spokane)
November 15, Cal Poly Arts, San Luis Obispo, California
November 16, Sycuan Casino, El Cajon, California (San Diego)
November 17, Grand Theatre, Tracey, California (San Francisco)
November 18, Cerritos PAC, Cerritos, California (Los Angeles)
The Old Globe today announced that due to popular demand, the exciting Globe-commissioned world premiere comedy Ken Ludwig's Robin Hood! has now extended again, through September 10! This is the second and final extension for the hit show, which previously announced a one-week addition through September 3. The production plays in the Sheryl and Harvey White Theatre, part of the Conrad Prebys Theatre Center. Single tickets start at $45 and are on sale now.
Two-time Olivier Award-winning playwright and inventive comic genius Ken Ludwig is back at the Globe following the smash success of Baskerville: A Sherlock Holmes Mystery, which broke box office records in 2015. Director Jessica Stone also returns to the Globe, where she helmed the hit productions of Arms and the Man and Vanya and Sonia and Masha and Spike. Packed with thrills, romance, laughs, and great characters like Little John, Friar Tuck, and Maid Marian, Robin Hood! tells the timeless story of a hero of the people who takes on the powers that be. So get ready to duck a quarterstaff or two-you won't want to miss a moment of the swashbuckling fun!
"Ken Ludwig is fast becoming a part of The Old Globe family, and we couldn't be happier," said Erna Finci Viterbi Artistic Director Barry Edelstein. "Ken is arguably the leading comic dramatist in the American theatre, and with Robin Hood! he has fashioned an extraordinary new take on the legend. The play is a fun summer romp full of swashbuckling and romance, and it's also a moving tale of a young man's discovery that everyone has a responsibility to care for his fellow man. This fast, funny, and colorful play is interpreted by another Globe mainstay, the gifted director Jessica Stone. She has assembled her own team of merry men and women to help make a memorable evening of theatre, and I'm delighted to share it with San Diego."
Ken Ludwig (Playwright) is a two-time Olivier Award-winning playwright whose work is performed every night of the year throughout the world in more than 30 countries and over 20 languages. He has written 24 plays and musicals, with six Broadway productions and seven in London's West End. His Tony Award-winning play Lend Me a Tenor was called "one of the classic comedies of the 20th century" by The Washington Post. His other plays and musicals include Crazy for You (five years on Broadway, Tony Award for Best Musical), Moon Over Buffalo (Broadway and West End), The Adventures of Tom Sawyer (Broadway), Treasure Island (West End), Twentieth Century (Broadway), Leading Ladies, Shakespeare in Hollywood, The Game's Afoot, The Fox on the Fairway, The Three Musketeers, The Beaux' Stratagem, Baskerville: A Sherlock Holmes Mystery, and A Comedy of Tenors. His critically acclaimed adaptation of Agatha Christie's Murder on the Orient Express, written at the request of the Christie estate, premiered this season to sold-out houses at McCarter Theatre Center in Princeton. Mr. Ludwig has received commissions from the Royal Shakespeare Company and Bristol Old Vic, and he is a Sallie B. Goodman Fellow of McCarter Theatre Center. His many awards and honors include the Charles MacArthur Award, two Helen Hayes Awards, the Southeastern Theatre Conference Distinguished Career Award, the Edgar Award for Best Mystery of the Year, and the Edwin Forrest Award for Contributions to the American Theatre. His book How to Teach Your Children Shakespeare (Random House) won the Falstaff Award for Best Shakespeare Book of 2014, and his essays are published by The Yale Review. He holds degrees from Harvard University and University of Cambridge.
Ken Ludwig's Robin Hood! is supported in part through gifts from Production Sponsors California Bank & Trust, Sheila and Jeffrey Lipinsky, Paula and Brian Powers, Jean and Gary Shekhter, Theatre Forward, and Pam Wagner and Hans Tegebo, as well as Artist Sponsor Jo Ann Kilty (for Daniel Reece, playing Robin Hood) and Evelyn Mack Truitt (for playwright Ken Ludwig). Financial support is provided by The City of San Diego.
Additional events taking place during the rest of the run of Ken Ludwig's Robin Hood! include:
POST-SHOW FORUM: Tuesday, August 8, 2017.
Join us after the show for an informal and enlightening question-and-answer session with cast, crew, and/or Globe staff members. Get the inside story on creating a character and putting together a professional production. FREE.
SINGLE TICKETS to Ken Ludwig's Robin Hood! start at $45 and are on sale now to the general public. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE [234-5623], or by visiting the Box Office at 1363 Old Globe Way in Balboa Park. Discounts are available for full-time students, patrons 29 years of age and under, seniors, military members, and groups of 10 or more. Performances have been extended by popular demand and now run through September 10. Performance times: Tuesday and Wednesday at 7:00 p.m., Thursday and Friday at 8:00 p.m., Saturday at 2:00 p.m. and 8:00 p.m., and Sunday at 2:00 p.m. and 7:00 p.m.
The 2017 Summer Shakespeare Festival includes William Shakespeare's classic tragedy Hamlet, one of the greatest plays ever written. Directed by the Globe's own Barry Edelstein, this exhilarating new production will run August 6 - September 10. Revenge thriller, ghost story, psychological drama, political epic, and family saga, all packed in one with unforgettable characters, theatrical masterstrokes, and world famous lines. The Prince of Denmark comes home from college to find his father dead, his mother remarried to his uncle, and a spine-chilling apparition roaming the palace grounds.
The Summer Season also features Guys and Dolls, playing July 2 - August 13 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Conrad Prebys Theatre Center. This musical fable of Broadway is based on a story and characters of Damon Runyon, with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows, presented in association with Asolo Repertory Theatre. Guys and Dolls tops Entertainment Weekly's list of the Greatest Musicals of All Time, and for good reason: it's everything we love in musical theatre. Now fast-rising director/choreographer Josh Rhodes returns to the Globe to direct our first-ever production of this Broadway masterpiece. Nathan Detroit needs some serious dough to keep his "oldest established permanent floating crap game" going. He's also got his hands full with his marriage-minded girlfriend Adelaide. But when Nathan makes a bet with high-roller Sky Masterson, his problems appear to be solved. Based on Damon Runyon's famous tales of small-time hoods and showgirls, Guys and Dolls is filled with some of the most wonderful showtunes ever, including "Luck Be a Lady," "I've Never Been in Love Before," and the irrepressible anthem "Sit Down, You're Rockin' the Boat." Guys and Dolls will put a spring in your step and a smile on your face and remind you how much fun it is to see a top-notch Globe revival of a classic American musical!
The Summer Season began with Shakespeare's King Richard II, which was directed by Erica Schmidt and closed on July 15, 2017.
The Old Globe is located in San Diego's Balboa Park at 1363 Old Globe Way. Through a special arrangement with the San Diego Zoo, Old Globe evening ticket-holders have the opportunity to pre-purchase valet parking in the Zoo's employee parking structure. With a drop-off point just a short walk to the Globe, theatregoers may purchase fast, easy, convenient valet parking for just $20 per vehicle per evening. Pre-paid only, available only by phone through The Old Globe Box Office. Call (619) 234-5623 or visit www.theoldglobe.org/plan-your-visit/directions--parking/valet-parking.
PLEASE NOTE: To look up online or GPS directions to The Old Globe, please do not use the Delivery Address above. There is only a 10-minute zone at that physical address. For GPS users, please click here for the map coordinates, and here for written directions to The Old Globe and nearby parking in Balboa Park.
CALENDAR: King Richard II (6/11-7/15), Guys and Dolls (7/2-8/13), Ken Ludwig's Robin Hood! (7/22-9/10), Hamlet (8/6-9/10), Benny & Joon (9/7-10/22), The Absolute Brightness of Leonard Pelkey (9/30-10/29), Globe for All Tour: Twelfth Night (10/31-11/19), Dr. Seuss's How the Grinch Stole Christmas! (11/4-12/24), M.F.A.: Romeo and Juliet (11/11-11/19), The Importance of Being Earnest (1/27/18-3/4), Uncle Vanya (2/10-3/11), American Mariachi (3/23-4/29), The Wanderers (4/5-5/6), A Thousand Splendid Suns (5/12-6/17), Native Gardens (5/26-6/24), Dr. Seuss's The Lorax (7/2-8/12).
The Tony Award-winning Old Globe is one of the country's leading professional regional theatres and has stood as San Diego's flagship arts institution for over 80 years. Under the leadership of Erna Finci Viterbi Artistic Director Barry Edelstein, The Old Globe produces a year-round season of 15 productions of classic, contemporary, and new works on its three Balboa Park stages: the Donald and Darlene Shiley Stage in the 600-seat Old Globe Theatre and the 250-seat Sheryl and Harvey White Theatre, both part of The Old Globe's Conrad Prebys Theatre Center, and the 605-seat outdooR Lowell Davies Festival Theatre, home of its internationally renowned Shakespeare Festival. More than 250,000 people attend Globe productions annually and participate in the theatre's artistic and arts engagement programs. Numerous world premieres such as the 2014 Tony Award winner for Best Musical, A Gentleman's Guide to Love and Murder, Bright Star, Allegiance, The Full Monty, Dirty Rotten Scoundrels, and the annual holiday musical Dr. Seuss' How the Grinch Stole Christmas! have been developed at The Old Globe and have gone on to enjoy highly successful runs on Broadway and at regional theatres across the country.
Michael Boatman (Prince John) starred in Roundabout Theatre Company's Broadway revival of "Master Harold"...and the Boys. His other stage credits include The Glass Menagerie (Lorraine Hansberry Theatre), Tiny Mommy (Playwrights Horizons), and Blithe Spirit (Williamstown Theatre Festival). His television credits include "The Good Fight," "Madam Secretary," "Instant Mom," "The Good Wife," and "Spin City." He is the author of four novels, including Last God Standing and Who Wants to Be the Prince of Darkness? He studied acting at Western Illinois University.
Kevin Cahoon (The Sheriff of Nottingham) was seen at the Globe last season in Love's Labor's Lost (Craig Noel Award nomination). He has appeared on Broadway in The Wedding Singer, Chitty Chitty Bang Bang, The Rocky Horror Show, The Lion King, and The Who's Tommy. His Off Broadway credits include Hedwig and the Angry Inch (also Boston, San Francisco, Edinburgh International Festival), How I Learned to Drive (Second Stage Theatre), The Shaggs: Philosophy of the World (Playwrights Horizons), The Foreigner (Roundabout Theatre Company, Lucille Lortel Award nomination), The Wild Party (Manhattan Theatre Club), and Hair and Babes in Arms (City Center Encores!). Mr. Cahoon's regional credits include Guthrie Theater, Williamstown Theatre Festival, Bard SummerScape, Ahmanson Theatre, Berkshire Theatre Festival, and others. He has appeared on television in "Nurse Jackie," "Modern Family," "NCIS," "CSI: Crime Scene Investigation," "The Good Wife," "Odd Mom Out," "Six Degrees," "Black Box," "The Mentalist," "Franklin & Bash," "Canterbury's Law," "Law & Order," and "Law & Order: Criminal Intent," among others. His film credits include I Am Michael, Mars Needs Moms, The Curse of the Jade Scorpion, The Thing About My Folks, Sudden Manhattan, and the documentaries SqueezeBox! and Whether You Like It or Not: The True Story of Hedwig. With the band Ghetto Cowboy, Mr. Cahoon won the OUTmusic Award for their album Doll.
Manoel Felciano (Sir Guy of Gisbourne) was previously seen at The Old Globe in Twelfth Night and I Just Stopped By to See the Man. He appeared on Broadway in Sweeney Todd (Tony Award nomination), Amélie, Disaster!, Brooklyn, Jesus Christ Superstar, and Cabaret, and he appeared Off Broadway in The Changeling (Red Bull Theater), Trumpery (Atlantic Theater Company), Shockheaded Peter, and Much Ado About Nothing (New York Shakespeare Festival). His regional credits include the world premiere of Terrence McNally's Mothers and Sons with Tyne Daly (Bucks County Playhouse), The Exorcist with Brooke Shields (Geffen Playhouse), Scorched, Tales of the City, Clybourne Park, Norman in Round and Round the Garden, Caucasian Chalk Circle, November, Jerry in Edward Albee's At Home at the Zoo, and Rock 'n' Roll (American Conservatory Theater), Elektra with Olympia Dukakis (Getty Villa), Tateh in Ragtime (The Kennedy Center), Three Sisters directed by Michael Greif (Williamstown Theatre Festival), and George in Sunday in the Park with George directed by Jason Alexander. His film and television credits include Uncertainty with Joseph Gordon-Levitt, "Elementary," "NCIS," "Trauma," "Life on Mars," "The Unusuals," "One Life to Live," and "All My Children." Mr. Felciano's concert credits include Soldier's Tale (Sun Valley Symphony), Ragtime (Lincoln Center), Nick Adams with Jack Nicholson, Julia Roberts, and Sean Penn (San Francisco Symphony), and Zipperz (Oakland and Marin Symphonies). As a singer/songwriter he has performed on live@joe's pub, Moonshot, and SundaySongs. He has also directed and taught at New York University, Viterbo University, American Conservatory Theater, Boston University, UC Berkeley, and University of Florida.
Meredith Garretson (Maid Marian) is thrilled to make her first appearance at The Old Globe. She is a proud graduate of New York University's Tisch School of the Arts Graduate Acting M.F.A. Program, class of 2017. Some of her favorite roles there include Hermione in The Winter's Tale directed by MarK Wing-Davey, Ranevskaya in The Cherry Orchard directed by Lucie Tiberghien, Marc Antony in Julius Caesar directed by Janet Zarish, Hypatia in Misalliance directed by Ms. Zarish, and Maggie in Cat on a Hot Tin Roof directed by Tamilla Woodard. She has appeared on ABC's "What Would You Do?" as well as in multiple independent and short films.
Andy Grotelueschen (Friar Tuck) was recently seen at The Old Globe in Fiasco Theater's world premiere adaptation of The Imaginary Invalid. He has appeared Off Broadway and around the U.S. in Fiasco's Into the Woods (The Old Globe, Roundabout Theatre Company, McCarter Theatre Center, Lucille Lortel Award for Outstanding Revival and nomination for Outstanding Featured Actor in a Musical), The Two Gentleman of Verona (Theatre for a New Audience, St. Clair Bayfield Award), Cymbeline (Theatre for a New Audience/Barrow Street Theatre), Measure for Measure (The New Victory Theater, Long Wharf Theatre), and Twelfth Night. He also appeared on Broadway in Cyrano de Bergerac. His other New York credits include Petruchio in The Taming of the Shrew (Theatre for a New Audience), the Cyclops in The Odyssey (Public Works at Delacorte Theater), and world premieres at 13P, The Exchange, and St. Ann's Warehouse. Mr. Grotelueschen's regional credits include Yale Repertory Theatre, American Repertory Theater, Shakespeare Theatre Company, Folger Theatre, Trinity Repertory Company, Actors Theatre of Louisville, Guthrie Theater, and all across the country with The Acting Company. He has appeared on television in "Elementary," "The Good Wife," and "The Knick." His film credits include Still on the Road (PBS), Coin Heist (Netflix), Geezer, Land of Kings, and Tumorhead. He is a Fiasco Theater company member.
Suzelle Palacios (Doerwynn) is a second-year M.F.A. student in The Old Globe and University of San Diego Shiley Graduate Theatre Program. She has been seen in The Old Globe's Summer Shakespeare Festival in King Richard II, Love's Labor's Lost, and Macbeth. Her previous credits include Julia in The Two Gentlemen of Verona and Audrey in As You Like It (The Old Globe/USD), Macbeth and The Merchant of Venice (Houston Shakespeare Festival), and Our Country's Good, The Miser, Blood Wedding, and The Crucible (University of Houston).
Daniel Reece (Robin Hood) is making his Old Globe debut in Robin Hood! His other credits include Belleville, The Realistic Joneses, and Owners (Yale Repertory Theatre), Pygmalion and The Bachelors (Williamstown Theatre Festival), The Arabian Nights, A Man for All Seasons, Hair, and Love's Labour's Lost (Connecticut Repertory Theatre), Romeo and Juliet, Petty Harbour, Dead Ends., Hedda Gabler, Twelfth Night, and Sunday in the Park with George (Yale School of Drama). His television credits include "Elementary," "Unbreakable Kimmy Schmidt," and "Public Morals." Mr. Reece is a co-founder of Old Sound Room, where he most recently appeared in the company's fifth production, JIB.
Paul Whitty (Little John) is thrilled to be making his Old Globe debut. Most recently he was in the original cast of Amélie on Broadway. He also originated the role of Billy in the Tony Award-winning musical Once, giving over a thousand performances on Broadway and also a handful at American Repertory Theater, New York Theatre Workshop, and even Tokyo. His Off and Off Off Broadway credits include Bayonets of Angst (New York Musical Festival), Violet (Encores! Off-Center), and Twelfth Night (Sonnet Repertory Theatre). His regional work includes Amélie (Berkeley Repertory Theatre, Center Theatre Group), Peter and the Starcatcher (Actors Theatre of Louisville), Judge Jackie (Sharon Playhouse), Be More Chill (Two River Theater), reasons to be pretty and Art (Crescent Stage), Circle Mirror Transformation (PURE Theatre), and Doubt and War of the Worlds (Village Repertory Co.). On screen, Mr. Whitty has appeared in the films Song One and The Beach Party at the Threshold of Hell and on the television series "Law & Order: Special Victims Unit" and "Guiding Light." His recordings include the Amélie and Be More Chill cast albums, the Song One motion picture soundtrack, and the Grammy Award-winning Once cast album.
Gregg Barnes (Costume Design) is an Associate Artist of The Old Globe. He has designed the Broadway productions of Tuck Everlasting (2016 Tony Award nomination), Something Rotten! (2015 Tony nomination), Aladdin, Kinky Boots (2013 Tony nomination, 2016 Olivier Award), Follies (2012 Tony Award, Drama Desk Award, Henry Hewes Design Award), Elf, Legally Blonde (2007 Tony nomination, 2010 Olivier nomination), The Drowsy Chaperone (2006 Tony Award, Drama Desk Award, Outer Critics Award, Olivier nomination), Dirty Rotten Scoundrels, Flower Drum Song (Tony nomination), and Side Show. His other New York credits include Sinatra: His Voice. His World. His Way. and Christmas Spectacular (Radio City Music Hall), The Wizard of Oz (Madison Square Garden), Pageant (Blue Angel Theatre, West End, Olivier nomination), and Dreamgirls (West End, 2016 Olivier nomination). His national tour credits include Something Rotten!, Aladdin, Kinky Boots, Legally Blonde, The Drowsy Chaperone, Dirty Rotten Scoundrels, and Flower Drum Song. Mr. Barnes also designed the regional productions of Robin and the 7 Hoods, Dirty Rotten Scoundrels, Lucky Duck, Hay Fever, and more (The Old Globe), Minsky's (Ahmanson Theatre, Los Angeles Drama Critics Circle Award), Mame and Follies (The Kennedy Center and productions at Arena Stage, The Glimmerglass Theatre, Williamstown Theatre Festival, June Opera Festival of New Jersey, and Paper Mill Playhouse. He is the recipient of the Theatre Development Fund's Irene Sharaff Young Master Award.
Fitz Patton (Original Music and Sound Design) previously sound designed the Globe productions of Constellations, The Winter's Tale, Good People, and August: Osage County and provided original music for The Two Gentlemen of Verona. He is currently represented on Broadway with Present Laughter and The Little Foxes. His other Broadway credits include The Father, The Humans, Blackbird, It's Only a Play, An Act of God, Airline Highway, The Other Place, I'll Eat You Last: A Chat with Sue Mengers, Outside Mullingar, Casa Valentina, The House of Blue Leaves, Brighton Beach Memoirs, and Broadway Bound. Mr. Patton's many Off Broadway credits include this season's Prodigal Son (New York City Center), When the Rain Stops Falling (Lincoln Center Theater, Lucille Lortel and Drama Desk Awards), and The Other Place (MCC Theater, Lortel nomination). His symphony credits include The Holy Land. Mr. Patton is the founder of Chance Magazine, a theatre design magazine.
Jacob Grigolia-Rosenbaum (Fight Director) is honored to return to the Globe after 2013's The Last Goodbye and 2014's Othello. He is also fight director for Hamlet in this year's Summer Shakespeare Festival. His credits as fight director include Peter and the Starcatcher (Broadway, New York Theatre Workshop, New World Stages, national tour), Peter Pan Live! (NBC/Universal), Bloody Bloody Andrew Jackson (Broadway, The Public Theater, Williamstown Theatre Festival), Cyrano de Bergerac (Broadway), Here Lies Love (The Public Theater, commercial remount), The Robber Bridegroom (Roundabout Theatre Company), Sailor Man (also co-creator, New York International Fringe Festival, winner of Best Play), The Buccaneer (also playwright, The Tank, Fight Fest), and Robin Hood (Williamstown Theatre Festival). Mr. Grigolia-Rosenbaum has also been fight director for numerous regional and touring companies, including Connecticut Free Shakespeare, Ogunquit Playhouse, and National Theater for Arts and Education. He was the stunt coordinator and creature performer for the horror film Dark Was the Night (Caliber/Image) and was a D1 varsity fencer while at Yale University.
David Huber (Voice and Dialect Coach) has worked on the Globe productions of The Imaginary Invalid, Skeleton Crew, Red Velvet, The Blameless, Picasso at the Lapin Agile, Measure for Measure (Globe for All), October Sky, Meteor Shower, Sense and Sensibility, Macbeth, tokyo fish story, Camp David, Constellations, Rain, The Last Match, The Metromaniacs, Ken Ludwig's Baskerville: A Sherlock Holmes Mystery, Arms and the Man, Buyer & Cellar, The Royale, Bright Star, and The Two Gentlemen of Verona. His previous Globe acting credits include The Winter's Tale directed by Jack O'Brien, The Tempest, The Two Gentlemen of Verona, and The Merchant of Venice, among several others. He has studied voice with Master Linklater Voice teacher David Smukler, Eric Armstrong, and Kate Burke. He is a graduate of the Graduate Voice Teacher Diploma Program at York University in Toronto. His regional theatre credits include Actors Theatre of Louisville, Cincinnati Playhouse in the Park, The Repertory Theatre of St. Louis, Pittsburgh Playhouse, PCPA Theaterfest, Texas Shakespeare Festival, Center REPertory Company, and Centennial Theater Festival, among many others. Mr. Huber coaches voice, speech, and acting locally, works on speech issues with special needs students, and recently taught speech in the graduate theatre program at UC San Diego. He is a graduate of The Old Globe and University of San Diego Shiley Graduate Theatre Program.
Caparelliotis Casting (Casting) has cast the Globe productions of Skeleton Crew, Red Velvet, Picasso at the Lapin Agile, The Blameless, Meteor Shower, tokyo fish story, Constellations, The Last Match, Dr. Seuss' How the Grinch Stole Christmas!, Ken Ludwig's Baskerville: A Sherlock Holmes Mystery, Rich Girl, Arms and the Man, Buyer & Cellar, The White Snake, The Twenty-seventh Man, The Royale, Vanya and Sonia and Masha and Spike, Water by the Spoonful, Time and the Conways, Bethany, The Winter's Tale, The Few, Double Indemnity, The Rainmaker, Other Desert Cities, Be a Good Little Widow, A Doll's House, The Brothers Size, Pygmalion, and Good People. Their Broadway casting credits include A Doll's House Part 2, The Front Page, Les Liaisons Dangereuses, The Glass Menagerie, Jitney, The Little Foxes, The Father, Blackbird, An Act of God, Airline Highway, Fish in the Dark, It's Only a Play, Disgraced, The Country House, Holler If Ya Hear Me, Casa Valentina, The Snow Geese, Lyle Kessler's Orphans, The Trip to Bountiful, Grace, Dead Accounts, The Other Place, Seminar, The Columnist, Stick Fly, Good People, Bengal Tiger at the Baghdad Zoo, The House of Blue Leaves, Fences, Lend Me a Tenor, and The Royal Family. They also cast for Manhattan Theatre Club, Atlantic Theater Company, Signature Theatre Company, LCT3, Ars Nova, Goodman Theatre, Steppenwolf Theatre Company, McCarter Theatre Center, Arena Stage, Second Stage Theatre (seven seasons), and Williamstown Theatre Festival (three seasons). Their recent film and television credits include HairBrained with Brendan Fraser, "American Odyssey" (NBC), "How to Get Away with Murder" (ABC pilot), "Ironside" (NBC), and Steel Magnolias (Sony for Lifetime).
Jess Slocum (Production Stage Manager) previously worked on the Globe productions of The Imaginary Invalid, Red Velvet, Picasso at the Lapin Agile, Measure for Measure (Globe for All), Love's Labor's Lost, tokyo fish story, The Metromaniacs, In Your Arms, Twelfth Night, Buyer & Cellar, Bright Star, Othello, Water by the Spoonful, The Winter's Tale, A Doll's House, Pygmalion, A Room with a View, Richard O'Brien's The Rocky Horror Show, the 2011-2013 Shakespeare Festivals, Rafta, Rafta..., Robin and the 7 Hoods, Alive and Well, Sammy, Cornelia, Since Africa, Dr. Seuss' How the Grinch Stole Christmas!, and The Glass Menagerie. Her Broadway credits include In the Heights. Her regional credits include Indecent, Side Show, Ruined, The Third Story, Memphis, and Most Wanted (La Jolla Playhouse) and Post Office (Center Theatre Group). Her San Diego credits include Mo`olelo Performing Arts Company, North Coast Repertory Theatre, and Lamb's Players Theatre.
UC Irvine's Claire Trevor School of the Arts (CTSA) welcomes the Applied Improvisation Network (AIN) for their 15th annual 4-day international convening, the AIN World Conference 2017 - Southern California on August 24-27, 2017. Applied Improvisation Practitioners from around the world will be coming to learn, share, and network with the goal of applying improvisational principles from theater, music, and dance to specific niches including:
Fortune 500 Companies, Businesses, and Organizations
Personal Growth and Development
Entertainment and Public presentations
Academia and Research
New Innovative Applications
Building on the previous year's successful conference at UK's Oxford University, this year AIN will showcase the work of some of the best applied improvisers in the world and explore some distinctly Southern California themes, including a Plenary Session featuring Alan Alda, who uses improvisation to help scientists learn to communicate more effectively at New York's Stony Brook University. Pre-Conference Day Long Workshops or "Learning Journeys" include topics of mindfulness, sustainability, multiculturalism, and entertainment applications of improvisation at venues including the Los Angeles Times, the Autry Museum of the American West, and Walt Disney Animation Studios. The full AIN World Conference 2017 - Southern California schedule can be found at https://ain17.sched.com.
AIN World Conference Chair Joel Veenstra denotes, "We are at a unique time in history - there is a lot of uncertainty in the world, and in our daily lives, improvisation provides a framework to negotiate the chaos, value our fellow human being, and enjoy ourselves on the ride."
In addition to hosting the AIN World Conference, CTSA continues to promote the integration of improvisational skills across disciplines. Along with its annual Coup de Comedy Festival, a free 4-day comedy celebration of workshops and performances, and this year's Global Improvisation Initiative Symposium, the School of the Arts is exploring improvisation's application with the Paul Merage School of Business and Sue & Bill Gross School of Nursing. These continued collaborations not only elevate the campus through growing best practices but also keep it adaptable and prepared in an ever-changing, unscripted world.
About UCI Claire Trevor School of the Arts: As UCI's creative laboratory, the Claire Trevor School of the Arts explores and presents the arts as the essence of human experience and expression, through art forms ranging from the most traditional to the radically new. The international faculty works across a wide variety of disciplines, partnering with others across the campus. National-ranked programs in art, dance, drama, and music begin with training but end in original invention. Students come to UCI to learn to be citizen-artists, to sharpen their skills and talents, and to become the molders and leaders of world culture. For more information, visit www.arts.uci.edu.
About the University of California, Irvine: Founded in 1965, UCI is the youngest member of the prestigious Association of American Universities. The campus has produced three Nobel laureates and is known for its academic achievement, premier research, innovation and anteater mascot. Led by Chancellor Howard Gillman, UCI has more than 30,000 students and offers 192 degree programs. It's located in one of the world's safest and most economically vibrant communities and is Orange County's second-largest employer, contributing $5 billion annually to the local economy. For more on UCI, visit www.uci.edu.
There are mysteries that are so eerie and strange that they boggle the mind for days on end. The case of Elisa Lam is one of them. In February 2013, this 21-year-old student from Vancouver, Canada, was found dead inside the Cecil Hotelâs rooftop water tank in Los Angeles. The L.A. County Department of Coroner ruled the death âaccidental due to drowningâ and said no traces of drugs or alcohol were found during the autopsy. However, there is much more to the story than what is implied by police reports. The first piece of evidence that needs to be considered is an elevator surveillance tape that recorded Elisaâs behavior only a few moments before she lost her life.
The four-minute video posted on YouTube shows Elisa pressing all of the elevator buttons and waiting for it to move. Seeing that the elevator doors are not closing, starts behaving extremely bizarrely. Hereâs the video.
Right after the events of the video, Elisa apparently gained access to the rooftop of the hotel, climbed to its water tank and, somehow, ended up drowning in it. Her body was found two weeks after her death, after hotel guests complained about the waterâs taste and color. Incredible.
At first, Elisa enters the elevator and apparently presses all of its buttons. She then waits for something to happen but, for some reason, the elevator door doesnât shut. She starts to look around, as if she is expecting (or hiding from) someone. At 1:57, her arms and hands start moving in a very strange matter (almost not human) as she appears to be talking to someone, something â¦ or nothing at all. She then walks away. The elevator door then shuts and appears to start working again.
Seeing the surveillance footage, most people would conclude that she was under the influence of drugs. However, Elisa did not have a history of drug use and her autopsy concluded that no drugs were involved. When one looks at the context and the circumstances of this death, things become even more mysterious.
Cecil Hotelâs Dark History
Built in the 1920s to cater to âbusinessmen to come into town and spend a night or twoâ, Cecil Hotel was quickly upstaged by more glamorous hotels. Located near the infamous Skid Row area, the hotel began renting rooms on a long-term basis for cheap prices, a policy that attracted a shiftier crowd. The hotelâs reputation quickly went from âshiftyâ to âmorbidâ when it became notorious for numerous suicides and murders, as well as lodging famous serial killers.
âPart of its sordid history, involves two serial killers, Richard Ramirez and Jack Unterweger.
Now on death row, Ramirez, labeled âthe Nightstalkerâ, was living at the Cecil Hotel in 1985, in a top floor room. He was charged 14 dollars a night. In a building filled with transients, he remained unnoticed as he stalked and killed his 13 female victims. Richard Schave, said âHe was dumping his bloody clothes in the Dumpster, at the end of his evening and returned via the back entrance.â
Jack Unterweger, was a journalist covering crime in Los Angeles for an Austrian magazine in 1991. âWe believe he was living at the Cecil Hotel in homage to Ramirez,â Schave said.
He is blamed with killing three prostitutes in Los Angeles, while being a guest at the Cecil.
In the 50âs and 60âs the Cecil was known as a place that people would go to jump out of one of the hotelâs windows to commit suicide.
Helen Gurnee, in her 50s, leaped from a seventh floor window, landing on the Cecil Hotel marquee, on October 22, 1954.
Julia Moore jumped from her eighth floor room window, on February 11, 1962.
Pauline Otton, 27, jumped from a ninth floor window after an argument with her estranged husband, on October 12, 1962. Otton landed on George Gianinni, 65, who was walking on the side walk, 90 feet below. Both were killed instantly.
There was also a murder of one of the residents. âPigeon Goldieâ Osgood, a retired telephone operator, known for protecting and feeding pigeons in a nearby park, was found dead in his ransacked room on June 4, 1964. He had been stabbed, strangled, and raped. The crime still remains unsolved.â
Elisa Lamâs case is yet another sordid addition to the hotelâs history and can lead us to ask: âWhat the hell is wrong with that placeâ?
The Movie âDark Waterâ
The story of Elisa Lam is eerily similar to the 2005 horror movie Dark Water. Dahlia, the main protagonist of the movie moves into an apartment building with her young daughter Cecilia. Both of these names are relevant. Black Dahlia is the nickname given to Elizabeth Short, a woman who was the victim of a gruesome murder in 1947 â one that appeared to be particularly ritualistic. The case was never solved. According to LA Observed, it is rumored that Black Dahlia was at Cecil Hotel right before she lost her life.
âThe Black Dahlia, Elizabeth Short, is alleged in at least one book to have hung out at the Cecil and drank at the bar next door before she disappeared in 1947, though cultural historians Kim Cooper and Richard Schave of Esotouric say thatâs just rumor.â - LA Observed, Serial Killer Central
In the movie, the daughterâs name, Cecilia, is, obviously, quite similar to the name Cecil Hotel.
After moving into her apartment, Dahlia notices dark water leaking from the ceiling in her bathroom. She ultimately discovers that a young girl named Natasha Rimsky drowned in the buildingâs rooftop water tank, which caused the water to turn black. The owner of the apartment building knew about this fact but refused to take action. Elisa Lamâs body was in the water tank for over two weeks, causing hotel guests to complain about foul tasting âblack waterâ.
The ending of the movie is also eerily relevant: The apartment buildings elevator malfunctions and the ghost of Ceciliaâs mother braids her hair. Is Elisa Lamâs death one of those ritualistic murders that are synchronistically mirrored in a Hollywood movie?
Another Strange Coincidence
Shortly after the discovery of Elisa Lamâs body, a deadly outbreak of tuberculosis occurred in Skid Row, near Cecil Hotel. You probably wonât believe the name of the test kit used in these kinds of situations: LAM-ELISA. That is hardcore synchronicity.
No Foul Play?
LA authorities ruled in June 2013 that Elisa Lamâs death was accidental and that she was âprobably bi-polarâ. That being said, some questions remain unanswered. How did Elisa, who was obviously not in her right mind, end up in the hotelâs water tank, an area that is difficult to access? Hereâs a news report describing the water tank area.
As the reporter states in the video, the rooftop area is protected by an alarm system and the water tank is difficult to reach. How did Elisa reach that area? Also, how did she close the water tank lid?
As is usually the case for strange deaths, authorities have been incredibly secretive and non-transparent during this investigation. What truly happened here? Why are there so many strange coincidences? Why was Elisa Lam acting so strange in the elevator? Was there a ritualistic aspect to this death? Why is the Cecil Hotel a hotbed for these kinds of stories? Is there some paranormal stuff going on there involving dark entities? The mystery appears to be whole and authorities do not seem to be wanting to probe further. Maybe I should cite here the slogan that appears on Dark Water movie posters : âSome mysteries are not meant to be solvedâ.
Bokningarna till Alicante har Ã¶kat med 50 % sedan fÃ¶rra Ã¥ret.
Det hÃ¤nder saker pÃ¥ topplistan. FÃ¶r fÃ¶rsta gÃ¥ngen pÃ¥ sex Ã¥r Ã¤r Spanien mer populÃ¤rt Ã¤n Turkiet och Grekland. HÃ¤r Ã¤r trenderna infÃ¶r sommaren 2013.
Det Ã¤r hÃ¶gt tryck pÃ¥ bokningarna av sommarresor trots osÃ¤kert konjunkturlÃ¤ge. Det framgick i den stora reseundersÃ¶kningen, Ticket Collection, som resebyrÃ¥n Ticket slÃ¤ppte igÃ¥r. HÃ¤r Ã¤r fem tydliga restrender infÃ¶r sommaren 2013, frÃ¥n Tickets undersÃ¶kning:
Spanien gÃ¶r comeback
Efter fyra Ã¥r i popularitetstoppen halkar Turkiet ner frÃ¥n fÃ¶rstaplatsen pÃ¥ listan Ã¶ver de mest populÃ¤ra resmÃ¥len. I stÃ¤llet kliver Spanien upp pÃ¥ tronen. UndersÃ¶kningen visar att landet lockar alla Ã¥ldersgrupper. Klassikern Mallorca Ã¤r fortfarande i topp medan Alicante Ã¤r det spanska resmÃ¥l som Ã¶kat mest - nÃ¤stan 50 procent sedan fÃ¶rra Ã¥ret.
â FÃ¶r fÃ¶rsta gÃ¥ngen pÃ¥ lÃ¤nge har sÃ¤ger folk "Nu Ã¤r det billigt i Spanien igen!", det var lÃ¤nge sedan vi hÃ¶rde det, sÃ¤ger Martin Durnik, marknadschef pÃ¥ Ticket.
New York minskar - San Francisco Ã¶kar
USA Ã¤r ett populÃ¤rt resmÃ¥l Ã¥ret runt och har haft en stadig Ã¶kning av resenÃ¤rer under flera Ã¥r. New York Ã¤r fortfarande dragplÃ¥stret, men infÃ¶r den hÃ¤r sommaren har bokningarna minskat med Ã¥tta procent. En fÃ¶rklaring kan vara att fler vÃ¤ljer att Ã¥ka till Los Angeles och Miami just under sommarmÃ¥naderna. DÃ¤r finns de sol- och badmÃ¶jligheter som saknas i New York. Ticket kan ocksÃ¥ se en stor Ã¶kning av bokningarna till San Francisco, dit SAS bÃ¶rjar flyga direkt frÃ¥n Stockholm, via KÃ¶penhamn, i bÃ¶rjan av april.
Satsning pÃ¥ lokala flygplatser
Charterbolagen har gjort en satsning frÃ¥n de lokala flygplatserna som totalt ska stÃ¥ fÃ¶r nÃ¤stan en fjÃ¤rdedel av den totala chartervolymen.
â SkellefteÃ¥ och VÃ¤sterÃ¥s Ã¤r de stora vinnarna. VÃ¤sterÃ¥s charterflygningar har Ã¶kat med nÃ¤stan 500 procent, sÃ¤ger Martin Durnik.
ReguljÃ¤rflyg till baddestinationer
Flera flygbolag vÃ¤ljer att satsa pÃ¥ reguljÃ¤rflygningar till baddestinationer, vilket har gjort det enklare att sjÃ¤lv arrangera sin solsemester. SAS har bland annat satsat pÃ¥ Pula i Kroatien och Antalya i Turkiet medan Norwegian bland annat sÃ¤tter in nya linjer frÃ¥n KÃ¶penhamn till Korfu och Lissabon.
FyndlÃ¤ge pÃ¥ Turkiet
De stora charterbolagen har satsat pÃ¥ att Ã¶ka resorna till Turkiet, men hittills har det inte blivit den bokningsstorm man fÃ¶rvÃ¤ntat sig.
â Turkiet bokar inte lika bra som fÃ¶rutspÃ¥tt, sÃ¥ nu behÃ¶ver charterbolagen komma igÃ¥ng med fÃ¶rsÃ¤ljningen dit, sÃ¤ger Martin Durnik. Det kan innebÃ¤ra en del intressanta kampanjer framÃ¶ver.
I undersÃ¶kningen konstaterar Ticket ocksÃ¥ att svenskarna blir mer och mer medvetna i sitt resande. Man vill gÃ¤rna lÃ¤ra sig saker om sitt resmÃ¥l, lokalinvÃ¥narna och kulturen.
-Generationen som nu Ã¤r i 40-Ã¥rsÃ¥ldern var de fÃ¶rsta som backpackade i Sydostasien. De vill nu utforska resmÃ¥l pÃ¥ nÃ¤rmare hÃ¥ll â men pÃ¥ sitt eget sÃ¤tt. De vill upptÃ¤cka Europa, kanske genom att ta med familjen pÃ¥ en kryssning i Kroatien eller bo pÃ¥ en gÃ¥rd i Frankrike, fÃ¶rklarar Martin Durnik.
Sunday NBA free play. My selection is on the ‘under’ between Utah and Los Angeles at 3:30 pm et on Sunday. The lone Game 7 of the opening round of the NBA Playoffs will feature the Jazz and Clippers on Sunday afternoon, and I’m expecting a relatively low-scoring affair. I’m just not sure where the […]
UlaÅÄ±mda En Pratik Yol O! sloganÄ± ile yola Ã§Ä±kan ve Uberâin karÅÄ±laÅtÄ±ÄÄ± en gÃ¼Ã§lÃ¼ rakip olan giriÅim YOLO iÃ§in geri sayÄ±m baÅladÄ±. DÃ¼nyada olduÄu gibi Ã¼lkemizde de yoÄun ilgi gÃ¶ren Åehir iÃ§i, konfor ve kaliteyi birleÅtiren yolculuklar saÄlayan platformlara bir yenisi daha ekleniyor. KÄ±sa sÃ¼re iÃ§inde hayatÄ±mÄ±zda farklÄ± bir yer edinmeyi hedefleyen giriÅimin adÄ± YOLO. YOLO, Åehir iÃ§inde lÃ¼ks segment araÃ§lar ile Åehir iÃ§i VIP taÅÄ±macÄ±lÄ±k hizmeti veren ve sektÃ¶re Ã§ok iddialÄ± girerek diÄer rakiplerine nazaran Ã§ok farklÄ± iÅ modeli ve kazanÃ§ vaat eden bir mobil uygulama. DÃ¼nyada Uber modeli olarak bilinen mobil uygulamanÄ±n TÃ¼rkiye versiyonu olarak planlanmÄ±Å olan YOLO, uzun sÃ¼ren Ar-Ge Ã§alÄ±ÅmalarÄ± sonucunda ortaya Ã§Ä±kmÄ±Å. YOLOâyu dÃ¼nyadaki benzerlerinden farklÄ± kÄ±lan en Ã¶nemli Ã¶zellik TRâde hukuksal altyapÄ±sÄ±nÄ±n saÄlamlÄ±ÄÄ± ve farklÄ± kazanÃ§ modelleri. YOLO, hem kullanÄ±cÄ±lara, hem de iÅ ortaklarÄ±na saÄladÄ±ÄÄ± yeni nesil bir iÅ modeli ile kÄ±sa sÃ¼rede yola Ã§Ä±kÄ±yor.
YOLO, TEB Holding ve ÃolakoÄlu Grup YÃ¶netim Kurulu Ãyesi Haydar ÃOLAKOÄLU baÅkanlÄ±ÄÄ±ndaki gÃ¼Ã§lÃ¼ yatÄ±rÄ±mcÄ± ve yÃ¶netim kadrosu ile de dikkat Ã§ekiyor. YÃ¶netim kademesindeki 12 kiÅilik tecrÃ¼beli ekibin, 1 yÄ±l sÃ¼ren Ã§alÄ±ÅmalarÄ± sonucu ortaya Ã§Ä±kardÄ±klarÄ± YOLO, Åehir hayatÄ±na yeni bir soluk getirmeyi planlÄ±yor.
UlaÅÄ±mdaki zorluklarÄ± keyif ve konfor ile Ã§ok uygun koÅullarda sunmayÄ± hedefleyen ekip adÄ±na konuÅan YOLO YÃ¶netim Kurulu BaÅkanÄ± Haydar ÃOLAKOÄLU ÅunlarÄ± sÃ¶yledi;
âGÃ¼nÃ¼mÃ¼zde temel ihtiyaÃ§larÄ±mÄ±zdan biri olan Åehir iÃ§i konforlu seyahatin hÄ±zlÄ±, gÃ¼venli ve ucuz olarak saÄlanabilmesi baÅlangÄ±Ã§ noktamÄ±zdÄ±. Bununla birlikte, kayÄ±t dÄ±ÅÄ± kalan birÃ§ok seyahatin kayÄ±t altÄ±na alÄ±narak vergilendirilmesi, sektÃ¶rde hukuksal altyapÄ±nÄ±n saÄlamlaÅtÄ±rÄ±lmasÄ± yeni dÃ¼zende yeni normallere alÄ±Åan bizler iÃ§in Ã§ok Ã¶nemli. Ä°Ålerimize teknolojiyi en verimli Åekilde entegre etmek hem kullanÄ±cÄ±larÄ±mÄ±za hem de iÅ ortaklarÄ±mÄ±za yÃ¼ksek kazanÃ§ saÄlayacaktÄ±r.
YOLO yÃ¼zde yÃ¼z yerli yapÄ±m bir uygulamadÄ±r. AmaÃ§larÄ±mÄ±zdan biriside bu iÅ modelini hÄ±zlÄ± bir Åekilde Ã¼lke dÄ±ÅÄ±nda da kullanÄ±lan bir marka yapmaktÄ±r. YOLOânun temel felsefesi bundan ibarettir.
Kendi kurucularÄ±mÄ±zÄ±n saÄladÄ±klarÄ± desteklerin yanÄ±nda, henÃ¼z baÅlangÄ±Ã§ aÅamasÄ±nda iken Los Angeles merkezli bir yatÄ±rÄ±m Åirketinden 16 milyon dolar deÄerleme ile bir kÄ±sÄ±m yatÄ±rÄ±m aldÄ±k. Kendileri ile yaptÄ±ÄÄ±mÄ±z Ã§alÄ±Åmalar sonucunda da âyou only live onceâ baÅ harflerinden oluÅan YOLO isminde karar kÄ±ldÄ±k. Bunun yanÄ±sÄ±ra Los Angeles, San Francisco, Londra ve ZÃ¼rih merkezli yatÄ±rÄ±mcÄ± gruplarÄ± ile de gÃ¶rÃ¼Åmelerimiz devam etmekte. Bu gÃ¼Ã§ birliÄi platformu ile hem UBER gibi bir dÃ¼nya devine rakip olacak, hem de TÃ¼rkiyeâden bir dÃ¼nya markasÄ± Ã§Ä±kartabilmek iÃ§in Ã§alÄ±ÅacaÄÄ±z.
BaÅlangÄ±Ã§ gÃ¼nÃ¼nde 300âÃ¼n Ã¼zerinde araÃ§ ile hizmet verecek olan YOLO ile kullanÄ±cÄ±lar, tek tuÅ ile araÃ§ Ã§aÄÄ±rabilecek, ulaÅÄ±m Ã¼cretlerini kredi kartlarÄ± ile Ã¶deyebilecekler. AraÃ§ta unuttuklarÄ± herhangi bir eÅyanÄ±n gÃ¼vende olduÄunu bilecekler. YÄ±l sonu hedefimizde 1000âi aÅkÄ±n araÃ§la hizmet vermek var.
Bu uygulamalarÄ±n yanÄ±sÄ±ra yolcularÄ±mÄ±zÄ± Ã§ok Ã¶zel kampanyalardan da faydalandÄ±racaÄÄ±z. FarklÄ±lÄ±klarÄ±mÄ±z, ilk gÃ¼nden bu ayrÄ±calÄ±klar ile gÃ¶rÃ¼lecek. Kasim ayÄ±nda acilacak beta surumu ile Ä°stanbul`un bazi seckin mekanlarinda yapilacak test surusleri ile hizmete baslayacak olan uygulama Ã¼zerinden Ã¶zellikle tanÄ±tÄ±m gÃ¼nlerimizde kayÄ±t yaptÄ±ran yolcularÄ±mÄ±za 15 AralÄ±k - 4 Ocak tarihleri arasÄ±nda Ã¼cretsiz ulaÅÄ±m haklarÄ±, Ã§eÅitli promosyonlar saÄlayacaÄÄ±z. AÃ§Ä±lÄ±Åa Ã¶zel bu kampanya gibi birÃ§ok bÃ¼yÃ¼k kurumdan da kampanya desteÄi alan YOLO ile yolculuklarÄ±nÄ±zÄ±n standartlarÄ± deÄiÅecek. YOLOâyu hepinize tavsiye ediyorum. YOLO dÃ¼nyasÄ±na hoÅ geldiniz.â
GooglePlay ve AppStore dan indireceÄiniz uygulama sayesinde YOLO dÃ¼nyasÄ±nda siz de yerinizi alÄ±n. DetaylÄ± bilgi ve iletiÅim iÃ§in www.yolo.com.tr adresinden YOLOâ ya ulaÅabilir @yolo_turkiye Instagram adresinden de takip edebilirsiniz.
EXCLUSIVE:Legendary Chief Marketing Officer Emily Castel is stepping down from her role at the company to focus on her new UK-based consultancy outfit Castel Creative. Her departure comes as Legendary winds down its London-based marketing operations, moving all functions to Los Angeles to work in close contact with its studio distribution partners.
Castel will maintain an advisory role at Legendary going forward but will step back from its day-to-day marketing operations…
This offer is available only in the United States and is intended for United States residents only.
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RE2 Robotics has been selected to provide technology and support to aid a University of California – Los Angeles professor’s research on haptics with the award of $1.3 million in funds. Veronica Santos, the professor who will lead the research, chose the robotics company to provide a Highly Dexterous Manipulation System robot, software support and […]
LAWA Business & Jobs Resource Center - Los Angeles, CA - PURPOSE: Prepares complete estimates for bid process and/or contract negotiations as directed by Sr. V.P. of Operations, Division VP or Manager or Project Manager. ESSENTIAL DUTIES AND RESPONSIBILITIES: Review proposal specifications, drawings, existing site conditions and a...
LAWA Business & Jobs Resource Center - Los Angeles, CA - PURPOSE: Prepares complete estimates for bid process and/or contract negotiations as directed by Sr. V.P. of Operations, Division VP or Manager or Project Manager. ESSENTIAL DUTIES AND RESPONSIBILITIES: Review proposal specifications, drawings, existing site conditions and a...
A Los Angeles-area hospital said that some of its patients contracted an antibiotic-resistant "superbug" that has been linked to a type of medical scope and infected dozens of people around the country.
Semburan Tercepat, Tertinggi dan Terjauh Rekor Dunia untuk Ejakulasi tercepat, tertinggi dan terjauh di pegang oleh Horst Schulzt. Tercatat kecepatan semburan sperma saat ejakulasinya adalah 42,7 m/jam menjangkau jarak 6 m dengan ketinggian 8,5 m.
Ibu Termuda Lina Medina, lahir di Peru pada tahun 1933. Menstruasi pada umur 3 tahun, kemudian hamil dan melahirkan pada umur yang sama melalui operasi caesar. Tidak diketahui siapa ayah bayi yang dilahirkannya, namun beberapa hari setelah melahirkan ayahnya ditangkap dengan tuduhan incest.
Orgasme Terbanyak Dr. William Hartman dan Marilyn Fithian dari Martal Sexual Study Center, Long Beach Califonia AS melakukan penelitian selama 22 tahun mengenai fenomena orgasme pada pria dan wanita. Mereka mencatat wanita dapat bertahan dan mengalami 134 kali orgasme/jam sedangkan pria 16 kali untuk setiap jamnya.
Orgasme Terlama Berdasarkan penelitian pada tahun 1966 oleh Master dan Jhonson mencatat, seorang wanita dewasa dapat mengalami orgasme selama 43 detik dengan 25 kali kontraksi pada otot liang senggamanya.
Penampung Sperma Terbanyak Michelle Monaghan, wanita yang berasal dari Los Angeles AS merupakan pemegang rekor dunia untuk penampung sperma terbanyak. Pada tahun 1991 Ia berhasil mengeluarkan 1.7 liter sperma dari . Tidak diketahui cairan sperma sebanyak itu diperoleh dari berapa pria dan berapa kali session bercinta.
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Vagina Terkuat Untuk urusan ini mungkin Tatiata Kozhevnikova adalah yang terkuat. Wanita Rusia ini merupakan pemegang rekor âvaginaâ terkuat di dunia. Tatiata dapat mengangkat Sebuah bandul yang terikat dengan sebuah beban seberat 62 kg yang dibenamkan pada liang senggamanya.
Gang Bang Terbanyak Lisa Sparxxx, Aktris film porno Amerika Serikat ini merupakan pemegang rekor âGang Bangâ terbanyak dunia. Pada tahun 2004 ia berhasil memecahkan rekor atas namanya sendiri dengan digilir 919 pria dalam satu hari.
Masturbasi Terlama Kali ini rekor masturbasi terlama dipegang seorang Jepang berkebangsaan Amerika Serikat, Masanobu Sato. Ia mengikuti sebuah lomba masturbasi yang diselenggarakan Sex & Culture Center San Francisco dimana ia dapat bertahan selama 9 jam 58 menit. Tidak diketahui apakah pegang sendiri atau menggunakan jasa joki.
Tekhnik Bercinta Paling Mematikan Jangan sekali-kali meniup liang senggama pasangan anda secara berlebihan sewaktu bercinta. Akibatnya sangat fatal dan bisa mengakibatkan kematian. Meniupkan udara pada liang senggama secara sengaja dan berlebihan mengakibatkan obstruksi pada pembuluh arteri sama seperti halnya symptom disemboli pada paru-paru. Tercatat kematian dapat terjadi 30 menit setelah perlakuan.
Eksekusi Penis Terbesar dalam Sejarah Pada tahun 1300 SM, Raja Meneptha berhasil memenangkan peperangan atas kerajaan Libya. Sebagai selebrasi atas kemenangan tersebut ia memerintahkan tentaranya untuk mengeksekusi hampir 13.000 penis tawanan perang dan membangun sebuah monumen di daerah Karnak untuk mengenang momen tersebut. Pada monumen itu tertulis nama-nama siapa saja yang di eksekusi diantaranya para jendral perang, tentara, masyarakat Libya dan sebagian tentara bayaran yang berasal dari Yunani.
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Penis Terkuat Tatiata Kozhevnikova mungkin wanita yang memiliki vagina terkuat yang mampu mengangkat beban 62 kg. Begitu pula dengan Mo Ka Wang pria Hong Kong yang berhasil mengangkat beban seberat 125 kg setinggi 10 cm dari permukaan tanah dengan menggunakan penisnya. Ia mengaku berlatih tekhnik Tao kuno yang sudah berumur 2500 th guna meningkatkan vitalitasnya.
Bintang Film Porno Tertua Beralih ke Jepang. Kali ini rekor bintang film porno tertua dipegang Shigeo Tokuda yang berumur 76 tahun. Walaupun sudah pensiun, Shigeo telah membukukan 250 judul film porno selama karirnya.
Bayaran Termahal Seseorang yang tidak mau disebutkan namanya berani membayar $ 3.8 juta atau sekitar Rp. 41.8 M dalam lelang keperawanan yang diposting Natalie Dylan di internet. Beredar rumor yang menyatakan Natalie menolak tawaran tersebut.
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Marcellus Wiley, a retired NFL defensive end and Pro Bowl football star nicknamed DatDude, currently co-hosts the SportsNation television program on ESPN and a sports talk radio show on ESPN Los Angeles.
While he was an excellent athlete in football, he never learned to swim growing up in Southern California.
"One day, I get a call from Alan Morelli who asked me to meet Marcellus at the pool at UCLA," recalled Steven Munatones. "Frankly, I did not know who Marcellus was except that he was a pro football player.
When I arrived at the pool, it was very clear who Marcellus was. He was huge - his smile was wide and his personality was so charismatic. He really wanted to learn how to swim and he had set a goal for himself to swim a mile around Santa Monica Pier. But when I first saw him thrashing around in the water, he was really going nowhere except displacing a whole lot of water. Frankly, I was sure that reality would get in the way of his goal."
But the same dedication that took him from streets of Southern California to the hall of Columbia University in New York City and later to the NFL drove him to quickly pick up swimming. "He is a spectacular athlete and he was able to learn how to best utilize his tactile feel and spatial awareness for good body positioning and breathing faster than anyone who I have seen. His comfort level in the water skyrocketed once he learned the basic of pulling, kicking and breathing - as well as dealing with the surf and dynamic conditions of the Pacific Ocean."
The short program above show how Wiley, conquered his initial fears of the open water.
MezinÃ¡rodnÃ olympijskÃ½ vÃ½bor v zÃ¡ÅÃ pravdÄpodobnÄ urÄÃ poÅadatele hned dvou letnÃch her. Na roky 2024 a 2028 kandidujÃ jen PaÅÃÅ¾ a Los Angeles a obÄ mÄsta se nynÃ majÃ domluvit na poÅadÃ. Pokud se tak nestane, rozhodne se mezi nimi pouze o hostiteli her v roce 2024.
Well, ï»¿almost ï»¿the entire cast. 'Tonight Show' host Jimmy Fallon is really get into Los Angeles living during this week's sojourn to the land of sun and fun, and no ode to California would be complete without a loving nod to the ultimate Cali show: 'Saved By the Bell.'
I have already bought new break pads from someone, so I only should pay to have them changed. I live in Los Angeles by the way. Please give me an appoximate of what would be reasonable. I'm a student, low on cash.
Thank you. How much should I pay to have a mechanic change the my car's front brake pads? You did a no,no. It would be the same as bringing your own steak to the resturant and asking them to cook it for you. Never bring your parts to a mech and ask them to install them. Now you will pay around $75 to have them put on. How much should I pay to have a mechanic change the my car's front brake pads? They should be able to do it in under an hour, but they will also charge you for shop supplies and will probably come up with some other things that they will try to charge you for, the rotors may need to be turned as well, if they are badly scored they may need to be replaced, I would borrow some tools if you don't have them already and do it yourself, it's an easy job and then you know you won't get screwed by some mechanic tha